If you make action movies, the critics will savage you, and then your movies are outdated the following week with the new wave of special effects.
Adam McKay
Whether it's the experiments on 'MythBusters' or my earlier work in special effects for movies, I've regularly had to do things that were never done before, from designing complex motion-control rigs to figuring out how to animate chocolate.
Adam Savage
Besides the mistakes that are pointed out, I love the way readers become involved with the characters. When readers start asking about character motivations instead of concentrating on the special effects, it means you're connecting with them on a personal level.
Alan Dean Foster
It's harder to make real audio than special effects audio.
Alejandro Gonzalez Inarritu
The Apple has the fewest bells and whistles. It has simple sound and few graphics special effects. In a way, that is a weakness because markets for the other machines are getting bigger.
Bill Budge
So, when the special effects are at the service of the story and draw you into it, that is really the magic.
Bill Sienkiewicz
I think some of the special effects in Close Encounters hold up better than the new more expensive special effects is because they were better actually.
Bob Balaban
I accept the Old Testament as more of an action movie: blood, car chases, evacuations, a lot of special effects, seas dividing, mass murder, adultery. The children of God are running amok, wayward. Maybe that's why they're so relatable.
Bono
Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
Camille Paglia
The main prank that we play with props is for people's birthdays. The special effects people will put a little explosive in the cake so it blows up in their face - that's always fun to play on a guest star, or one of the trainees or someone who's new.
Catherine Bell
Cinema is still a very young art form with extraordinary techniques and very impressive special effects but sometimes it seems the soul has been taken out of things.
Catherine Deneuve
You know, the reward for 'Captain America' is amazing. It's always fun to see a giant spectacle film and see the fun stuff - the special effects.
Chris Evans
It's all about the special effects.
Chris Kirkpatrick
I don't get it when you get so much openness about the way movies are made, and the special effects and the behind-the-scenes stuff and all of that. I can't help but feel like this reduces it a little bit.
Christian Bale
If you look at Buster Keaton or Douglas Fairbanks movies, what still amazes you today is their physical ability. The only special effects that never grow old are what you can do with the human body.
Christophe Gans
Any horror element is as much psychological as special effects.
Christopher Eccleston
I love the power of words - no music or special effects - and I want to demonstrate that power.
Chuck Palahniuk
You are always hoping that movie audiences are interested in characters and interested in story values rather than just mindless special effects. But you never know.
Clint Eastwood
I feel that contemporary music, with very few exceptions, is missing the voice. You see an award show, you see a hundred extras on set dancing and special effects, and you don't see that solo voice that was the trademark of Adele. It's no accident that it was her album that ended up selling 27 million copies worldwide.
Clive Davis
When I was younger, I was hopefully going to do animation and special effects.
Colin O'Donoghue
I always wanted to tell stories. Well, at least, I always came back to the notion of storytelling when the glitz and glamour of being a special effects designer or a fighter pilot or a DEA agent wore off.
I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.
I think sometimes people can get lost in the bigger special effects, science fiction, robot stuff, and those are cool and fun to watch, too, but I think it's so important to sometimes step back and watch something that's about life and human interaction.
I'm not afraid of special effects, but I see them very much as a means to an end.
The characters I've played as an actress have been really challenging and emotionally rewarding, but there was just something missing. I was finding over and over again that directors were looking to me to help with troubles on set as far as characters' relationships, special effects and story points were concerned.
To try and raise a budget for a film that is strictly for adults and both strong and graphic in content is not easy, especially when there is pressure to spend serious money on good special effects.
'Macbeth' is one of the best operas ever, and doing it was a great experience. I added some things to the opera based from my experience on the movie - such as some of the special effects and bits of film - to make it new and interesting. It was a very good work and a very good experience.
I'm frustrated with Hollywood and television and the movies because they see science fiction as an excuse for eye candy, for lots of great special effects.
There are so many sequels where everything between the special effects is just boring.
I think the biggest thing you take from the stunt world is your understanding of the filmmaking process. For years, you've worked with every other department closely. You know hair, makeup, wardrobe, special effects, and you know what everybody's needs are and their expectations. You also know how to collaborate with them.
The real trick to these movies and making the big action sequences work - and I've forgotten this sometimes and screwed it up - the characters really have to be humanized. Because you can have the greatest special effects in the world, but if you don't care about the people in those effects, there's no impact.
Substance over style is the rule for all resumes. Any special effects will dilute the gravitas and stature of the impression. You want people to concentrate on your accomplishments and your successes, not the curlicues of a font or unusual shades or contrast of colors.
When I was a child, I thought I was going to be a paleontologist because I loved dinosaurs. I loved monster movies and sci-fi, and then 'Star Wars' came out, and I was completely out of my mind with that, with 'Close Encounters,' and then I thought maybe I was going to go into special effects makeup, which I thought was awesome.
To me I don't deal with stress well at all, and it is stressful enough for me to deal with my own one character. So if I had to deal with all the characters and the special effects, and the editing and make the writing tweaks and do everything the director does, that would drive me to an early grave, and I just can't do it.
I spent four months in Prague in these blue rooms reacting to nothing and you basically place your faith in the hands of the director and the special effects co-coordinator and you keep your fingers crossed and hope that the creatures look really scary.
I mean, I have done scenes with animals, with owls, with bats, with cats, with special effects, with thespians, in the freezing cold, in the pouring rain, boiling hot; I've done press with every syndication, every country; I've done interviews with people dressed up as cows - there's honestly nothing that's gonna intimidate me!
I think when you take away all, like, the premieres and press stuff and all the special effects, then you just come down to the fact that it's all about acting, and I think that has been the best bit for me.
I never wanted to be in the show business. I wanted to do special effects.
Photoshop makes things look beautiful just as you have special effects in movies. It's just a part of life.
With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
For 'Star Wars' I had to develop a whole new idea about special effects to give it the kind of kinetic energy I was looking for. I did it with motion-control photography.
With a book I am the writer and I am also the director and I'm all of the actors and I'm the special effects guy and the lighting technician: I'm all of that. So if it's good or bad, it's all up to me.
I knew that, when writing a book, you're not constrained by a budget. You're not constrained by what you can do, in terms of the special effects technology. You're not limited to any particular running time.
I've actually usually been wary of taking on science fiction as an actor because it's really tough to do. It's really difficult to execute. There's often lots of prosthetics, green screen and special effects, and it can get very technical.
When I used to work in special effects at the model shop, I couldn't imagine having a better job. We made spaceships and miniature cities and I was working on robots. Then the 'MythBusters' opportunity came along.
In special effects, you can cheat to make it look good. In real science, you have to have results.
When I started Battle Bots in 1999, the guy sitting next to me was a high school teacher with no robotics experience at all. There were special effects guys, engineers, software guys who just wrote code - all kinds of people who had a desire to build something. And they would do it in their garages or even their kitchens.
I think when you make a genre or horror movie, you need a budget. When you skimp on blood and special effects and all that, it automatically looks cheesy. But a movie like 'The Room' is psychologically bad, which goes a lot deeper than just technically bad.
CG can do anything, but it can't do everything well. What it naturally can do is special effects. But using stop-motion comes from our desire to do handmade stuff. There are always going to be kids who get out whatever it might be - clay, bits of wire, Barbie dolls, Legos. They want to tell little stories.
