I concentrated on Rossini when I began, and I never really felt any competition. I sang in the best houses, and I believed I was always a first choice. I was lucky in a way - I never felt there was someone else who was getting the roles in another theatre and that we were competing.

Juan Diego Florez

Some people might hate someone who is successful, but in Peru, they love it! It makes them feel they can be successful, too. That's a good state of mind for a country that wants to come out of poverty.

Juan Diego Florez

Yes, I wrote songs. I was becoming kind of an Enrique Iglesias kind of a singer, with those ballads and cheesy romantic things.

Juan Diego Florez

I created a foundation for poor children called Sinfonia por el Peru, where they play in orchestras and choirs, learn values and get away from the bad life, become better citizens in every aspect.

Juan Diego Florez

I concentrated on Rossini when I began, and I never really felt any competition. I sang in the best houses, and I believed I was always a first choice. I was lucky in a way - I never felt there was someone else who was getting the roles in another theatre and that we were competing.

Juan Diego Florez

You are born with a voice. And in a way, you don't choose what you want to sing. It's the quality of your voice that matches a certain repertoire, and that's what you're going to sing.

Juan Diego Florez

I always feel I sing better if I have been playing a lot of tennis or football.

Juan Diego Florez

I would love to bring the children from my foundation Sinfonia por el Peru to play with some of the best musicians in the world.

Juan Diego Florez

I think spontaneous and free reactions are the most natural.

Juan Diego Florez

My parents never really wanted me to be a musician at all, because in Peru you don't earn any money that way. But when they realised it was genuinely what I wanted to do, they supported me always.

Juan Diego Florez

I played the guitar. When I was 14, I composed songs - Paul McCartney-style things. I had a rock band - we'd compete in festivals.

Juan Diego Florez

I don't like to fill up my schedule. It's easy to do, but then that year arrives, and you find that you have no time, so you are desperately trying to cancel something. I have to think of my family.

Juan Diego Florez

In Peru, there is no theatre that produces an annual opera season, and though there is one orchestra in Lima, it's always struggling to survive. We shouldn't have just one orchestra, we should have 15, we should have 50! And you should start to build this from the children.

Juan Diego Florez

Sometimes at my performances, I see Peruvian flags in the audience. I've never seen, when an Italian sings, people with Italian flags. But with Peru, it's different: because there are not many famous people, they really celebrate the ones they have.

Juan Diego Florez

I don't push my voice; I try to keep a good technique, a natural way of singing, to sing from the breath, which is the main thing.

Juan Diego Florez

In my concerts, people love when I sing a Latin encore with guitar.

Juan Diego Florez

I don't think I am even the best I can be. I like to listen to other singers and learn from them, but I'm always working on myself, trying to improve, trying to be very tough with myself.

Juan Diego Florez

When I'm doing sports, I always think of how it's related to singing, and when I watch tennis, I learn a lot for my singing: how the players are focused, how they use their technique, and, in the case of Roger Federer, how effortless it is and how beautiful it is to watch - like bel canto, in a way. That's how singing should be.

Juan Diego Florez

With El Sistema, you can create orchestras everywhere; then they can decide whether they want to become professional musicians. The aim is not only to create musicians, but to create people.

Juan Diego Florez

I now have plans to create a school for singers in Vienna, and I would love to found one in the Middle East, too, if possible.

Juan Diego Florez

I have always been pretty flexible. I could always jump and do all kinds of dangerous movements. In opera, I like to do it because it's fun, as long as it fits the role.

Juan Diego Florez