Basically, movies come down to economics, and they're always too expensive. From a producer's point of view, an actor is either going to make him money or save him money.
Ewen Bremner
I turned down plenty of films which proved to be hugely successful. And, of course, I've also had plenty of experiences where everyone thought we were doing brilliant work and it ended up pretty horrific. Same as any actor, really.
Whatever I do, it's crucial to me that I give it 100 per cent. It doesn't matter if it's a short film, stage, theatre, TV or blockbuster. It doesn't matter what level of budget or prestige it is.
If I'm not working, I have home time with my family, and if I spend that stressing what's going to happen next, then it's a waste. I have a lot to be thankful for.
As parents, I think we're always novices, and every day presents a new challenge.
Acting is a precarious business. I have had periods where I felt like I couldn't get arrested, but you have to see it as a long game.
I've proved to myself I can get along in different kinds of parts and different kinds of productions.
If I watch something, I want to be wondering what is going to happen next; I want to be engaged in a way that makes me ask questions and think about how I can relate myself to the characters and the issues that are there. But if it's just fluff, and everything is spelt out, I find it difficult to concentrate.
