My movies have always done pretty well in the UK - 'The Matrix' films did very well in this country and I do like the crews here and the people we're working with here.

When the fights were over for the second and third 'Matrix,' I thought, 'Okay, I never have to do that again.' It's incredibly stressful.

'The Avengers' is exciting on the level 'The Matrix' or 'Indiana Jones' was when I was kid. I think it will be timeless.

It was a place without a single feature of the space-time matrix that he knew. It was a place where nothing yet had happened - an utter emptiness. There was neither light nor dark: there was nothing here but emptiness.

I love my bike, a hybrid Matrix Express, which is fast, cheap, easy to park and good exercise.

In 'The Matrix,' you see the fight between Keanu Reeves and Lawrence Fishburne. It's an amazing fight. But I know that they've rehearsed it for months beforehand. Because in some of the moves you can see them anticipating blocks before they actually happen.

While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way.

I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.

When I got to GM they were using a matrix method of management which means everybody has more than one boss. I first heard about that system many years ago. It's supposed to help with collaboration, but my assessment is that it's pretty hard to get geared for action that way.

I remember when I saw 'The Matrix' when I was 13, I saw it in the theaters, and I was so blown away by it. It was one of the most memorable experiences I definitely ever had in the theater.

Whenever I watch 'The Matrix,' I think that it is possible, but I don't think that it's going to be machines enslaving humans.

I love stories like 'The Terminator' movies and 'The Matrix,' where our machines become self-aware and turn on us.

The first Matrix genius, the second one, what's up with the dancing? I haven't even seen the third one.

I do think your environment really plays into how you create. I lived in San Francisco for a bit, and I felt like I lived in the Matrix - so my music had that paranoid-of-the-outside sound to it.

I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film.

The Matrix itself is not some external evil, but rather an outcome of our own error, our karmic payoff of past actions. Not merely illusion, it is an allusion to a founding myth of our culture.

In 1989, I was awarded the Von Neumann Prize in Operations Research Theory by the Operations Research Society of America and The Institute of Management Sciences. They cited my works in the areas of portfolio theory, sparse matrix techniques and the SIMSCRIPT programming language.

Imagine someone so infatuated by a band that they have every different pressing of every album the band made. Most of the time, the only difference in the album is the matrix number or a different 'made in' notation on the back cover or label. This is enough to make some people extremely excited. Actually, much more than excited.

I make out a play list for every character and buy the records they would listen to; it helps me find their personas. What they play, where they stay, who they lay, is my matrix for character development.

I watch a ton of movies. Going way back, I like 'The Godfather.' 'The Matrix' was one of my favorites - the first one; they got a little carried away after the first one. Those are two that stand out.

When I came out here, my manager thought that casting directors might think I'm a girl, and when I did Threat Matrix, they thought Jamie was a little light.

Last year, I was on Threat Matrix. We were on Thursday against Friends and Survivor; so this year it's fun to know people are watching, and to know that all of your hard work is not sort of wasted.

If you ask someone if they like music, they look at you strangely. It seems to be a universal given. Like asking someone if they like breathing. It is like breathing. Or air, rather. Flowing without and within. A matrix within which our lives are set. The setting for the tableware of our beings.

L.A. is such a real, active place. My mother was very into the core of the city. She worked in politics, and you have to know your territory. It's an active matrix; we're all parts of it, but people don't often stop to wonder what's going on.

Scientology delivers what it promises under the guise of tearing away falsity, neuroses, psychoses. It creates a brainwashed, robotic version of you. It's a 'Matrix' of you, so you're communicating with people all the time using Scientology.

'Alien' asked ground-breaking questions about eco-politics and female empowerment. 'The Matrix' delved deeper into the concept of perception versus reality than perhaps any other film I know. But for some reason, we tend not to remember the significance of their writing.

I think one of the geniuses of Bound and The Matrix and Memento is the complete collaboration of the effort. There were no rotten apples.

My movies have always done pretty well in the UK - 'The Matrix' films did very well in this country and I do like the crews here and the people we're working with here.

The action genre is kind of designed for a young male audience. But we found on 'The Matrix' that we hit the Valhalla of movie making, which is the four quadrant audience - the young male audience, the older male audience, the young female audience and the older female audience.

I've made a lot of stupid action films. But when we made The Matrix, we saw that people wanted more than that.

We found in 'The Matrix' that people were willing to accept something more. It was a smarter film.