An artist's duty is rather to stay open-minded and in a state where he can receive information and inspiration. You always have to be ready for that little artistic Epiphany.
Nick Cave
A gentleman never talks about his tailor.
I am not interested in anything that doesn't have a genuine heart to it. You've got to have soul in the hole. If that isn't there, I don't see the point.
People think I'm a miserable sod but it's only because I get asked such bloody miserable questions.
If you look around, complacency is the great disease of your autumn years, and I work hard to prevent that.
Getting married, for me, was the best thing I ever did. I was suddenly beset with an immense sense of release, that we have something more important than our separate selves, and that is the marriage. There's immense happiness that can come from working towards that.
In getting older, I find myself becoming progressively more ineffectual in a lot of different ways, and part of that is down to no longer having the youthful feeling that what you're doing has any true impact.
Texting is apocalyptic on some level. It's a reduction of things.
I've spent my life butting my head against other people's lack of imagination.
I'm very happy to hear that my work inspires writers and painters. It's the most beautiful compliment, the greatest reward. Art should always be an exchange.
There are methods to creating a mayhem that sounds different from your usual mayhem. Because mayhem and a heavy drum backbeat end up sounding like Green Day or something. But if you put a different beat within it to create some air and lightness, the chaos comes through better.
I'm a believer. I don't go to church. I don't belong to any particular religion, but I do believe in God. I couldn't write what I write about and be creative without a certain form of belief.
The band is a living, breathing thing. It grows in the same way we do as human beings and if it doesn't, it dies. It's important to feed the organism, and one way of doing that is to set musical challenges that keep it alive.
There's always pain around. That's one thing you can guarantee in life - there will always be a surplus of pain.
My father was a teacher and my mother also worked in the school, so the family has a background in education.
Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
The work ethic at art school is completely different than the work ethic amongst people who get into music. People who paint, it's an honorable thing to spend all day and all night in front of your canvas - that is the romantic vision of the painter.
I won't go into the details, but I ready myself for the day. I am a high-maintenance type of guy.
It's possible to get through life without a religious structure, but I don't think that's a very fruitful way to live.
Most screen violence is tedious.
I think it's a part of us as human beings that we search outside of ourselves for meaning.
The blues is instilled in every musical cell that floats around your body.
I've always hated narrative songs. I hate those songs where, basically, it's an unfolding of a story.
I've always worn suits. To me they're a very practical kind of thing to wear. You put one on and don't really have to think about what you're going to wear.
Film seems to be a medium designed for betrayal and violence.
I was reading The Bible a lot through my 20s, mostly the Old Testament, just because I was knocked out by the language and the stories. I felt that the God being talked about there, who was this insane, vindictive patriarch - it was kind of thrilling, and titillated something in me at the time.
I don't know, maybe Australian humour isn't supposed to be funny. It's as dry as the Sahara, and I think people miss that.
Kylie Minogue is the greatest thing that has happened to Australian music.
Guns are part of the American psyche, aren't they? This is collateral damage for having a Wild West mentality. It's intrinsic to the American psyche. It's never going to change.
My muse is my wife. It's not some vague thing that flutters around the astrosphere or wherever it is. Sometimes as a songwriter you need something to hang a song on, to give it some kind of presence and form. For me, Susie is that.
Musicians are at the bottom of the creative pyramid and authors are at the top, and many people think it's unacceptable for someone to attempt to jump from the bottom to the top of the pyramid.
I became a script writer with absolutely no idea of how to write a script whatsoever. I still feel a bit of an outsider in that regard. If I can maintain that approach to screenwriting, it can continue to be enjoyable.
I always thought my records were number one; it's just the charts didn't think so.
After a while, you just don't do things you don't wanna do - that's the great freedom you get, the older you get. You learn what to do and what not to do, and what will be a waste of time and what won't be a waste of time.
I suspect the older you get the more invisible you become.
The rock star is dying. And it's a small tragedy. Rock stars have blogs now. I have no use for that kind of rock star.
I would hate to think my songs were giving advice to people.
Moving to the country is a very bold thing to do. You can have vague romantic notions about doing that, but in actuality, it can be a terrifying thing.
What I'm resistant to is the 'Walk the Line' biopic, where you have this redemptive life done in two hours. It just doesn't wash with me. I've been there and things don't work out that way.
There's an element to songwriting that I can't explain, that comes from somewhere else. I can't explain that dividing line between nothing and something that happens within a song, where you have absolutely nothing, and then suddenly you have something. It's like the origin of the universe.
I'm kind of old-school and love nothing more than sitting, opening a book, and reading it. But I also love listening to audio books.
I write a lot, and very often I write a couple of lines that are particularly revealing in some kind of way. And then as a few more lines get added and a piece gets added, eventually the song pretty much takes over and you can't really find a way to change those things.
Early on I realized when you write a song about someone, it flatters them on some level, and gives you a lot of room to move within a relationship. A song can kind of get the girl, for sure.
The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
Most of my ideals and stuff really come from my mother.
When you're on your own, you have all the self-censorship that everybody has when they try and write. All the little voices that say, 'No, you can't write that, what will they think of that?'
I lost my innocence with Johnny Cash. I used to watch the 'Johnny Cash Show' on television in Wangaratta when I was about 9 or 10 years old. At that stage I had really no idea about rock n' roll. I watched him, and from that point I saw that music could be an evil thing - a beautiful, evil thing.
I have a very strange relationship in general with women around my music. There's some that understand it and some that think there should be a law against it.
Accessible local libraries are vital to communities and to children.
At school I was an anti-magnet for women.
