I get sent lots of jewellery by fans, and that's absolutely lovely.

I love diamond jewellery on men, and pocket scarves, cravats, cufflinks. The trick is to throw it together so it's natural and not contrived. That's real style.

For me, style is all about confidence. What you wear, both in terms of clothing and jewellery, should add to your confidence.

On stage I have to be comfortable because I play guitar so I can't wear too much jewellery, it knocks against the guitar and makes loud noises. I had this big gold eagle necklace which I love but I kept whacking myself in the face with it so had to stop wearing it. I wear things that I can sweat in, basically... it gets really hot on stage.

Spare me the carefully thought out accessorising that is supposed to look casually thrown on, while in actuality, hours have been spent on the picking and choosing of said jewellery, scarves, etc. Unless you are Keith Richards and can absolutely pull it off, less is more.

Pomellato Jewellery makes such timeless pieces. I have a chunky gold bracelet that goes with everything.

My mother gave me a pair of diamond earrings when I was 13. It symbolised becoming a teenager. I also remember getting a collection of costume jewellery from my grandmother when I was in high school.

Each piece of jewellery tells a story of my life. Picking one particular piece as a favorite would be like taking a chapter out of a book.

I don't like precious things; I don't spend thousands of dollars on jewellery for myself. I like going into a junk store and finding something for five dollars. That's my style.

I don't care for jewellery and fancy clothes.

I've always liked historic jewellery that's got a kind of quirkiness or playfulness to it; I like that it's not too serious.

Let's be honest: not everybody can afford to buy £5,000 dresses, so the jewellery is a nice of way of getting the Giles product out into the world and introduce it to people not familiar with the label. QVC is a really good partner to help us do that.

I think a bit of jewellery that cheers you up for the day isn't a bad thing.

Usually I can go for three or four weeks and then I start to bake cakes or make jewellery and I think, 'hang on a minute, I'm obviously bored rigid. I need to get back out there.'

You had to wear a hat to go to church. We weren't allowed to straighten our hair. We couldn't wear jewellery, nail polish, open backed shoes, skirts above the knee... trousers were forbidden because male apparel on a female was not godly.

Loads of my jewellery was my mum's.

You can change the look of an outfit so easily by changing the kind of jewellery you wear. If you have a basic outfit on - a black sweater and skirt or a simple black dress - you can go from the office to a cocktail party at night just by changing your jewellery. It helps if you change your shoes as well.

Understated jewellery is not for me. It's too itsy-bitsy. My husband is lucky, as I've never had a yen for real jewels.

The red carpet has become like a parallel business. The next day, there are TV programmes, and magazines, and it's all, 'Do you like the dress or not like the dress?' and 'Did she look fat?' To keep borrowing dresses and jewellery is like a full-time job. And you have to be a fantasy, which you can never be, so you always feel depressed.

I used to assist my chachaji in his artificial jewellery business. One day, I got the opportunity to visit V. Shantaram's film set to supply some jewellery. Curiosity got the better of me and before I knew it, I was playing an extra. Soon, roles with dialogues followed and the rest as they say, is history.

When it comes to jewellery, less is more as you get older. Just before I go out to a party, I look at myself in the mirror and take off half of the jewellery I'm wearing. Anything that rattles or clanks is just too dowager duchess.

It's better not to wear too much jewellery - just a couple of nice things, nothing too rattly - and stick to kitten heels or flats. Women let themselves down with tall heels. I think they're kind of vulgar. I see women sinking into grass at outdoor parties or tiptoeing over gravel at weddings. It's silly. You need to be practical.

I have a lot of lion jewellery and lion art. I also love crystals.

I'm a fiend for costume jewellery and have countless pairs of rhinestone or diamante earrings, which are so flattering when they catch the light. I love the designers Alexis Bittar and Kenneth Jay Lane, and I always go to jewellers Butler & Wilson.

Jewellery's not a big thing for me. The only thing I wear is a gold cross on a chain that I got for my 21st birthday. You have to take it off every day for filming, but that's the only time I'm not wearing it. You won't find me in rings, bracelets or earrings.

If Franschhoek has a fault, it is in the lavish refurbishment of wine farms and estates which has reached absurd proportions. Some, like Graf Delaire Estate, are brand new, with jewellery shops, indoor streams, and very high-end lodges for rent at prices not many South Africans can afford.

I get sent lots of jewellery by fans, and that's absolutely lovely.

I'm not a big spender or shopper. Neither am I extravagant, nor do I have big expenses. I mainly spend on travel. I don't buy overpriced clothes, as I feel such expenses are unnecessary. I probably wouldn't buy expensive watches or jewellery either.

I feel really honoured and happy to be part of the P. C. Chandra team. It's my first jewellery endorsement, and because I have also studied jewellery design, it's something very close to my heart, and I feel very happy being associated with the brand.

I get such lovely gifts from fans... amazing pictures, handmade jewellery. I'm very lucky!

I wear a lot of different jewellery. I love to look for it when I'm abroad or if I find a great antique or vintage shop.