I myself saw the great works of Western civilization for the first time in my high school in Lithuania in bad black-and-white reproductions on miserable paper. That was, for many years, what art was for me. But from those miserable black-and-white reproductions, I got something, something unmistakable.

Jonas Mekas

In a meadow full of flowers, you cannot walk through and breathe those smells and see all those colors and remain angry. We have to support the beauty, the poetry, of life.

Jonas Mekas

The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.

Jonas Mekas

It is important to know that what I do is not artistic. I am just a film-maker. I live how I live and I do what I do, which is recording moments of my life as I move ahead. And I do it because I am compelled to. Necessity, not artistry, is the true line you can follow in my life and work.

Jonas Mekas

I live, therefore I make films. I make film, therefore I live. Life. Movement. I make home movies, therefore I live. I live, therefore I make home movies.

Jonas Mekas

Once you change the technology - from a film camera to a video camera, or from an 8-mm camera to 16 mm - you change completely the content. With 8 mm, a leaf on a tree will be made up of maybe four grains. So it's very impressionistic, almost like Seurat. If you switch to 16 mm, the technology gives you hundreds of grains on that leaf.

Jonas Mekas

I have never been able, really, to figure out where my life begins and where it ends. I have never, never been able to figure it all out, what it's all about, what it all means.

Jonas Mekas

Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I have thousands.

Jonas Mekas

As a film-maker and a poet, I feel it's my duty to be an eye and an antenna to what's happening around me. I always felt a solidarity with those who are desperate and confused and misused and are seeking a way out of it.

Jonas Mekas

I'm not an abstract artist; I leave that to others. To me, abstract art ended with Kazimir Malevich's 'Black Square.' To continue it is senseless.

Jonas Mekas

We need less perfect but more free films.

Jonas Mekas

Some cameras are heavier and need to be on tripods. Others are small enough to hide in your pocket. There are places where you don't want to feel like you are disturbing anything, so I may use a camera like that.

Jonas Mekas

In Lithuania, I am known as a poet, and they don't care about my cinema. In Europe, they don't know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!

Jonas Mekas

There is no other way to break the frozen cinematic conventions than through a complete derangement of the official cinematic senses.

Jonas Mekas

My life is essentially not so unique. On some deeper levels we feel the same, we know the same things. Therefore if I show my life 365 days, moments from those days, it will reflect and it will have connection with lives of all of us.

Jonas Mekas

I always work only with friends, but it must be about them and myself. Because I film only very personal moments, nothing preplanned, staged or written, it has to be real and spontaneous. Some of them have become famous, some are not yet famous, some will never be famous. But they are all my friends.

Jonas Mekas

To me, cinema is cinema. Cinema is one big tree with many branches. The same as literature. In literature, you don't just say, 'Oh, I bought some literature.' No, you say, 'I bought a novel' by so-and-so, or a book of essays by so-and-so.

Jonas Mekas

I'm working in a form of cinema that can be described, and has been described, as a diaristic form of cinema. In other words, with material from my own life. I walk through life with my camera, and occasionally I film. I never think about scripts, never think about films, making films.

Jonas Mekas

Place means nothing to me. I can be at home anywhere.

Jonas Mekas

I brought Yoko Ono to New York and gave her her first job there. I was editing a magazine called 'Film Culture.'

Jonas Mekas

I myself saw the great works of Western civilization for the first time in my high school in Lithuania in bad black-and-white reproductions on miserable paper. That was, for many years, what art was for me. But from those miserable black-and-white reproductions, I got something, something unmistakable.

Jonas Mekas