Meat-fetishiser that I was, I used to find willed vegetarianism inexplicable. It was one thing to be a vegetarian because of religious and caste reasons - something I was familiar with because of my Indian upbringing - but to choose to be a vegetarian when you could eat meat for every meal every day? That seemed madness to me.

Neel Mukherjee

Meat-fetishiser that I was, I used to find willed vegetarianism inexplicable. It was one thing to be a vegetarian because of religious and caste reasons - something I was familiar with because of my Indian upbringing - but to choose to be a vegetarian when you could eat meat for every meal every day? That seemed madness to me.

Neel Mukherjee

The Naxalite revolution - an ultra-left Maoist movement - in Bengal, and elsewhere in India, in the late 1960s provides one strand of 'The Lives of Others.'

Neel Mukherjee

Nostalgia is a particular affliction of immigrant fiction, and it's led to a kind of sclerosis of the form. I hate nostalgia, and I feel it's good to be aware of the politics of these genres.

Neel Mukherjee

Nostalgia can be extremely powerful in the right hands: think of the intense longing in the films Andrei Tarkovsky made after he left the U.S.S.R. They wring your soul.

Neel Mukherjee

I think there's a joy to be had in taking readers where they just don't want to go. If you are writing a properly realist novel, then don't blink. Why not see something for what it is and render it truthfully? I find it a good way of going about writing - not to blink.

Neel Mukherjee

I had just begun an M.A. in Creative Writing, and I had to write a novel, so I began writing a novel that later became 'A Life Apart.'

Neel Mukherjee

Remember that what seems zeitgeisty today is the cause of tomorrow's bafflement or, worse, ridicule.

Neel Mukherjee

Fiction can either be a mirror reflecting you back to yourself or it can be a clean pane of glass looking on the outside.

Neel Mukherjee

It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.

Neel Mukherjee

Given that all our lives rest on work that defines us, the business of labor, the wealth that work manifests itself to, I find it odd that not much is written about it. We talk about relationships, damage, adultery, revolution, but we don't talk about work.

Neel Mukherjee

The freedom fighters in India's long struggle for independence from British rule, or members of the African National Congress, were once classed as terrorists. History, as they say, is written by victors, but history also has many cunning corridors - how much time must elapse before all those tricky side-passages are revealed?

Neel Mukherjee

To be an Indian writer is to write, necessarily and inevitably, about politics, so it was a given that the story of the Ghoshes, the family at the centre of 'The Lives of Others,' should have a political soul.

Neel Mukherjee

Work defines our lives and our place in the world.

Neel Mukherjee

I don't read my books, so I don't allow myself the dangerous luxury of toying with the idea of doing things differently.

Neel Mukherjee

I wouldn't call myself a 'literary critic,' just a book reviewer.

Neel Mukherjee

One writes what one can, or has to, write.

Neel Mukherjee

I grew up in financially straitened circumstances and meat, which was expensive, was a rare thing at mealtimes. We ate meat about once a month, if that.

Neel Mukherjee

India introduced Britain to vegetarianism - see Tristram Stuart's excellent first book on this - and it is possible, indeed all too easy, to be a vegetarian in India and eat extraordinarily good, varied food every day, with very few 'repeats.'

Neel Mukherjee

In any restaurant, my eyes alight first, as if by an atavistic pull, on the meat dishes on the menu. In any dinner party I throw, I think of the non-vegetarian dish as central. I view this as a combination of weakness, greed and moral failure. Someone please help.

Neel Mukherjee

The bestseller charts, a sure indicator of public taste, tell us with relentless frequency that Marian Keyes or Jeffrey Archer is a better author, by some dizzying six-figure sum, both in numbers of copies and money, than, say, J. M. Coetzee or Patrick White. Are they right?

Neel Mukherjee