Getting away from a white or light colored tuxedo shirt is always a little dangerous. Certain staples shouldn't be mixed with. Light pink or blue is not bad, but again, you're just breaking from a classic.
Paul Feig
Wearing a tuxedo isn't as simple as it sounds. I've been to a lot of award shows in Hollywood over the years and have seen some pretty sad tuxes. It's surprisingly easy to go off the rails.
I love funny people, and when I'm with funny people, or people who are amusing in their weirdness, I love it. Because that to me is funny, as opposed to someone who stops and says, 'Hey let me tell you a joke.'
You just have to be classy at the end of the day. That doesn't mean you can't go with a midnight blue tux. And if you can find a deep red tux that looks classy and classic, I think you can pull it off.
I love the pictures of Old Hollywood, seeing the directors dressed in suits and ties. Even the grips would be wearing ties. But the biggest thing is when I was a kid, I couldn't wait to be an adult, and I think what happens with most guys is that no one wants to be an adult anymore. So they're dressing like kids.
What's great about the geek spirit is that life never seems to stop us, and they never seem to kill our enthusiasm, our optimism and our hunger to experience the world. We keep our sense of humor, we protect our dignity, we talk to our friends about the experience and then we start again fresh the very next day.
Where there seems to be a difference between guys being nuts and women being nuts is that guys are much more open in calling each other on stuff; lots of insults and dirty names. Whereas women will talk frankly and honesty, but there also seems to be more passive aggressiveness.
When I went to high school, in the late 1970s, disco was in full swing and anyone who was into it dressed the part. I know I did.
I've always enjoyed people studying themselves in the mirror, and I also enjoy those 'walk and feel bad' shots. I like anything that isolates people and focuses them on themselves, or makes us focus on their faces as they're going through something.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
There's nothing worse than the sequel that's a letdown from the first movie.
The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
My wife and I don't have kids and people are down on us about it. But we're just not wired that way, so don't tell me I have to.
I'm glad I took the leap away from acting into going behind the camera because it's much more satisfying - I love acting and I still do, but it's much more satisfying to be able to make the stuff.
If you're not connected emotionally to a story, then you're dead. You're really just opening the door for people to lose interest and their minds to wander, for them to start picking it apart.
At the end of the day if you want to entertain people, you've got to take your ego out of the equation.
Every director should take an acting class.
Women comedy is different than men comedy. Guy comedy is very aggressive, it's about insulting each other, name-calling, and kind of busting each other's chops, and that's not what women's comedy is.
At the end of the day the question comes, what are you doing for the world? You have to try to do something that's going to add something positive.
Everyone takes pause at 40. It's the age you have to assess everything in your life. It's the fictitious marker that's always coming up when you're young. The world really does look at you to kind of have it together by 40, and be successful by 40. Whatever success means.
I've never had to get a job as a waiter or anything. I've always been able to support myself in 'the biz.' Which is great. It's really fantastic to be able to say that, because I know it's hard to do.
'Nuclear' is nothing but trouble. Do you say 'new-clear' or do you say 'nuke-you-ler'? Whoever invented that word had obviously never studied the human mouth. We don't have enough muscles in our face to make that group of letters come out smoothly. The word is missing a middle syllable, for cryin' out loud.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
Yeah, you know, I like to throw myself on the sword so that others may feel better about themselves. I tell the stories that you all want to forget, but when you remember it, it hopefully makes you laugh.
Throughout my teens, I just wanted to go somewhere I could wear a Donald Duck pin and no one would care.
Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.
At the end of the day, successful box office just means that more people saw what you did and liked it, and that to me is the most important thing. That a lot of people saw it and liked it.
I can't impress enough upon people that if you tell an honest story that people relate to and people believe and invest in, you can do anything.
As tempting as it seems to wear tennis shoes with your tux, don't do it. I think it looks ridiculous. If you're 14 years old, maybe give it a shot. In general, don't portray anything that says 'I'm too cool and I don't care.'
'Constitutional' is just a real pip of a word. Positively rolls off the tongue. In fact, it's downright fun to say. 'Con-stit-too-shun-al.' It's the verbal equivalent of skipping down the street with an ice cream cone in your hand. It's like a semantic bag of Lays potato chips. You simply can't just say it once.
I always hated high-school shows and high-school movies, because they were always about the cool kids. It was always about dating and sex, and all the popular kids, and the good-looking kids. And the nerds were super-nerdy cartoons, with tape on their glasses. I never saw 'my people' portrayed accurately.
For years, it's driven me crazy that women don't have better roles, especially in comedies. I know so many funny women but I always felt... misogynist streak is too strong a term - but a dismissiveness.
The awards world can be ridiculous, but I'm not one to bash it. I love awards! When I've been nominated for Emmys and when I won my DGA Award, I couldn't have been happier. I always liked getting a gold star in class.
I was brought up in a very religious household and did a lot of praying throughout a big part of my life and always thought of God as being not only a powerful father figure and the ruler of all time and dimension but also as a friend with whom I could chat and ask questions to and get advice from.
I was a standup comedian, which is kind of like writing and directing yourself.
Many Republicans have always reminded me of professional W.W.F. wrestlers. They come into the ring all pumped up and acting like they're invincible and that they're going to destroy their opponent. Then they get hit once and fall down and roll around in agony and suddenly seem immobilized by pain, calling for the ref to intervene.
I have an inability to enjoy things, but that's why we're in comedy. If we were happy, we wouldn't be funny, I guess.
What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything. You never ever want someone to go, 'Oh I shouldn't have done that.' There isn't anything you shouldn't try. If it's terrible, who cares?
Bad women's comedies are made by men who didn't consult enough women.
We didn't used to be so precious about women in comedy back in the old days.
I've never been comfortable around groups of guys when it gets into the putting-down. My past being a kind of geek - it kind of turns into an attack on the weakest of the group.
In my years of acting, the one thing I was never able to do convincingly was to laugh on camera. Fake-laugh.
You want a happy ending, but not such a ridiculous happy ending that it doesn't mean anything to anybody.
I always feel in improv that nothing is ever as good once it's repeated.
I'm not looking for people to bow down to me or do things in my name or even pass around a collection plate for me. I say that I'd like to be God for a while because He really can get away with anything. I mean, ANYTHING.
You can never have a thousand percent batting average on jokes - it's just never going to happen.
The greatest way for people to experience a comedy is to go in not knowing anything about it. But because of marketing, it's impossible. Marketing meaning that in order to get people to come you can't just go, 'Hey, there's a great movie - we're not going to show you anything from it but trust us!'
With a suit, even if you're having a nervous breakdown, you still look like you're in charge.
Man up and add a tux to your wardrobe. Just find one you like and get it well-tailored to your own measurements.
The dueling maturity levels in high school is such a source of comedy to me. I was always such a late developer. I was last to walk. I was last to ride a bike. I was last to have sex. That's why it's fun to portray one side of your childhood onscreen.
