Even successful musicians have had periods where people say they suck and no one likes them, even after they've had periods of great success. So I think it's like you just gotta do you and try to stay motivated. Until, you know, you decide to stay home and make spaghetti all day.

K. Flay

I've always had a duck personality. Calm above water, feet going crazy below.

K. Flay

My dad was a serious alcoholic, and ultimately, that's why he died. When you're a child of someone who struggled with things like that, you look for the common thread. Is there a pattern? Is there an inheritance of pathology in some way? That haunts me.

K. Flay

A friend of mine encouraged me to try rapping, so I started experimenting with it, writing verses, seeing if I could fit an extra word or syllable into each line without tripping myself up.

K. Flay

The more time passes in your life, I think the greater you understand perspective. So I'm happy that I've had experiences that have reminded me that most exciting things might not feel so exciting later, and the most disappointing things might not be so disappointing later, either.

K. Flay

I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.

K. Flay

I hope people describe my music as lyrically driven, cross genre. Kind of alternative, kind of indie, kind of rap, kind of everything.

K. Flay

Pre-show, I warm up my voice, stretch, do a little team huddle, and sometimes throw a shot of whiskey in there, too. After the show, I hang out at merch meeting people and signing things. After that, I usually try to see friends in whatever city we're in, or if I'm super beat, listen to a podcast and pass out.

K. Flay

I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.

K. Flay

Most of the people at my headline shows are in their 20s, but it varies a ton: like, I've had a six-year-old hug my leg after the show and a 60-year-old shake my hand. It's cool to see people connecting with the music across different generations.

K. Flay

When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.

K. Flay

Even successful musicians have had periods where people say they suck and no one likes them, even after they've had periods of great success. So I think it's like you just gotta do you and try to stay motivated. Until, you know, you decide to stay home and make spaghetti all day.

K. Flay

A good sign for me, that I'm a good spot mentally, is when I'm super prolific. And I just wake up every day excited to make or replicate music in some way. That's really nice.

K. Flay

There's only so many variations on the basics of human relationships. To me, it's all about the detail and how you tell the story. How you say, 'I love you.'

K. Flay

I've always had a complicated relationship with sleep. Even as a little kid, I never wanted to go to bed - it always seemed unfair in some way.

K. Flay

Even the dark places are places. You're still somewhere.

K. Flay

What I've discovered and try to integrate into my show is when you're up there, and you are loud and more visible, you're setting a tone for how people can behave and how they can feel comfortable behaving.

K. Flay

My sound is, at its core, a mix of things. Definitely an imperfect mix, but one that incorporates elements of the music I love - a bit of indie rock, super rhythmic rapping, and lots of synths.

K. Flay

I know that in my own mind, I struggle with a desire to be both entirely absent and entirely present in any given moment.

K. Flay

I think it's more important than ever to be as vocal as I can be about things I believe in outside of music.

K. Flay

I was thinking about how we're so in touch with our image now. That conception of ourselves, in a very physical sense, can be oppressive. You find people wanting to be in dark places, not really see themselves, see themselves as a filtered image. A curated image.

K. Flay