Route 192 is its own thing, and you can't find that anywhere else. The colors and shapes of the buildings, the way that all the small businesses in a way feed off of the parks and sort of rip off the themes of Disney - you're not going to find that anywhere else.

Sean Baker

Shooting on the iPhone has become more of a directors' tool to lower inhibition of first-time actors and nonprofessionals. While it's helped me become more mobile, no pun intended - running around, finding tight areas and different ways of moving the camera - to me it's more about using this device to catch candid moments. That's the biggest thing.

Sean Baker

From a filmmaker's point of view, there is something undeniably cinematic about a location like Santa Monica Boulevard, which is so chaotic and busy and over-stimulating.

Sean Baker

I think with 'Tangerine' we were taking that gamble - it was a risk - that we could tell the story in a comedic fashion to attract an audience and shed light on an issue.

Sean Baker

'Greg the Bunny,' the comedy television show that I co-created, happened almost by accident. Dan Milano, Spencer Chinoy and myself made a public access show that caught the eye of IFC, and it has had three incarnations since then with a season on Fox.

Sean Baker

If more stories are told about marginalized communities, subcultures, and minorities, the less marginalized they will be.

Sean Baker

The iPhone always has a different look from model to model - 'Tangerine' is quite smooth, but that was the 5s. I was using the iPhone 6s Plus for 'The Florida Project,' and it has what's called a rolling shutter, and it gave it this hyperactivity and a very different, jarring feel, and we liked that.

Sean Baker

I'm always looking for authenticity in my films. They're based in realism.

Sean Baker

I went to NYU thinking I was going to make a 'Die Hard' sequel, or maybe action and genre films for the studios, but I ended up falling in love with personal cinema.

Sean Baker

Route 192 is its own thing, and you can't find that anywhere else. The colors and shapes of the buildings, the way that all the small businesses in a way feed off of the parks and sort of rip off the themes of Disney - you're not going to find that anywhere else.

Sean Baker

Nobody is going to just come and give you money unless you've proven yourself, especially if you're doing something that is unconventional or unorthodox and outside the way the industry thinks.

Sean Baker

When you're a child, the colors are brighter, sounds are louder and whatever.

Sean Baker

I'm very influenced by Mike Leigh and the way that he always has these climactic confrontations, like in 'Secrets and Lies' and 'High Hopes,' in which the ensemble cast meets in one location.

Sean Baker

You know, master classes are essentially extended Q&As. That's how I always approach them. I don't mean to downplay it. It's just that I never fancy myself as someone who is taking a class. 'Master class' insinuates a teacher, and I'm not one.

Sean Baker

New York City is the most culturally diverse city in the world, and yet there have been few films about the Chinese, Latino, and Middle Eastern experience in New York.

Sean Baker

So many films are being shot on the DSLR, that they're all starting to look the same. There's a shallow depth of field. It's a nice look, but I can always identify a film shot with a DSLR.

Sean Baker

The iPhone in conjunction with the Filmic Pro app - the resolution is HD quality.

Sean Baker

I make dramedies, but 'Tangerine' really has a lot of comedy, and I saw that it had a great effect - it reached a larger audience.

Sean Baker

My one hope for Netflix and Amazon is to be a little more art house- and indie-friendly, pushing those just as hard as they push their originals.

Sean Baker

A small lens gives you a very specific look. You don't have a shallow depth of field.

Sean Baker

With a lot of these social realist films, the first thing you do is drain the color.

Sean Baker