People aren't going to support an artist just because they have an audio file. They have to feel a real connection.

For me, audio books was about when you can't actually physically get hold of a book, like when you're driving. It's a fantastic companion on a long journey.

It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon.

In my case, the listener is often in an automobile driving to work. You can concentrate on the road while still getting an audio message that can be riveting.

We designed a number of features from the ground up, like custom display and optics technology with very high refresh rates and pixel density. We added integrated 3-D audio, a built-in microphone so you can speak to friends inside virtual worlds, and precise mechanical adjustment systems.

We had seen the way the print industry had been disrupted; we'd seen how the audio industry got disrupted, so it just seemed like a natural progression that video was next. We thought we were late to the game in 2003.

Television and cable have become the new independent films, in a sense, for writers and actors to gravitate towards. That's why I like short films, too; I love doing readings, audio books, working with young filmmakers; anything that keeps you from getting blase about yourself or in a rut.

If you hear that my soul mate still tells one or more of his exes he loves her, I want to know. Audio recording is preferable.

I studied audio engineering at university. The background I am from, music was never seen as a viable career; it was always a hobby.

It's made music more accessible with YouTube and the ability to trade audio files. But it hasn't made it more popular.

One thing that I have thought ever since Temple of the Dog is that I would never say no to an interesting collaboration, and that's partly where Audioslave came from.

Due to irresolvable personality conflicts as well as musical differences, I am permanently leaving the band Audioslave. I wish the other three members nothing but the best in all of their future endeavours.

When you have four guys in a room writing songs, it different. It's great - that's what makes a band a band. Audioslave was great.

Audioslave was something that I felt had become a career decision. It became three albums over a period of years touring with a specific group of people.

In the beginning of Audioslave, I was very honest. I said, 'We make great albums and write great albums - but don't be under the impression I'm going to be a lyricist that writes anything other than what strikes me as inspiring in the moment.' The lyrics weren't going to be focused politically.

Being a photographer is like listening to music. If you have a camera, by just living your life you're bound to find some things that are worth taking a picture of. You don't have to be an audiophile to have taste in music. It happens through osmosis.

People aren't going to support an artist just because they have an audio file. They have to feel a real connection.

I bought an audio technician mic and Pro Tools SE, the demo version and was recording in the basement.

Quite honestly, if I were doing work related to a living being or historical being where there was visual or audio recordings available, I would find that extremely difficult because I don't know how you would avoid the process of mimicry. And mimicry, to me at any rate, is a very dull prospect.

My credentials, briefly: I no longer go to church or believe in God, but I can still name every one of the fruits of the Spirit and reeled for days upon hearing the announcement that Audio Adrenaline was reunited with one of the singers from DC Talk.

I kind of got popular as a spoken word artist, and I ended up doing some ads and audio stuff for Nike and Sprite.

The Audio Home Recording Act directly says that noncommercial copying by consumers is lawful.

In 'The High Low', in some respects an audio version of 'Grazia,' Pandora Sykes and Dolly Alderton wonder whether they missed something in their survey of the Harvey Weinstein story. Maybe they did, they decide.

'Twenty Thousand Hertz' investigates the role of audio professionals in our daily lives, from the engineering that ensures a car door closes with that reassuring finality to the Foley artists of Hollywood who synthesise the sounds of marine life using old kitchen equipment gathered at the pound shop.

'Podcasting House' is pivotal to the BBC's plan to scatter the seed of its various non-broadcast audio products beyond the narrow silos of the people who happen to listen to the programmes from which they arise.

The 'PBS NewsHour' podcast is the audio version of the nightly TV broadcast.

I want to do more audio originals because I think that it is a fascinating medium. If you think about it, this is original storytelling.

But, when we started our product portfolio, we focused the mixed signal requirements first for image processing devices and then in audio applications, targeting our technology into the growing use of digital technology in consumer markets.

I guess my guilty pleasure would be listening to the British audio versions of the 'Harry Potter' books.

Lovers of audio books learn to live with compromise.

In fact, even during the audio release of 'Papanasam,' I said that I have reached a stage where I want to relax and travel, but work keeps coming.