I spent the majority of time at school trying to break the rules. I would climb to the top of buildings; I even burned a building down once - not intentionally, just because I was interested in fire. I remember going through the rule book, ticking off the ones I had broken and looking for the ones I hadn't.

Simon McBurney

Theatre is the art form of the present: it exists only in the present, and then it's gone.

Theatre is about the collective imagination... Everything I use on-stage is driven by the subject matter and what you might call the text - but that text can be anything, from a fragment of movement or music to something you see on a TV.

Simon McBurney

Music Men Imagination

Ultimately, theatre takes place in the minds of the audience: they all imagine the same thing at the same time.

Simon McBurney

Time Ultimately Ultimate

I'm naturally attracted to something I don't understand because when you try to deal with something you don't understand, it opens a door into another world.

Simon McBurney

You World Wit

The only reality of the theater exists in the mind of the audience.

Simon McBurney

Theater T Reality

My parents loved classical music. And my father adored Mozart. But for some reason, I always had a reaction against it.

Simon McBurney

Music Love Art

Any play that's making a point is less interesting than something that stays with you and suggests something further.

Simon McBurney

You Wit Tin

My experience of my father's death was that it was still taboo; nobody would meet me after my father died because they didn't know what to say.

Simon McBurney

Experience Death Would

With the theatre, for God's sake, everything makes sense. You create a clear sequential reality for a specific audience at one particular time.

Simon McBurney

Time God Art

Haunted since the day its discovery was projected all over the world in 1994, I, like many others, have always wanted to see inside the Chauvet cave, site of the world's earliest known cave art. Quite rightly, we will never go. It is closed to the public.

Simon McBurney

Art World Will

I was keen to stage 'Faust,' although I find Goethe's 'Faust' indigestible.

Simon McBurney

Age Us Though

As a child, acting just seemed like a natural extension of my love of play - and if you've forgotten how to play, you shouldn't be an actor.

Simon McBurney

Love You Us

In the theatre, we're all charlatans and liars and scavengers and fly-by-nights.

Simon McBurney

Theatre Tan T

The way the mind decodes music is an individual mystery. But the physical circumstances can change the way you listen.

Simon McBurney

Music Change You

I constantly want to know - what is a table, or what is a cat?

Simon McBurney

Want Tan Table

I don't recall making a conscious decision to become an actor. I just remember winning a prize at a theatre festival when I was 17 and saying: 'Oh, that's what I have to do.'

Simon McBurney

Yin Winning Win

We feel closer to the drawings on the walls of Chauvet than the painting of, say, an Egyptian mural. These artists are not remote ancestors; they are brothers. They saw like us; they drew like us. We wear essentially the same clothes against the cold.

Simon McBurney

Art Wings Wing

My proposition is that music is at the heart of what 'The Magic Flute' means: that it's Mozart's music, not the words, we should be attending to. Music expresses what can't be expressed otherwise.

Simon McBurney

Music Art Words

When I was doing 'A Disappearing Number' in Plymouth, we had to go on an hour and a half late, and I still hadn't written an end, so we had to make one up, and then we had to go out literally with our pants round our ankles.

Simon McBurney

Written Wit Up

'Endgame' resists narrative and even thematic explanation. How you play it has to reflect this. If you decide something too much in advance, you forget the element that gives the play life - the audience.

Simon McBurney

Men Life You

In the theatre, because you're all looking at the same thing in the same space, consciousness is no longer individual. There is a unified consciousness. Until you look and project what is happening, it doesn't exist; the audience are the ones making the theatre, not the players.

Simon McBurney

Most people won't order tripe in a restaurant, but it can be fantastic.

Simon McBurney

In France, they call the people who come to the theatre 'les spectateurs'; in Britain and Ireland, they are the audience, the people who listen. This does not mean the French are not interested in language. On the contrary. It actually says more about the undeveloped visual sense over here.

Simon McBurney

Infinity is a way to describe the incomprehensible to the human mind. In a way, it notates a mystery. That kind of mystery exists in relationships. A lifetime is not enough to know someone else. It provides a brief glimpse.

