'Revelations' is one of the most important pieces to the African American arts. It assesses the hope and despair of a people and overcoming the struggle with our faith.
Robert Battle
I never expected to go to Juilliard. When they came recruiting in Miami, I auditioned. I got a scholarship.
My first professional relationship, I danced with the Parsons Dance Company, and David Parsons, my former boss, allowed me to choreograph on the company.
I grew up in a very spiritual home in a Liberty City neighborhood of Miami, FL. I was raised in the church, and my mother was a very inspirational person in my life.
I come from strong people who believe in the freedom of expression and, of course, a culture that believes in that. So the idea of overcoming adversity is something that is not unfamiliar.
Reflection is not something you have a lot of time for.
I studied dance at a high school arts magnet program before moving on to Miami's New World School of the Arts, and from there, I went on to study at The Juilliard School.
I wanted to be an Ailey dancer. I would watch Alvin Ailey videos over and over, and I'd picture myself doing that. I was obsessed with it.
Eating is a necessity but a pleasure as well.
I remember the Food Network when it was first starting out: Emeril Lagasse and all those people who helped make it when it was on a shoestring budget. It actually encouraged me to start cooking.
I grew up in a household that had its roots in church and community and culture and poetry and song and in the arts. Those aspects certainly shaped what I do.
I studied martial arts before I studied dance.
Performing abroad is ambassadorial.
There's a part of me that never felt my mother abandoned me. I always felt that she did the right thing.
Seeing 'Revelations' made me want to be a professional dancer.
