My favourite country is Finland because once you get to a certain point, you can drive for hours without seeing a single person. I love peace and quiet - something I don't get very often.
Christopher Lee
The thing I have always tried to do is surprise people: to present them with something they didn't expect.
There is a dark side in all of us. And for us 'bad' people, the bad side dominates. I think there is a great sadness in villains, and I have tried to put that across. We cannot stop ourselves doing what we are doing.
'The Impossible Dream' is, in my opinion, one of the greatest songs ever written. Here is a man, an old man, a very old man full of daring, bravery, courage, determination, romanticism and dreams.
In 1956, the success of the Hammer films kick-started my career. That immediately gave me a name and a face to go with it. I will always be grateful to Hammer for that.
We don't always get the kind of work we want, but we always have a choice of whether to do it with good grace or not.
The secret to a long marriage in the film industry? Marry someone wonderful, as I did. And always have her come along on location.
Every actor has to make terrible films from time to time, but the trick is never to be terrible in them.
Acting as a profession came to me by chance: in 1946, after the war, I was having lunch with my cousin, who was the Italian ambassador, and he asked, 'What are you going to do now you're out of uniform?' I said, 'I'm pretty inventive, and I can imitate people,' and he said, 'Have you thought about being an actor?'
'The Wicker Man' for me, as an actor, was definitely the best film I've ever done.
I've always acknowledged my debt to Hammer. I've always said I'm very grateful to them. They gave me this great opportunity, made me a well known face all over the world for which I am profoundly grateful.
My father's family can be traced back to 1400. I've been told by gypsies that there is unmistakeably gypsy blood in me. Lee is a gypsy name, you know.
I associate heavy metal with fantasy because of the tremendous power that the music delivers.
I thought that people should know about the dangers of Satanism, and diabolism does exist - there's no question about it.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
I'm still asked a great deal about 'The Wicker Man' because it's become one of the great cult movies of all time. That's the story of my career, really, making cult movies. And I've always said it's the best film I've ever made.
Not every Hammer film was perfect.
There was a gap of seven years between the first and second Dracula movies. In the second one as everybody knows, I didn't speak, because I said I couldn't say the lines.
Ian Fleming was my cousin, and he wanted me to play Dr. No, but by the time he got around to remembering to tell the producers, they'd already cast someone else. Spilt milk!
I was attached to the SAS from time to time, but we are forbidden - former, present, or future - to discuss any specific operations.
My great-grandmother was born in London, the daughter of a Brixton coachman, and became the most famous singer in Australia. Her name was Marie Carandini, Madame Carandini.
I was always interested in enchantment and magicians and still am.
I haven't spent my entire career playing the guy in the bad hat, although I have to say that the bad guy is frequently much more interesting than the good guy.
I wasn't a spy. I'd have been spotted in five seconds. Yes, I was in intelligence, but that covered a multitude of things.
On the Italian side, we can trace the family back 2,000 years. I have a cousin in Rome, a famous archaeologist, Count Andrea Carandini, who was in Lombardy and came across some pottery with the original name of the family, Carandinus, painted on it.
I did play Ramses II once, who lived to be 91 and had 120 children, but he died 4,000 years ago.
Peter Jackson's instincts are extraordinary, as is his stamina.
One of the first things a British visitor to Southern California discovers is that he must have a car. Freeways. Bad public transport. I took driving lessons.
Making films has never just been a job to me; it is my life. I have some interests outside of acting - I sing and I've written books, for instance - but acting is what keeps me going: it's what I do; it gives life purpose.
To be a legend, you've either got to be dead or excessively old!
The most important film I made, in terms of its subject and the great responsibility I had as an actor, was a film I did about the founder of Pakistan called 'Jinnah.'
I lived for 10 years in Los Angeles, and the one element that surpasses everything else - that you are very conscious of - is fear. You can smell it.
I haven't done lots of horror.
The first 'Charlemagne' album is metal, of course, but what I sang was more symphonic.
I'm much softer than people think. I don't present to the world an emotional face. I'm pretty good at self-control, but I am easily moved.
When the Second World War finished, I was 23, and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. So seeing horror depicted on film doesn't affect me much.
I turn to the 'Telegraph's' obituaries page with trepidation.
There are many vampires in the world today... you only have to think of the film business.
The song 'My Way' is a very remarkable song. It is also difficult to sing because you've got to convince people that what you're singing about is the truth. It's a man who is very proud of having achieved everything that he's achieved his way.
As far as I am concerned, Don Quixote is the most metal fictional character that I know. Single handed, he is trying to change the world, regardless of any personal consequences.
Let's just say I was in Special Forces and leave it at that. People can read into that what they like.
I've done a lot of films that have become iconic, not necessarily because of me.
A whole new career opened up for me when I was in 'Lord Of The Rings' and 'Star Wars.'
What's really important for me is, as an old man, I'm known by my own generation and the next generation know me, too.
It's what you don't see that keeps you on the edge of your seat in any kind of film - leave it to the imagination of the viewer.
Films are now made by accountants. They pick a pretty young female or male face out of the air and give them a part - not because they think that person is right for it or is ready for it, but because they think that person will make them money.
I have made a lot of movies, but I don't see any point in talking about films I don't think are terribly good. I have been in a few. I don't know any actor that hasn't.
Before 'Lord of the Rings,' some people would have just classed Peter Jackson as a horror director. But there is a mind there.
Somebody once asked me how I found Peter Jackson, and I said: 'Well, I parted his hair, and there he was.'
When I first read 'Lord of the Rings,' I wanted to see a film of it. But at that time, the technology wasn't there; there was no such thing as CGI.
