I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't know what problem a character was facing in the story. As soon as I did, I could have the character trying to do something about it or have the problem whack him between the eyes.

Morris Gleitzman

Kids aren't political, but around 10 years old, they are beginning to develop the moral grounding that might later, in their teens, develop into their first real political perspectives.

Morris Gleitzman

Children have limited power to shape their own lives, but when they can experiment with possibilities through books, their optimism can be recharged and kept alive.

Morris Gleitzman

I prefer watching people on a screen, and I've had the most pleasurable people-watching experiences at the Palace Cinema in Balwyn.

Morris Gleitzman

In 1969, we emigrated to Australia. It was a big change. The heat, the flies, and the completely different tinned meats. The shock was so great, I stopped reading books for nearly a year.

Morris Gleitzman

Melbourne is my type of city, much more so than Sydney.

Morris Gleitzman

I was named after my Jewish grandfather who left Poland early in the 20th century. What I knew from an early age was that he had lived most of his life in England, his Jewish wife had died, and he married a non-Jewish woman who was my grandmother.

Morris Gleitzman

I've always been aware that to be named after someone from the past carries with it all kinds of bittersweetness.

Morris Gleitzman

I've always been interested in setting my stories against a big event, the importance of which my younger readers are slowly becoming aware of as they move into their teens.

Morris Gleitzman

I like to write stories where young people have a strong feeling about something being fair or unfair, right or wrong, cruel or kind, and they act on the basis of that - often in the face of the prevailing limits of behaviour.

Morris Gleitzman

Because of my poor writing posture, I started walking in the forest every day, and I found it a potent place to be creatively. It changed me in that it was a new way of doing my creative process, and I realised how much I liked being among tall trees.

Morris Gleitzman

I like the idea of young readers using my stories as a sort of moral gym, where they can flex and develop their newly developed moral muscle.

Morris Gleitzman

I wrote stories as a kid just for myself. One day, some of the kids in my class found some of my stories in my bag, and I was deeply embarrassed until I realised they enjoyed reading them.

Morris Gleitzman

I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't know what problem a character was facing in the story. As soon as I did, I could have the character trying to do something about it or have the problem whack him between the eyes.

Morris Gleitzman

I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we tend to talk in short grabs rather than in long flowing sentences. I think that's not a bad way to write.

Morris Gleitzman

Although my stories are all very different on the surface, I like to write stories about characters struggling with big problems. I'm always reminded, no matter how different from me one of my characters is from me on the surface, how we're all pretty much the same underneath.

Morris Gleitzman

Stories can bring alive the moral universe in a very vivid, useful, engaging way.

Morris Gleitzman

Most of your life after puberty, you're either seeking to reproduce or living with the consequences of having done so. At 70, you start going back to being 11 again.

Morris Gleitzman

Because kids are physically smaller, there's an assumption by people who haven't read a kids' book for a long time that their ideas and themes and problems and ambitions must be commensurately smaller and less important. I would venture that sometimes the opposite is true.

Morris Gleitzman

The type of stories I write are about young people grappling with the biggest problems in their lives, often problems that are bigger than they're actually capable of solving.

Morris Gleitzman

Halfway through primary school, I realised that I was not as physically strong or fearless as many kids. So, in situations of conflict, I quickly learned that it worked better for me to get out of situations or maybe kind of, you know, prevail in a conflict situation by using humour than by trying to punch somebody out.

Morris Gleitzman