When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.

Ennio Morricone

I was offered a free villa in Hollywood, but I said no thank you, I prefer to live in Italy.

Ennio Morricone

I don't know the names of any pop musicians. Pop music is standardised; it's made to please the largest audience possible. I also compose to please a large audience, but when you listen to my music, you understand that I have studied and applied the whole history of composition.

Ennio Morricone

If you scroll through all the movies I've worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies, and so on. So in other words, I'm no specialist, because I've done everything. I'm a specialist in music.

Ennio Morricone

Music needs room to breathe.

Ennio Morricone

I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie.

Ennio Morricone

In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.

Ennio Morricone

There was a theft! But, of course, if it was up to me, every two years I would win an Oscar.

Ennio Morricone

You can see my decision as either a distinctive factor or as a limitation. I don't feel it is a limitation.

Ennio Morricone

I can't be enthusiastic as soon as I write something on the music sheet. The music sheet is only the beginning: it has to be listened to, played by the instruments, and then heard by the director, but most importantly, it has to be listened to by the public.

Ennio Morricone

They're all my children... every score I've done.

Ennio Morricone

I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie.

Ennio Morricone

Some movies work really well with music from Bach or Mahler that existed long before the film, so music has its own autonomy.

Ennio Morricone

I like to feel and understand people's contentment with what I've done.

Ennio Morricone

I was born in 1928, so in 1943, 1944, we had the war in Rome. There were a lot of hardships, a lack of food, many shortages. So when I worked with the Americans, the English, and the Canadians soon after the war, when I played with them, they paid me with food. That will give you an idea how widespread poverty was at that time.

Ennio Morricone

I come from a background of experimental music which mingled real sounds together with musical sounds.

Ennio Morricone

There are some directors who actually fear the possible success of music. They fear that the audience or the critics will think the film has worked because there was a very good music score.

Ennio Morricone

It had a very good arrangement by Herbie Hancock, but it used existing pieces.

Ennio Morricone

My favourite type of pizza is a Napoletana: tomatoes, mozzarella, and very few anchovies. It must have a thin base.

Ennio Morricone

Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go before my wife, I will leave her alone, and vice versa. The ideal would be to die together.

Ennio Morricone

The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.

Ennio Morricone