Simon McBurney

Everyone sees something different in 'Endgame': a biblical apocalypse, a portrait of painful co-dependency, a confession of guilt and dignity in the face of death, a night of baffling hopelessness, a meaningless babble. Each interpretation reveals an absurd truth - not about the play, but about the person watching it.

Simon McBurney

I suppose I'm really interested in theatre that provides an intensity of experience on another level.

Simon McBurney

'The Magic Flute,' I think, is fundamentally asking what is it to change people's consciousness.

Simon McBurney

I'm passionate about music, and I feel that theatre has an extraordinarily musical ability in the way it operates on the audience.

Simon McBurney

When my mother was dying, I cooked for her. One of the things I realised was that the smell and look of the food was key. I concentrated on how it looked on the plate. Even if the amount was small, it gave her a nourishment of a different kind.

Simon McBurney

I don't really think about a visual aspect to the work at all; I just think about making the piece. And everything that occurs visually comes out of the subject matter you are dealing with so that I find it difficult to treat the visual element as a separate entity.

Simon McBurney

For years, I wasn't in the least bit interested in opera.

Simon McBurney

Mozart's seeming frothiness is just a light touch with very profound material. That's what I've found working on 'The Magic Flute.'

Simon McBurney

I might be like a conductor, or I collect the stuff together and I do a lot of my own writing. But what is a pleasure is the whole creative thing in which we're all excavating and trying to find something.

Simon McBurney

I feel that if you can play on the streets or in a comedy club, then in a theatre it's a doddle because you've got an audience.

Simon McBurney

Our lives are a sequence of things. When we're alive, they're continuing, just as my words now are an improvisation. So the idea of 30 years is actually quite nebulous. It's impossible to encapsulate it. All you can do is go: 'what next?'

Simon McBurney

If you're an actor, go out and act.

Simon McBurney

I spent the majority of time at school trying to break the rules. I would climb to the top of buildings; I even burned a building down once - not intentionally, just because I was interested in fire. I remember going through the rule book, ticking off the ones I had broken and looking for the ones I hadn't.

Simon McBurney

Most of what we say about ourselves is a wonderful piece of storytelling.

Simon McBurney

Living in France while the Falklands War was going on, I felt a profound sense of shame and betrayal, just as I did by the war in Iraq. People have asked why I don't talk about that directly in my plays. Well, politics needs to be articulated in many different ways.

Simon McBurney

I allow people to create, but I'm also marshalling everybody, which is difficult for my creativity, as I'm like a referee. Everybody else is kicking a ball. It is very messy. From the mess, though, you refine what is there.

Simon McBurney

For me, acting is like a holiday. When you're directing, you have a strong sense of responsibility for others. It's exciting but exhausting, especially when you're like me: always wanting to break the rules.

Simon McBurney

When the brain gets lost, it doesn't stop working. It tries to makes sense of things. It begins to speculate and guess, and that's when things open up. That's exciting.

Simon McBurney

I was very bad at mathematics in school, and I always had the feeling as a kid that when I worked on problems, that I would be wrong.

Simon McBurney

I have always felt more at home in a culture that has nothing to do with the one I was born and brought up in.

Simon McBurney

So you might say, 'Why do you end up making theatre in a world in which there is already too much of that? Creating layer upon layer of artifice?' Perhaps the function is to pierce through that cloud and show reality - so the function of art is to make things - to show: 'Hang on, this is real.'

Simon McBurney

'Mnemonic' is a play about memory.

Simon McBurney

The repeated action of working and playing acts like a trowel that uncovers a hidden structure under the earth. It is an action that deepens and develops.

Simon McBurney

For some years, I've been very interested in the relationship between science and art.

Simon McBurney

The brain constantly assures us, reassures us, that we are in control. But the closer you look, the more questions you have about it.

Simon McBurney

'The Master and Margarita' is deeply to do with the unconscious. It is a story about a man who writes a story in a time when he's not supposed to write that story: the story of Pontius Pilate.

Simon McBurney