Couture Quotes

I hate the terminology of 'costume' because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.

I stumbled upon the 3x1 shop because it's a few doors up from the 'V' magazine offices on Mercer. The store is intense: They can take your measurements, and the sewers are right there behind glass making what amounts to a couture pair of jeans.

Couture gowns are like gremlins; you can't expose them to bright light or get them wet.

The ultimate art form of fashion is couture. I completely geek out when it comes to couture. It shows fashion as it used to be. I don't know how many people can actually afford the clothes, but in a way, that's beside the point.

I really love Juicy Couture - it's young and fresh.

For so long Versace couture was identified with celebrities and music, which I love. But at the same time it could overwhelm the clothes.

Couture has copied my things for years, in addition to countless other costume designers, claiming theirs were the original ideas. It's all part of the business, unfortunately.

The fall couture presentations in Paris are usually my favorite moment on the fashion calendar: beautiful weather, a busy rather than manic schedule, and, let's face it, seeing the artistry, the embroidery, and handmade magnificence that goes into every dress.

I have always been a fan of Alex Perry's work. His gowns are so beautiful, elegant, and always uniquely crafted to the woman wearing them on the red carpet. They are a true piece of art-meets-couture.

My parents have influenced my fashion choices. I inherited many of their older garments, and I like their style. I love my mother's elegant and dramatic couture dresses and the feeling for colour my father has.

The detail that goes into couture stuff is insane. Everything is handmade - every sequin, every double stitch.

I'd say I play on old world couture as opposed to modern day bridal; there's something very timeless and appealing in that.

I don't really buy designer stuff. I have a few nice things, but I don't really have the occasion to wear couture too often.

Some guys are real noble guys, like Rich Franklin or Randy Couture. These guys are just really good people who happen to fight.

Model S has, really, the ready-to-wear elements. Gen 3 has the opportunity to be more couture.

I learned to work with my mother, who had an haute-couture business.

As for middle school, I had a really horrible era of style. I'd only play basketball with the boys during lunch, so I went through a phase of only wearing Lakers uniforms to school - that was cute! And then I kind of went through the Puma phase that everyone went through with the sweatsuits, which turned into Juicy Couture sweatsuits.

With couture, the great thing is that each piece has its own character, and you have space to explore and continue themes season after season.

With couture, it means I get to show fall in July with delivery in September. My clients will be getting their pieces in season.

If a piece is individually made to measure, then it's couture.

With couture, you're going right to the consumer, and that's something we learned from doing trunk shows. You're meeting the client; you're finding out what they like and what they don't like. You've really got your customer there in front of you, so you know what works and what doesn't.

The sneaker comes from sports, but it's couture now. It's not made in Asia: it's made in my little village in Italy. I can customize everything. I use silk and diamonds and crystals. I think my sneakers have a lot of good vibrations.

My mum was very glamorous, an incredible seamstress. She made up those Vogue, Givenchy and Yves St. Laurent patterns they used to sell. It was church couture, darling! Because my dad was a pastor, she could get away with more than other women. Her skirts were that bit tighter.

I started collecting couture when I was about 10 or 11 years old, and the very first piece I bought was a Balenciaga suit from 1962.

Haute couture is a legitimate subject for Yves Saint Laurent and could resume one day.

Like in great painting and architecture, in couture, to make clothes you must eliminate, eliminate, eliminate to obtain the true sense of a line. You see, the more you add, the more you load on, the more it's mad. You must try to have just the silhouette, which is an intelligence in clothes.

To be a couture designer is not only to create dresses but to adapt your line to your private customers. It is why couture is expensive. You are like a doctor.

You work around a body and adapt the clothes to your own customer, and this is the interesting part. This is why the haute couture exists: because in ready-to-wear, you have not too much fitting.

I'm sorry, but Juicy Couture tracksuits and Ugg boots don't move me in any way, shape or form. I refuse to wear them. Modern fashion doesn't appeal to me; the 1950s were better in every way, don't you think?

I saw a lot of haute couture all my childhood, and without knowing it I've learned from when I was a child to recognise beautiful fabrics.