We used to play the Savoy Ballroom, and we always had a boogie tune in the set. Bands like Tommy Dorsey used to do a little boogie woogie. The big bands.

Sometimes people can get lost within the crowd, but we have to remember that ballroom dancing is an intimate sport where people look into your story and not the other way around. It's so important to just stay focused as a couple and that you don't let your adrenaline get the best of you by dancing too fast to the music or whatever.

Being on 'Dancing with the Stars' is an amazing opportunity. I consider myself lucky to be a part of the show and to be able to share my passion and love of dance with such a huge audience while managing to train a few celebrities in ballroom dance along the way.

I know how to waltz because I used to teach ballroom dancing when I was in high school.

I feel as though I'm constantly defending myself. I'm up against challengers from the ballroom world, from the dance world, people on the couch who hate what I'm saying about their favourite celebrity. Then you're up against the press, who will always want to put you in a box.

Strictly' has evolved - there are such beautiful stories within each dance. We're not doing a ballroom and Latin competition, it's an entertainment show.

I wrote... Neon Ballroom in that time where I hated music, really everything about it, I hated it.

The first thing I ever did was play talent shows at the Uptown Theater and the Adelphi Ballroom.

Trump has a lot of contacts in the world of charity because he rents out ballrooms, hotel ballrooms, the ballroom at Mar-a-Lago to charities. Charities are often the ones that rent out these ballrooms for big events.

The Trump people make it extremely hard to figure out what's going on with their businesses, so we've done things like try to figure out all the people, the charities who rented out ballrooms and hotel rooms, all the NBA teams that stay at his hotels, people that pay him a lot of money and have other choices.

I've just become obsessed with ballroom dancing. I signed up for the introductory course, which was like a four-week thing. By the end of it, I was hooked. I love it. It's sort of flirty, but it's not sexual. I can't quit until I've got it down and I can really dance. I'm there four or five times a week.

I did ballroom dancing at school, but I was atrocious.

I came to be a part of the ballroom scene in late 1993. I was living in Baltimore, and i was going through that phase in high school when no one understood me. I was sneaking out of my house to go to this group that was for gay-identified people, and I just didn't fit in.

Ball culture saved my life, and many people don't understand that. But ballroom is where I found chosen and proven family.

Even though it is fictional, 'Pose' has really tapped into some realities that I know would come from someone who really took the time to investigate ballroom.

People talk about ballroom, but they don't really understand the history. Crystal Labeija, Avis Pendavis, Paris Dupree, Pepper LaBeija, Dorian Corey. These were the women that really brought ballroom to life.

I'd love the chance to learn ballroom dances, but it's scary to be in the spotlight.

There's a lot of dancing in football. You can see Victor Cruz doing a little bit of a cha-cha or samba move in the end zone. You can see Terrell Owens getting his popcorn ready. You can see Ochocinco doing the riverdance. But not so much when it comes to ballroom.

As a former football player who has carried a football more than 4,000 times, trust me, I did not go into ballroom dancing with my body being 100 percent, with no aches or pains or ailments coming with me. When you're dancing, you're doing stuff that your body's not used to, and so you start to aggravate those old injuries.

It's very homely, this castle. It doesn't have huge ballrooms. I didn't want a cold, cavernous place.

I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.

Ballroom dancing is so articulate. Your hips have to be a certain way, legs have to be straight at one time and bent another.

My mother witnessed the martyrdom of her husband, Hajj Malik Shabazz, Malcolm X, on Sunday, February 21, 1965, at the Audubon Ballroom in New York City. My older sisters, Attallah, Qubilah and I were seated with our mother up front and stage right.

As a black person of non-gender-conforming experience, my first existentially reciprocal and affirming experiences were in the New York ballrooms.

One of my favorite venues is the Bowery Ballroom in New York. I love the room; there's a tiny stage, but I really like the feel of it.

The physical DNA has always been part of our family. My dad was a good boxer and gymnast; my mum is a ballroom dancer, and my brother does martial arts.

We used to play the Savoy Ballroom, and we always had a boogie tune in the set. Bands like Tommy Dorsey used to do a little boogie woogie. The big bands.

I would love to do a little ballroom dancing with my husband... He and I can take a couple classes together. It would be a lot of fun!

My grandmother spoiled my father rotten, and he grew up expecting women to do whatever he wanted. When he married my beautiful mother, Elsa, he expected her to give up her career as a champion ballroom dancer and become a good wife and mother, which she dutifully did.

I adore my apartment in New York. It was a ballroom that I remade, so it's like a loft but done by Louis the Fifteenth.

When you're out dancing with your friends, you think you're cool. But then you get in the ballroom, and it's totally different.