Memoirs are the backstairs of history.

In the worst memoirs, you can feel the author justifying himself - forgiving himself - in every paragraph. In the best memoirs, the author is tougher on him- or herself than his or her readers will ever be.

Memoirs are - memory is - rarely 100 percent accurate. Any autobiography is a construct, ballpark, even unnatural. Private diaries, too, can be unreliable - a detail that matters only if the diary is read.

Jean Toomer is a phantom of the Harlem Renaissance. Pick up any general study of the literature written by Afro-Americans, and there is the name of Jean Toomer. In biographies and memoirs of Harlem Renaissance figures, his name is invoked as if he had been one of the sights along Lenox Avenue.

Anyone who believes you can't change history has never tried to write his memoirs.

My father was highbrow: writing long biographies of Dante and stuff like that. Ghostwriting sportsman memoirs? That was sort of the lowest of the low.

I love all insider memoirs. It doesn't matter whether it's truck-drivers or doctors. I think everybody likes to go backstage, find out what people think and what they talk about and what specialised job they have.

If you read the memoirs of slave-owning families, you'd be hard pressed to find evidence of black people in the lives of the whites, even though for most of the time on the plantations black people outnumbered whites by a ratio of seven to one.

When public figures write memoirs, there is always some indecision regarding how much they want to write of things as they were and how much they want to cut corners to avoid riling up others. I decided to write my memoirs exactly as they were, and I will not digress - not when things are ill at ease and not when they are comfortable.

I started reading the big histories and the small histories, the memoirs and so forth. At some point, I found the diary of William E. Dodd.

When I was nine, the teacher asked us to write a piece about our village fete. He read mine in class. I was encouraged and continued. I even wanted to write my memoirs at the age of ten. At twelve I wrote poetry, mostly about friendship - 'Ode to Friendship.' Then my class wanted to make a film, and one little boy suggested that I write the script.

Memoirs are a well-known form of fiction.

Something happened when the memoirs of so-called ordinary people, like myself, suddenly hit the bestseller list.

Memoirs are the backstairs of history.

In the writing of memoirs, as in the production of shows, too much caution causes the audience to nod and think of other channels.

The reader of these Memoirs will discover that I never had any fixed aim before my eyes, and that my system, if it can be called a system, has been to glide away unconcernedly on the stream of life, trusting to the wind wherever it led.

I've given my memoirs far more thought than any of my marriages. You can't divorce a book.

People write memoirs - this is my take, anyway - out of a great sense of self-importance.

It is important to understand how leaders have adapted and thought about war and warfare across their careers. 'The Autobiography of General Ulysses S. Grant: Memoirs of the Civil War' is perhaps the best war memoir ever written.

You might say presidents are drafting the first chapter of their memoirs in these seventh-year State of the Union addresses. They're trying to get the public and the media to think about their presidencies in the way that they would like to have them thought of.

It's hard to get in the head of somebody. The closest we can get is through the words they've left behind, either their contemporary correspondence or after-the-fact memoirs.

I'll never put my memoirs in print.

I have more freedom when I write fiction, but my memoirs have had a much stronger impact on my readers. Somehow the 'message,' even if I am not even aware that there is one, is conveyed better in this form.

Men's memoirs are about answers; women's memoirs are about questions. Most male authors want to look good in their memoirs and have a place in posterity, while most women know that posterity is what happens when you no longer care. Women want to connect with others here and now; they couldn't care less about legacy!

I love memoirs and biographies, learning about other people's lives. Two of the ones that I loved so much were actually edited by the same person who edited my book, too. I loved 'Angela's Ashes.' I loved 'Glass Castle' so much.

I've always liked the idea of memoirs, going into someone else's life, going through someone else's day and getting out of your own head.

How much energy is wasted in Italy in trying to write the novel that obeys all the rules. The energy might have been useful to provide us with more modest, more genuine things, that had less pretensions: short stories, memoirs, notes, testimonials, or at any rate, books that are open, without a preconceived plan.

Some people think memoirs should be held to a perfect journalistic standard. Some people don't. Obviously I don't. My goal was never to create or to write a perfect journalistic standard of my life. It was always to be as literature.

Through therapy and a lot of thinking and writing my memoirs, I've been able to use my life as a lesson.

I knew that I had to write my memoirs.

I don't think my husband has any plans to pen his memoirs. There are enough people doing that for him.