I worked my way through art school as an auto mechanic, doing various stuff including sanding bodywork and using Bondo filler.

Painting is something that requires a lot of time - it's not just one good idea out of art school.

Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s), I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.

I don't go to New York. I don't go to parties. I just do my business and study nature. My career is 28 years in an obscure art school, with limited staff and no perks. All I am is a teacher.

I started painting at 17; I took a class at Brentwood Art Center. I thought about art school - but I'm just so not a school person.

I went to art school, and I studied drawing and video art, and I've always approached music so visually as a result that I found it really difficult in the past to kind of hand off music to another director, 'cause it just ends up being this kind of mid-zone where it's nobody's vision, really.

When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.

Rock n' roll was my art school. For many people from working-class backgrounds, rock wasn't a chosen thing, it was the only thing: the only avenue of creativity available for them.

When I left art school and went in search of work, visiting publishers and showing them my drawings and illustrations, I was met with a polite and sometimes enthusiastic response but no commissions.

I went to a quite macho art school in the 1970s, and while everyone was making hulking big sculptures, I was making things out of bits of paper.

I'm from a working-class background - I had free school meals all my life and then spent six years in art school.

When I was in art school, I worried that being a painter seemed like it could be an elusive dream, and fashion seemed so much more secure.

I wanted to be an animator originally. I went to art school; I went to art college and everything. But that screen was just calling me.

In an art school it's very hard to tell who is the best.

I don't think schooling of any sort really prepares you for real life. I don't know if art school would have prepared me to draw comics. Half of the people I know in comics went to art school, half of them didn't. Some of them went and dropped out.

The only thing they can't teach you at art school is art.

I went to art school actually when I was sixteen years old.

All of us '60s pop stars came from old cities which had a jazz club, a folk club, a coffee house, and an art school.

Coming from art school, I had a great sense of style - as did The Beatles and the Stones - and I enjoyed projecting that. Image, attitude, great music and great lyrics - that was the '60s.

I've exhibited quite a few of my photographs. I expand them digitally till they're very big. It's an art school thing, I suppose.

Both the quantity and quality of the words children hear during their first three years of life make an enormous difference in how prepared they are to start school, and ultimately, their long-term achievement.

I was at art school that had quite a celebrated film course as well. I tried for that film course when I was 18, but they said I was too young. I tried this audio and visual design course instead. Two years later, I reapplied for that higher course, but they said I was still too young and to try in five years.

In art school, it was about feeling. In architecture school, it was about ideas.

I went to an art school in high school and got in a little trouble like you do when you're a teenager and not being closely supervised. I did. I followed the Dead around, and it was fun. It was great. It was kind and sweet and lovely.

I was 18, at art school, and saw this cute boy playing banjo. I was obsessed. I taught myself how to play. I listened to a lot of country and just messed around. The second song I wrote on the banjo was 'Good to Be a Man.' That what's got me signed.

That's something I learned in art school. I studied graphic design in Germany, and my professor emphasized the responsibility that designers and illustrators have towards the people they create things for.

I was fortunate enough to go to an art school where we had a lot of different ethnicities represented.

Many people think that being a graphic designer means going to an expensive art school and buying expensive software that will cost you thousands of dollars. This is so far from the truth. There are hundreds of online education centers that offer top-notch graphic design training.

Expression without culture is flat. Many artists come out of art school and start doing things that don't last. They are audacious because of ignorance. They are irresponsible.

I worked my way through art school as an auto mechanic, doing various stuff including sanding bodywork and using Bondo filler.

The disenfranchised should be going to art school - not the franchised.