I stopped doing drugs when I was 20. I was finished with drugs before Nirvana even started.

I was raised on Nirvana and flannel shirts and Rage Against the Machine, and I sort of describe my youth as rebellious and always fighting the system.

'90s fashion is awesome. Best of both worlds - you had power pop, like the Spice Girls and Shampoo. But then you had Nirvana and Hole. And you also had '90s dance music like N-Trance, who kind of blended both.

Stone Temple Pilots, Bush, and Silverchair are taking the simplest elements of Soundgarden, Nirvana, and Pearl Jam and melding them into one homogenous thing.

A lot of what attracted people to Nirvana was that they were like the people you went to high school with.

Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.

To a degree, rock fans like to live vicariously and they like that, music fans in general, but when indie music sort of came into prominence in the early '90s, a lot of it was TV-driven, too, where if you saw the first Nirvana video, you're looking at three guys that look like people you go to school with.

I grew up listening to Nirvana and then went through some bad '90s pop stuff - a lot of Australian one-hit wonders.

The coolest thing for me to do was listen to Pearl Jam's 'Ten,' Nirvana's 'Nevermind,' or Soundgarden and play along to it and think about how awesome it would be to be in one of those bands and be up on stage. When I'd close my eyes at 13 and dream of being in Pearl Jam or one of those bands, it was exactly like how it is now with the band I'm in.

You know, Nirvana used to start rehearsals with the three of us just jamming. For, like, a half an hour, just noise and freeform crap - and usually it was crap. But sometimes things would come from it, and some songs on Nevermind came from that, and 'Heart Shaped Box' and stuff on 'In Utero' just happened that way.

If I ever felt like I was getting lost in the hurricane that was storming around Nirvana, I'd just go back to Virginia.

I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.

When Nirvana became popular, you could very easily slip and get lost during that storm. I fortunately had really heavy anchors - old friends, family.

I stopped doing drugs when I was 20. I was finished with drugs before Nirvana even started.

I owe everything to Nirvana. But I can't let that overshadow the future. For the first few years, I didn't even want to talk about Nirvana. Partly because it was just painful to talk about losing Kurt but also because I wanted the Foo Fighters to mean something.

There's a reason why the Foo Fighters don't blast out Nirvana songs every night: because we have a lot of respect for them. You know, that's hallowed ground. We have to be careful. We have to tread lightly. We have talked about it before, but the opportunity hasn't really come up, or it just hasn't felt right.

When I joined Nirvana, I was the fifth or sixth drummer - I don't know if they'd ever had a drummer they were totally happy with. And they were strangers. There was never much of a deeper connection outside of the music.

From the time that 'Nevermind' came out in September of 1991 to the time that Nirvana was over, it was really just a few years, and a lot happened in those few years.

Usually, when Nirvana made music, there wasn't a lot of conversation. We wanted everything to be surreal. We didn't want to have some contrived composition.

I know a lot of people who wouldn't be comfortable with everything that comes with being in a band as big as Nirvana. The thing that I don't understand is not appreciating that simple gift of being able to play music.

I'll never forget getting my first Nirvana, Soundgarden, and Alice in Chain records, and hearing that wonderful, beautiful darkness. And the rhythmic intensity, that's what attracted me more than anything else.

My song 'Nevermind' was named after Nirvana's album, so when I had to choose a cover for my Spotify Singles session, choosing 'Like A Stone' by Audioslave was the natural next choice, as I grew up constantly listening to the song.

When I was young I used to watch MTV, Nirvana, or Guns N' Roses.

There just isn't a version of 'socialism in one country' around in the 21st century. I think it's really important that we don't fall for this nirvana of 'Let's just get out, and we can create a socialist Britain.'

Nirvana was huge, but it didn't appeal to everyone.

When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.

Bodhisattva is enlightened in the Buddhist philosophy, religion, tradition. He's enlightened. It's fine - I don't really fight it - but many people use the term 'zen' and terms like 'nirvana,' 'enlightenment' in an almost superficial way. It's not that complicated.

When I was 12, I didn't know about Nirvana or Oasis or any of those people. I was listening to Ella Fitzgerald and Gershwin.

I've played the violin since I was seven but stopped because there was a stage when it became 'uncool'. I was listening to Nirvana and wanted to play the guitar, so I ditched the violin.

Throughout the entire time I was filming 'Thirteen,' I'd just lock myself in my room and listen to Garbage's first album. It was Shirley Manson, Nirvana and Radiohead who got me through everything. Also, Alanis Morissette and Tori Amos. They were so beautiful and strange, and they gave women permission to be angry and emotional, but also strong.

I love Nirvana, Joy Division, and New Order - older alternative, I guess.