If nothing else, we grew up loving the old blues artists and Ray Charles.

Shortly after I moved to Los Angeles, I was looking for work, and I happened to be invited to Ray's studio and sat in and played on a couple of his demos. I didn't charge him a dime for it. I was on cloud nine to be working in the same room as Ray Charles, one of my huge idols.

Early on, one of my favorites was Ray Charles. I remember hearing 'I Can't Stop Loving You' in the early '60s and thinking, 'What an unbelievably soulful voice.' In those days, the Deep South was extremely segregated.

Randy Newman seemed like an even worse singer than me. I liked Ray Charles, Levi Stubbs, Jack Jones, Joe Tex, Wilson Pickett.

I have met so many of my idols - like Ray Charles, Brian Setzer - all these cats that are legendary musicians. If they had said to me, 'Hey man, I'm busy,' it would have crushed my soul.

I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.

The Beatles and Ray Charles were in the same charts together, and that was just called pop music - it wasn't called soul or rock. The best pop music just stands out as something that's just original, and I think it should all be called pop again.

When I'm just tryna funk, it's gonna be the Staple Singers, man - Pop Staples. And Ray Charles. Ray could take 'Eleanor Rigby' and make that funky.

Lift others and yourself as you rise above this mess of comparison. Thank God for those who embraced their true selves and gave us gifts that only they could give: from Steve Jobs to Michael Jackson to Ray Charles to Mark Twain. There are so many more, and the list goes on.

Quincy Jones' autobiography 'Q' is very good. Because he's a master at music, he's one of our greatest composers, and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charles.

One day, I'll be listening to a bunch of Ray Charles, the next day it's nothing but Red Hot Chili Peppers. The next day it might be Tupac all day.

I didn't even respect singers until I heard Ray Charles, Frank Sinatra and Louis Armstrong.

My secret heroes were Joe Morello, Ray Charles - who is, in my opinion, the most dominant figure in musical history in the 21st century - and Frank Sinatra. Those are my heroes. And as a writer, when Bob Dylan came along, it was a miracle because he gave us all permission to say anything!

Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living.

I was one of I think three white girls in my school. So, I was very much an outsider. And plus I was Jewish and all of my friends were black and Baptist because they listen to the coolest music. We were all listening to Ray Charles and what was then called race music.

Listen to any cantor, any good hazan, sing and you can hear a little bit of Ray Charles going on.

Absolutely, I grew up listening to soul music. People like Stevie, Aretha, Ray Charles, Michael and Prince. My parents' record collection was all I had when I was a little kid. If it wasn't that, it was something else in their collection.

But I'm really into old music - bluesy, soulful singers, like Etta James, Ray Charles, and Aretha Franklin. I wouldn't have minded being born in the 1960s!

Dad would always play Ray Charles in the car on the way to swimming, then we'd sing musicals. Now my heroes are Janis Joplin and Bonnie Raitt and Max Richter.

I would like to be able to do a song with Ray Charles, before we both get too old.

I like work, I like song writing, and I like the history of Atlantic Records. They've sat in the studio with so many artists - like Ray Charles, for example - and created something amazing. As a label, they seem to be great at growing bands rather than telling you how to do it.

When I was able to go to school in my early years, my third grade teacher, Ms. Harris, convinced me that one day I would be a writer. I heard her, but I knew that I had to leave Georgia, and unlike my friend Ray Charles, I did not go around with 'Georgia on My Mind.'

Who isn't a fan of Ray Charles?

If nothing else, we grew up loving the old blues artists and Ray Charles.

There were a whole lot, I bought every blues record I could find, it wasn't just one or two people. My vocal influences were Ray Charles and Bobby Blue Bland.

Atlantic's Jerry Wexler believes first-rate records are made by first-rate voices. He certainly has worked with enough of them: Clyde McPhatter, Joe Turner, La Vern Baker, Ray Charles, Otis Redding, Solomon Burke, Wilson Pickett and Aretha Franklin.

I grew up listening to the greats of the '80s and, thanks to my parents, the '70s - the Doobie Brothers, Stevie Wonder, Ray Charles, Luther Vandross, Lionel Richie.

One day I heard Ray Charles on the radio and I found out he was blind. I thought, 'You know what, if there's room for Ray, there might be room for Jose.'

I think of people like Ray Charles, Otis Redding, and Isaac Hayes. They all came out of the South, and they followed a certain tradition and energy. That's no knock to groups like The Temptations or The Supremes, not at all, but they were way more polished in how they did things.

I remember working with Ray Charles when I was quite young, and I would wonder, 'Why would he sing 'Georgia On My Mind' and 'I Can't Stop Loving You' every night?' I said, 'Oh my God if I have to sing these songs, if I have to sing 'I Can't Stop Loving You' one more night, I'm going to fall out.' Of course, I was young and I didn't understand.

I always say that I went to the College of Blossoms and the University of Ray Charles.