On the other side of that coin, and far outweighing it, is the fact that I've been able to use genre of Fantasy/Horror and express my opinion, talk a little about society, do a little bit of satire and that's been great, man. A lot of people don't have that platform.

George A. Romero

I have a very quiet life. There's nothing weird.

George A. Romero

I liked the '28 Days Later' films, but they're not zombies; they're not dead. They're not using it in the same way.

George A. Romero

I also have always liked the monster within idea. I like the zombies being us. Zombies are the blue-collar monsters.

George A. Romero

I always thought of the zombies as being about revolution, one generation consuming the next.

George A. Romero

'Day of the Dead' remains my favourite zombie film of mine.

George A. Romero

I wanted 'Night of the Living Dead' to look naturalistic, but we weren't able to do it because we were shooting with a blimped 35mm camera, which is automatically static.

George A. Romero

The grotesque has never really affected or frightened me. I guess it's real-life stuff that frightens me much more.

George A. Romero

Horror will always be there, it always comes back, it's a familiar genre that some people, not everyone - it's sort of the cinema anchovies. You either like it or you don't.

George A. Romero

My zombie films were all sort of satirical, with political messages. So I was doing them inexpensively and quietly off in left field somewhere.

George A. Romero

If you look to the few films that have been really successful, 'Insidious,' 'Paranormal Activity,' it's all basically the old monsters.

George A. Romero

As movie monsters go, zombies are the most human. They were human at one time. So we are confronted with ourselves in a way, which is much more frightening and disturbing.

George A. Romero

With 'Dawn,' I wanted the slick look; I wanted to bring out the nature of the shopping center, the retail displays, the mannequins. There are times when maybe you reflect that the mannequins are more attractive but less real - less sympathetic, even - than the zombies. Put those kinds of images side by side, and you raise all sorts of questions.

George A. Romero

The very fact that you thought of it means that, somewhere in your mind, it's believable to you. All you have to do is convince your audience that it's possible.

George A. Romero

Nothing's ever real until it's real.

George A. Romero

After 'Land,' I wanted to do something about emerging media and citizen journalism, so I got this idea for 'Diary of the Dead.'

George A. Romero

I saw 'Dracula,' 'Frankenstein,' 'The Wolf Man,' 'The Invisible Man.' I saw all those guys on the big screen at RKO in the Bronx. I just always loved that stuff. I loved other stuff, too. That's the thing. That wasn't all I wanted to be.

George A. Romero

On the other side of that coin, and far outweighing it, is the fact that I've been able to use genre of Fantasy/Horror and express my opinion, talk a little about society, do a little bit of satire and that's been great, man. A lot of people don't have that platform.

George A. Romero

I'd love to make a film like 'Pan's Labyrinth.'

George A. Romero

A zombie film is not fun without a bunch of stupid people running around and observing how they fail to handle the situation.

George A. Romero

When you're working with a low budget, the most expensive time is the time spent on the set. The words of the day are, 'Get off the set as quickly as possible,' and so CG enables you to do that.

George A. Romero