I'd rather live on my own than live with a face that looks at me with the wrong eyes.
Jane Birkin
If you fall in love with a country and its people, that makes any country warm to you.
My mother was right: When you've got nothing left, all you can do is get into silk underwear and start reading Proust.
Keep smiling - it takes 10 years off!
When you start recognising that you're having fun, life can be delightful.
I feel most comfortable in an old pair of jeans, Converse, and a man's jersey. My best friend cuts my hair with kitchen scissors.
I put some red stuff on my mouth and cheeks so I look healthy - any old red lip pencil and a lip colour from Dr. Hauschka in a crushed berry tone. I never put anything on my eyes, or I look like Joan Crawford.
I never have more than one bag at a time. I think one is already quite enough. Also, I hate changing bags, so I never have the thing of having ten bags. Any bag that's with me will take the same course as I will. It will take the same airplanes and will be squashed in the same way and will be used as a cushion in the airports.
I colour my hair mousy brown and I wear makeup only on stage. I use Laura Mercier - something called Biscuit, I think. I run one tiny sponge over my face and cover the red blotches. If I've got some rouge, I'll bung it on my mouth and cheeks.
A Birkin bag is a very good rain hat; just put everything else in a plastic bag.
My first husband, John Barry, was a composer. I couldn't believe that this sophisticated, talented genius chose me and not any of the other girls. I was so flattered, so excited, so in love with him. Of course, my parents were horrified, as he'd been married once and had a daughter with the au pair girl.
My distinguishing feature is the gap between my teeth. I had to wear a brace because my teeth used to stick out like guns from a fortress.
At school, I used to hear, 'You're a half-caste.' They'd laugh at my figure and say, 'Are you a boy or a girl?'
I think it's always good to read local authors or relevant books. In Egypt, I studied hieroglyphics and read everything about the mummies.
When I was at school I used to scream in trains, in those concertina things between the carriages. I used to try to be so good that sometimes I couldn't bear it any more.
One of the things I've discovered, thanks to the Japanese, is that you should enjoy yourself. In the old days, I used to think: 'Oh, never be satisfied, never admit to being happy.' But there's no curse in being happy.
I love the French very much, and I think they know that. I've been adopted here. They treat me as one of their own.
Nothing has ever touched on what fun childhood was. Summer holidays were bliss. We made home movies, with real stories in them. My father had such charm and charisma, and made everything so funny.
It's usually a jolly good trick to pick up a local tour guide. They can tell you all the anecdotes that make a place interesting. I'm one for rushing off to museums at the crack of dawn, eating fabulous things on terraces for lunch, and enjoying long dinners on balmy evenings.
When I arrived in France aged 20, I marched against the death penalty, which was an unpopular thing to protest against at the time.
He painted me when I was young because he was in love with me, but now that he has loved me he doesn't paint me anymore.
There's no fun in a bag if it's not kicked around so that it looks as if the cat's been sitting on it - and it usually has. The cat may even be in it! I always put on stickers and beads and worry beads. You can get them from Greece, Israel, Palestine - from anywhere in the world.
I have to be careful not to get a paunch - I'm so skinny that if I put any weight anywhere, it'd be there, and I don't like a bulge. I wouldn't mind if it went on my bosom, but it doesn't.
Without my specs on, I think I look really great; then I put them on, and I scream. But at 62, I still think less is better. I use Clarins foundation, but I don't put it everywhere - I hate that covered look - so just on the sides of my nose where the veins have gone bang.
My father was a painter, so I was encouraged to take a sketchbook everywhere. Cameras are perishable, but I still have tonnes of sketchbooks from all the trips I've ever been on. It gets you by when you don't know what to give people as a gift; drawings are good souvenirs.
I had a baby at 19 and was a grandmother by 39. Now, my children lend me their children to take them off to Brittany. It's divine. I'm quite exceptionally lucky. I've never had a week without having all three of my daughters on the telephone.
I think I did a lot of humorous films when I was young, and they were No. 1 films.
I use Elizabeth Arden Eight Hour Cream, £12, on my lips, and my arms if they're sunburned. I'm past caring that sunbathing is dangerous.
When my father died, my mother came back from being Mrs. Birkin to being Judy Campbell. She was a stunning actress. She came out of her shell. She was herself again: this very independent, funny, intellectual lady - and was able to perform again, which was her life before meeting my father squashed it out.
I don't know why people keep banging on about the '60s. I came from a conventional family and I didn't go off with different people - I rather wish I had now, seeing all the fun everyone else was having.
I can't be the only person in the world to have three different husbands, and yet those relationships are never talked about.
I don't much enjoy travelling, but I have always longed to take a slow train to Russia. I'd like to go alone - like writers do - with only a pencil and piece of paper as company. I'd take my sketchbook and note down all the wonderful details of other travellers.
Any film I see at two o'clock in afternoon with my mother seems to cast a strange spell that means we both come out sobbing.
I grind my teeth and keep my thumbs in so tight that I've dislocated them, just not to scream. Sometimes as an actor one is lucky enough to be asked to scream.
I don't like getting older, but there's nothing I can do. Hitting 60 wasn't great, but I think I was lucky in not being that beautiful; it can be really cruel on people who have been stunning.
Robert Louis Stevenson... I'm focusing on the late short stories that I was ignorant of. I always thought he was a boys' author, but he's not at all.
I always hang things on my bags because I don't like them looking like everyone else's.
David Attenborough... has that wonderful, breathy voice, and he's always so fascinated by what he's seeing. There's nothing about him that I can't find attractive.
I know what it's like to have someone coming home who looks at you not in the way they used to in the old days, and I've seen my own face contorted with sadness and rage in the mirror.
I love Dickens because it makes me chuckle to myself so. He has taken me to another world and out of so many earthly miseries.
I have never written a book about my life, despite being offered purses of gold. I made 'Boxes' because I wanted to make a sincere depiction of a daughter who has lost her father, or the jealousy one can feel towards a daughter who has become more beautiful than you and whose stepfather starts to take her shopping.
Big Ben... hearing the chimes makes me feel at home.
Jacques Doillon wanted me to be in his film, 'La Fille Prodigue,' and there I was, expecting, for some reason, this great bearded man, when a splendid looking red-Indian style man appeared at my door. I said no to his film because I knew that if I said yes, I would run off with him.
I think there is an extreme charm in the French, and actually it's their bolshiness that makes them such fun.
If I were mayor, I'd invite everyone to have free boat trips on the river and free balloon rides over the city. I'd let the elderly in residential homes wander free.
People always like things that seem exotic.
I only like boutiques.
