My work looks like a comic book in form, but it's not a typical comic book in content. I write autobiographical stuff.

It's actually easier to do autobiographical stories. The story is already there. It's a matter of carving away what doesn't fit rather than building up from nothing.

After 'Blankets,' I was sick of drawing myself and doing this autobiographical, mundane, Midwestern sort of comics. I wanted to create something bigger than myself and outside myself.

People who think my books are autobiographical, which they're not, credit me with having a much better memory than I do. I do, however, have a powerful imagination.

I'm not interested in writing overtly autobiographical songs. I would rather explore interesting stories. I like the idea of the songs being evocative and distinctive, so I have in my mind the atmosphere that a film could evoke. I like to think of them existing in their own little world.

In each of my characters there is a little of me. Not strictly autobiographical but a little piece of my soul.

I don't cry too often reading books, but I did reading Francisco Goldman's autobiographical novel, 'Say Her Name.'

It is so common to write autobiographical fiction in which your own experience is thinly disguised.

As a work gets more autobiographical, more intimate, more confessional, more embarrassing, it breaks into fragments.

A story about my life should not be particularly interesting, but it is: it's just about me and some kids who didn't know how to talk to each other. It's personal but not autobiographical.

There's not a strong autobiographical strain in my fiction. A few bits of fact here and there.

Everything that I do is very autobiographical. I'm trying to be as much of an open book as possible and give the audience every single piece of me.

Reading the several thousand pages of Christopher Isherwood's complete journals is an instructive corrective to the prissiness of reading fiction. Isherwood had faults that we'd say were unforgiveable in a novel (he was careful to distance himself from these in his autobiographical fiction).

I'm Turkish-American; I was a freshman at Harvard in 1995 and 96. I did teach English in Hungary in the summer of 1996. I'm an autobiographical writer in the sense that whether in fiction or nonfiction, the issues and relationships and phenomena and problems I'm most interested in exploring are the ones I've experienced personally.

My books aren't autobiographical.

All art is autobiographical. The pearl is the oyster's autobiography.

The film of tomorrow appears to me as even more personal than an individual and autobiographical novel, like a confession, or a diary.

Sometimes I'll write something that's purely autobiographical, and sometimes pure fiction, and sometimes a mix.

'Nil By Mouth' was a bit autobiographical, but as I always pointed out at the time, that's not my dad.

I wouldn't say that my songs are autobiographical.

'Dreamsongs' allows me to show the scope of my writing - with personal commentary that puts the works in context and includes some autobiographical details intended to reveal how each piece came to be, what it represents, and how it has formed, or been informed by, my philosophy of writing.

All art, from the paintings on the walls of cave dwellers to art created today, is autobiographical because it comes from the secret place in the soul where imagination resides.

I do think all art is autobiographical, and I do think I know quite a bit about women. I don't know anything about men.

When you write something you know, you're making a story that will work, whether or not there's bits taken. It's always funny to me when people say, 'Well, it's clearly autobiographical,' and I say, 'Well, how do you know my autobiography?' Certainly, there are things that are connected, but I just think it's a very interesting assumption.

Over the years, I had something in principle against autobiographical writing altogether because memory plays tricks on us, and we also tend to reinvent ourselves. But there comes an age when one begins to observe life, and there are things that need time to mature, also in terms of literary form.

Every song I write is autobiographical and is about people, and that's one of the things that gets complicated. You have to decide where's your place as a songwriter.

True stories, autobiographical stories, like some novels, begin long ago, before the acts in the account, before the birth of some of the people in the tale.

It is all fiction, only autobiographical in the sense it is about a small town. None of the incidents in the book ever happened to me as a child. I didn't have an eventful childhood.

I was influenced by autobiographical writers like Henry Miller, and I had actually done some autobiographical prose. But I just thought that comics were like virgin territory. There was so much to be done. It excited me. I couldn't draw very well. I could write scripts and storyboard style using stick figures and balloons and captions.

My work looks like a comic book in form, but it's not a typical comic book in content. I write autobiographical stuff.

There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.