I try to present something that is full of time. Not timeless, but full of time. I never like a work where we try to update it, but it's still not interesting to see a work that is dated. If one is successful, then a work can be full of time. And time is very complex.

Robert Wilson

Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.

Robert Wilson

Yes Would Words

If you see the sunset, does it have to mean something? If you hear the birds singing does it have to have a message?

Robert Wilson

Age You UN

I think by drawing, so I'll draw or diagram everything from a piece of furniture to a stage gesture. I understand things best when they're in graphics, not words.

Robert Wilson

Age Words Word

I did a masterclass at the Juilliard and asked the students, 'Can you stand?' 'Sure.' 'Can you walk?' 'Sure.' They couldn't. They had never really thought about it.

Robert Wilson

You Walk Thought

I don't see much difference between living and working. I think living is a part of my work. People often say, 'How can you work so much?' I don't think about it as work. I think of it as a way to live.

Robert Wilson

Work Art You

If you take a Baroque commode and put a Baroque clock on top of it, maybe it is not so interesting as when you put a computer on top of it. Then you see both items in a new way.

Robert Wilson

You Way Top

We're so afraid to lose the audience. Let the audience go.

Robert Wilson

T Raid Lose

The French, not the Americans, commissioned 'Einstein on the Beach.'

Robert Wilson

T Rican Mission

When we look back at the Mayans or ancient Egypt, we look at their art.

Robert Wilson

Art Ya T

My method is much like choreography. I don't sit at a table. I work in a room with people.

Robert Wilson

Work Wit Table

If you slow things down, you notice things you hadn't seen before.

Robert Wilson

You Things Thing

When works get too intellectual, they lose their intensity.

Robert Wilson

Work Works Too

The reason you work as an artist is to stay open and ask questions.

Robert Wilson

Work Art You

I grew up in a town where there were no galleries, no museums, no theaters - a very religious, ultraconservative community.

Robert Wilson

Where Were Very

Light is architectural. It is sculptural.

Robert Wilson

T Sculptural Sculpt

I never studied theatre; I learned it by doing it. If I had studied theatre, I would not be making the kind of theatre I am making.

Robert Wilson

Would Theatre T

I want to work with Jay-Z.

Robert Wilson

Work Wit Want

Some years ago, I was invited to speak in Houston, Texas. They said I was a founder of 'postmodern theatre'. So I said to my office, 'This is ridiculous for me to go and speak about postmodern theatre when I don't know what it means, but... they're paying me a lot of money, so I'll go.'

Robert Wilson

Money Yin Years Ago

Actors always start with the voice and language. That's wrong. They should start with the body. The body is an actor's most important resource.

Robert Wilson

Art Age Wrong

I'm supposed to be the guy who hates naturalism.

Robert Wilson

My mother was a great typist. She said she loved to type because it gave her time to think. She was a secretary for an insurance company. She was a poor girl; she'd grown up in an orphanage, and she went to a business college - and then worked to put her brothers through school.

Robert Wilson

I try to present something that is full of time. Not timeless, but full of time. I never like a work where we try to update it, but it's still not interesting to see a work that is dated. If one is successful, then a work can be full of time. And time is very complex.

Robert Wilson

I always thought of the English landscape as being English gardens.

Robert Wilson

What interested me was dance - the way that it was constructed with time-space constructions, and that it was abstract. I always thought: 'Why couldn't theater be that way? Or an opera?'

Robert Wilson

Yes, I've been in love, but I guess I'm too involved with myself and my work. I think I'm in love with my work, and I'm in love with the people I work with.

Robert Wilson

When you're playing King Lear, you have to have a little humour, or you will have no tragedy when the king dies.

Robert Wilson

I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face.

Robert Wilson

I think that I've always been a kind of structured person.

Robert Wilson

There are schools teaching 'stage decoration' as a subject, and they actually call it that. I say: 'Burn those schools!'

Robert Wilson

What was very interesting to me about Clementine Hunter's work is that she couldn't read or write, and she has recorded history of the plantation life and the southern part of the U.S. - the cotton harvests, pecan picking, washing clothes, funerals, marriages - in pictures.

Robert Wilson

The landscape of Texas is in all my work. It's that light; it's that sky.

Robert Wilson

New York is very provincial. They're very cut-off; they don't have an awareness of so much that is going on in the world.

Robert Wilson

My tax dollar, which goes to New York State Council on the Arts, is by and large only spent to fund people from the state of New York! And you want to be the cultural capital of the world?

Robert Wilson

I think people are looking for an alternative to the fast pace of everyday life and entertainment.

Robert Wilson

I had no idea I was going to have a career in the theater. I did not plan it.

Robert Wilson

In Europe, unlike the States, they have a cultural policy.

Robert Wilson

I think that opera in Europe is 30 years ahead of America. There is a broader range of material presented to the public. They value contemporary opera.

Robert Wilson

To me, what is important in the theater is that we don't want to make a conclusion. We don't want to make a statement, don't want to say what something is. We want to ask, 'What is it?'

Robert Wilson

Sometimes, when we're very, very still, we're more aware of movement than when we make a lot of movement outwardly.

Robert Wilson

My work has always dealt with a kind of space that allows one to daydream.

Robert Wilson

My work is formal, not based on psychology.

Robert Wilson

By giving the leadership to the private sector in a capitalistic society, we're going to measure the value of art by how many products we can sell.

Robert Wilson

One of the few things that will remain of this time is what artists are doing. They are the journal and the diary of our time.

Robert Wilson

I'm an artist, not a philosopher.

Robert Wilson

The first thing you must know as an actor or director is the space you will inhabit. See the architecture; imagine where things can happen in space.

Robert Wilson

Increasingly, I find myself drawn to classic forms - to Euripides, Shakespeare and grand opera.

Robert Wilson

Everything in Wagner's work - the music, the acting, the staging - stemmed from the text. Everything served to interpret the text.

Robert Wilson

Counterpoint is difficult. I have been doing it since the beginning of my career. But it is not just taking any opposite. It is finding the right opposite.

Robert Wilson

If we lose our culture, we lose our memory.

Robert Wilson