I don't have any interest in doing superhero franchise movies. I don't connect to the fantastic, and I'm not a comic person - it's just not my thing, so I'm not looking in that direction - but ambitious films on a big scale I'm very interested in looking at.

David MacKenzie

'Perfect Sense' is a film about love and catastrophe, which I hope is a powerfully romantic and emotional take on the apocalyptic sub-genre. Its aim is to be a minimalist concept movie - where seismic events occur in simple ways that ask the audience to use their imagination.

David MacKenzie

Edinburgh is a sort of gothic fairytale city, and it can be a gothic horror city as well.

David MacKenzie

I very rarely read a script that I don't feel I want to change a lot.

David MacKenzie

Most of the films I've tried to make I've ended up making. And they don't necessarily go in the order you want to do. So I haven't got a huge list of undone films or stuff that's just been abandoned forever.

David MacKenzie

I'm an international director.

David MacKenzie

Movies tend to be dislocated and non-linear in their process.

David MacKenzie

'Perfect Sense' is an extremely serious film, and I am an extremely serious film-maker who is trying to explore the medium in original and interesting ways.

David MacKenzie

I have a memory of this experience when I was young, watching 'Stop Making Sense,' the Talking Heads concert movie, which is one of the best concert movies ever, and I saw it in a full house in New Zealand, and everyone was cheering between songs, and you really felt like you were part of the audience at the gig.

David MacKenzie

Event cinema is what it is, and I understand why it's successful. It started with things like 'Jaws,' which are extraordinary movies. But what we've lost are great character films which are beautifully directed and had great movie stars in them. Films that were about something rather than about spectacle.

David MacKenzie

When I started making films, all the theaters, the screen would slide open the widest possible point, and that would be widescreen. But now, theaters are geared up for around 16:9, so scope is now 'letterboxed.' In a way, if you want the big picture, you shoot 16:9.

David MacKenzie

I sort of feel like my job is to be a conduit to opportunities, to maximize the creativity of the day itself - because that's when the cameras are running. That's the important thing to me. Some of these shots you need to think about in advance; you need to have some ideas for them.

David MacKenzie

As I get more confident as a filmmaker, I don't need to prepare so much in advance. I can trust that I and my team can come up with a solution.

David MacKenzie

I like the energy of doing things fast. We shot 'Starred Up' in just four weeks, and we edited it in four weeks.

David MacKenzie

Signature film-making seems rather dull to me; it's about finding something you can do something with and running with the ball.

David MacKenzie

A lot of cinema is about the game of authenticity - do you feel it's real?

David MacKenzie

As a director, when you embrace a project, you try to understand as much as you can about its world, and you do that by embracing and engaging with people who are in that world. Then it's down to your best instincts, which is what most directing is about anyway.

David MacKenzie

Being open to what's happening in front of you is the most important thing about being a director. To allow the magic to exist and to be light enough on your feet to harness it as it's happening. That's what makes cinema interesting.

David MacKenzie

I always feel like a script is a recipe, and then you bring the elements into the recipe, and you cook with it.

David MacKenzie

I spent the first part of my career trying to avoid genre because I felt like genre, in some way, was cliche.

David MacKenzie

I really don't want to make the same film twice, so I am conscious of going after material that is significantly different to anything I've done before.

David MacKenzie