I kind of feel bad that I don't know the names of the people in Girls Aloud!

Reading a poem aloud to an audience is gestural as much as precise.

I kind of feel bad that I don't know the names of the people in Girls Aloud!

Do not flinch from experiences that might destroy your beliefs. The thought you cannot think controls you more than thoughts you speak aloud. Submit yourself to ordeals and test yourself in fire. Relinquish the emotion which rests upon a mistaken belief, and seek to feel fully that emotion which fits the facts.

My idea of teaching literature is just to read great passages aloud or to look at it the way a writer does, which is what I try to do. Which is to say, 'How does this writer do this? How did he order his scenes? Do you notice any pattern to his sentences?'

If you need proof of how the oral relates to the written, consider that many great novelists, including Joyce and Hemingway, never submitted a piece of work without reading it aloud.

Books are men of higher stature; the only men that speak aloud for future times to hear.

As time goes by the memories of sitting on the edge of a bed and reading aloud with your kid are going to be very meaningful in your own mental scrapbook.

Writing poetry makes you intensely conscious of how words sound, both aloud and inside the head of the reader. You learn the weight of words and how they sound to the ear.

My earliest memory of books is not of reading but of being read to. I spent hours listening, watching the face of the person reading aloud to me.

I'm a bit of a Fleetwood Mac girl. I also think you can't beat a bit of old school Girls Aloud to get in the mood for going out.

An hour or two spent in writing from dictation, another hour or two in reading aloud, a little geography and a little history and a little physics made the day pass busily.

Everything I write, I read aloud. It has to sound a certain way and look a certain way on page.

I read everything aloud, novels as well as picture books. I believe the eye and ear are different listeners. So as writers, we have to please both.

You start realizing that good prose is crunchy. There's texture in your mouth as you say it. You realize bad writing, bland writing, has no texture, no taste, no corners in your mouth. I'm a great believer in reading aloud.

I was a terrible reader as a kid. I mean terrible. Super slow and very unfocused. It took me forever to read a book, and I remember being well into high school and still needing my mom to sit down and read aloud to me so I could pass my English tests and such.

The gay bunting erects his white crest, and gives utterance to the joy he feels in the presence of his brooding mate; the willow grouse on the rock crows his challenge aloud; each floweret, chilled by the night air, expands its pure petals; the gentle breeze shakes from the blades of grass the heavy dewdrops.

Talking with a friend is nothing else but thinking aloud.

I do read all my work aloud as I'm working - this has made it a little hard to adjust to my husband's retirement. I can shout the shouty parts if I'm alone in the house, but of course, I feel a fool if someone is there to hear me.

If I'm made to pick one transcendent reading experience, then it was listening to Miss Sarzin as - if we'd been very, very good - she read the next chapter of 'The Hobbit' aloud to us.

I was lucky enough to have a mother who took me to the library - the public library - twice a week, Wednesdays and Saturdays. And also bought me books. And also read aloud to me.

When I'm writing the text for a book like 'Little White Rabbit,' I read it aloud, alone, in my studio, again and again and again - because the rhythm has to be exactly right. After I get my manuscript to the point where I think it is perfect, I begin to think about what I want the art to look like.

I was brought up in Zimbabwe, and there were seven of us in my family, so it was difficult to read aloud to us all. There weren't that many picture books around in the Fifties in Zimbabwe. My favourite was Heinrich Hoffmann's Struwwelpeter, which was really frightening.

The UNLV championship game against Duke, I didn't shoot the last shot. Choked. It took 10 years for me to say that. I had to be in the NBA five, six years for me to say that aloud.

I don't travel and tell stories, because that's not the way these days. But I write my books to be read aloud, and I think of myself in that oral tradition.

The Spice Girls are very lucky and very overrated. None of them can sing and their music is not half as good as Girls Aloud's.

Nadine from Girls Aloud could definitely go solo - she's the one with the talent and will have a successful solo career.

Much of my reading time over the last decade and a half has been spent reading aloud to my children. Those children's bedtime rituals of supper, bath, stories, and sleep have been a staple of my life and some of the best, most special times I can remember.

In our home there was always prayer - aloud, proud and unapologetic.

Although I now spend most of my time writing novels for teenagers and adults, 'readaloudability' is still a criterion I try to adhere to.

I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.