My father loved music. He loved Motown and R&B, and my mother loved Journey and Fleetwood Mac, so they were always listening to it and playing it.
Andra Day
I was always inundated with music, whether it be my mother's favorites like Fleetwood Mac and Carole King and the Carpenters, or my dad's jazz music.
Fleetwood Mac are more like a folk-rock band.
Ann Wilson
I love Journey and Fleetwood Mac.
Brendon Urie
I'm rather old-fashioned about this video business. It's all relatively new. We really don't do videos, Fleetwood Mac. We've only done two.
Christine McVie
The old Fleetwood Mac was much better; they did some beautiful and, to my mind, very authentic blues. Chicken Shack did pretty well in Europe, but after I left, it was over.
We've always connected musically in Fleetwood Mac because we're the only people who play more than one note. I'm not the best pianist, but I know how to interlace around what Lindsey's playing.
I dearly remember the old days... Fleetwood Mac had this one-of-a-kind charm. They were gregarious, charming and cheeky onstage. Very cheeky. They'd have a good time.
Fleetwood Mac always take a long time to make a record - you know what.
With Fleetwood Mac, it's an amazing chemistry that we have on stage.
I think there's a reason to go off and do something and experiment - splinter off and do something different. It keeps the nucleus of Fleetwood Mac fresh.
Eventually, I had to figure out what the hell I was going to do with my life. I needed to find my way back to Fleetwood Mac.
Dancing freely to Fleetwood Mac always makes me happy.
Cressida Bonas
My father, Dennis Popham, was a very handsome, talented artist, and as my mother always reminds me, 'someone who had wonderful style.' He was half Samoan-German, half New Zealander, and their first date was to a Fleetwood Mac concert, which I love the thought of.
Emilia Wickstead
My first instrument was bass, and the first thing that I remember learning to play that was better than a few notes was Fleetwood Mac's 'The Chain.' If you're the guy who penned that bass riff, then you should probably be in some sort of fantasy band.
George Ezra
I'm a bit of a Fleetwood Mac girl. I also think you can't beat a bit of old school Girls Aloud to get in the mood for going out.
Holly Willoughby
My mother raised me right - everything from Fleetwood Mac and the Doors to Pink Floyd and so on and so forth.
Ivan Moody
My father and mother listened to oldies, from be-bop and swing music to - I hate to admit it, but - Barry Manilow, Fleetwood Mac and the Moody Blues.
I did spend a year in high school being obsessed with Fleetwood Mac.
Joanna Newsom
My parents were always playing records: My mom was really into the Beatles and Fleetwood Mac, and my dad was more Billy Squire, Whitesnake, '80s hair metal. But I think there's that crucial point where you become an adolescent and you don't want to listen to your parents' music.
Julien Baker
One of my really good friends in New York is a musician and looks just like Lindsay Buckingham. We always fancied ourselves the nice Fleetwood Mac.
I remember hearing people like Joe Cocker, Fleetwood Mac, and Elvis. My parents were big fans of them, and they were the early seeds. My brother was more into Slipknot, and I still listen to them, too, but it wasn't until I listened to Paolo Nutini that it really clicked.
I feel like fifteen years with Fleetwood Mac was like working on my thesis, doing research for some kind of paper.
When I was a kid, and Elvis Presley broke through to a middle class, white audience, it was a sociological phenomenon that lasted through the Beatles and even a bit through Fleetwood Mac.
There is nothing like this extended family that is Fleetwood Mac. And I think you have to say, for all the perceived and real dysfunction that there has been, underneath that, there is and always has been a great deal of love. And that keeps pulling us back together.
The 12 years I was in Fleetwood Mac before were not particularly happy years. I was not in a very good place, psychologically, when I left. I didn't have a lot of confidence in what I was doing.
When I work alone, my process is like painting. With Fleetwood Mac, it's more like movie making.
When you become successful on the level that Fleetwood Mac did, it gives you financial freedom, which should allow you to follow your impulses. But oddly enough, they become much harder to follow.
You know, I was never totally thrilled with being a Fleetwood Mac member, but surprisingly, I was having such a good time reuniting with John, Mick, and Stevie.
There have been several occasions during the course of Fleetwood Mac over the years where we've had to undermine whatever the business axioms might be to sort of keep aspiring as an artist in the long term, and the 'Tusk' album was one of those times.
Defining something being a Fleetwood Mac song is calling it a Fleetwood Mac song, you know? Nothing becomes Fleetwood Mac until that's what you call it.
I guess you can look at Fleetwood Mac as the 'Pirates Of The Caribbean' movies and my solo career as indie films.
Certainly, whatever I learn while I'm out solo, I bring back to Fleetwood Mac.
One of the things about Fleetwood Mac is, when we're not together, we don't talk a lot or keep in touch. We keep a healthy distance.
Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
Fleetwood Mac was one big lesson in adaptation for me. There were five very different personalities, and I suppose that made it great for a while.
I left Fleetwood Mac to make myself happy, and fortunately, it worked.
You could say that Fleetwood Mac is a bit of a dysfunctional family, but we are a family.
One of the things about Fleetwood Mac, you gotta say, is that it's not very often that you get everyone to want the same thing at the same time.
I love wearing a lot of color, and I am majorly into scarves. I'm the Beau Brummell of Fleetwood Mac, no doubt.
All of us... anyone that's been in Fleetwood Mac, as far as I've been aware, has been seemingly pretty well brought up by their parents: not goody two-shoes - God knows we weren't - but there was a level of civility that the lads in the band were aware of, what is over the brink of decency.
Fleetwood Mac were really accessible musically, but lyrically and emotionally, we weren't so easy. And it was our music that helped us survive. But all of us were in pieces personally.
Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.
Obviously, this is a huge change with the advent of Lindsey Buckingham not being a part of Fleetwood Mac. We all wish him well and all the rest of it.
I think it's part of how people relate to Fleetwood Mac. In many ways, we've been too open and too truthful about stuff that is really none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.
I was always so jealous of a band like Fleetwood Mac, for instance, where Christine McVie would sing a whole bunch of songs even though Stevie was the obvious lead singer. It added variety to their shows.
When we toured... I was hungry to take out people like Jeff Beck in front of us; Fleetwood Mac, just before they hit; Heart, just before they hit.
I'm a big fan of Peter Green's Fleetwood Mac.
I had Fleetwood Mac on, and Saido Berahino asked me if it was from a movie soundtrack.
I was born in 1974, so I grew up listening to what was on the radio - my mom's car sounded like Fleetwood Mac, because that was what was on the radio.
