I listen to everything and find parts about a song in the lyrics/melody/chords/production that I like and can be inspired by when I write my next song.

Lyrics are kind of the whole thing; it's the message. Something might have a beautiful melody but if it's not the truth coming out of your mouth, it's not appealing.

Of all the soul divas, Gladys Knight was the one for me. Knight's always been about tone and heart, none of the big showboating or extraneous doodling. She nailed a melody and only played a little around the edges like Ma Staple.

Often the 'lead' of a classical song will have something really cool to its melody that - even though it might be a violin or something doing it in the song - I end up wanting to try something like that with my voice.

Music critics think of lyrics first and don't consider melody but so many songs are lyrically depressing but musically great, and that's why they become classics.

When I play the clarinet, I am 100 percent myself. It is as if it is part of my body. I can play whatever I think. Let me just read a melody and make it as sweet as I can.

The clarinet is not so dominant in Israeli music as it is in klezmer. I heard klezmer when I was growing up, but for some reason I avoided it. I listened to Louis Armstrong instead. But the sense of melody is the connection between jazz and klezmer.

Nothing I do is ever void of melody. I know it might seem like I'm doing a lot of rapping, but I'm always utilizing tone and trying to find a key signature. So, I don't look at myself as a rapper.

I learned a lot from working with and watching Knxwledge, seeing how he produces non-stop. He doesn't dwell too long on stuff. He's very simple, using only about two or three elements. I like that in production. Sometimes it doesn't take more than three drums, a melody, the vocal, looping a sample or whatever, just as minimal as possible.

I would imagine that most of my writing is done spontaneously. I had no intention of writing, and then I'll just walk through the house, and I'll hear this melody, and I'll turn on the tape players and go back to it later on. Some days I'll get 3-5 songs a day.

What I learned about music is that it can have nothing to do with words, instrumentation, image, message, or meaning. The meaning is the melody, the notes, the rhythm - music for the sake of its own beauty, with nothing more required to express itself.

In 1973 we moved to the British Isle of Man, and I put my first band together for one year, named Melody Fair.

I enjoy singing the songs a certain way, but I don't even know how the writing even began. To me, it's work that is kind of invisible; it's a weird kind of work to have because you're not working, but it's not not work. Formulating your thoughts and making a melody that's catchy enough for people to listen to what you're saying is really hard!

The world likes trap and EDM unless it's a fire melody.

We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.

I'm the kind of person who can hear that stuff. If you sing along to the radio and you're not going to sing unison with the melody, but find the harmony, I find that pretty easy to do.

Music is the melody whose text is the world.

Sometimes I can't sleep 'cause I can't get a melody or a beat out my head, so I just have to wake up and, like, record it on a voice note.

I lived in Paris for two years with my family. I would roam the streets of Paris during the day for a few hours in the subway, on the streets, and I listened to the French language, and I got a sense of the rhythm and the melody of the language.

I listen to everything and find parts about a song in the lyrics/melody/chords/production that I like and can be inspired by when I write my next song.

When I'm writing, I'm focusing more on just the basic melody and the lyrics.

They were singing in French, but the melody was freedom and any American could understand that.

When I sing, it's different from when I speak in a very interesting way. I think that, when you're singing, a message is carried in a different way. I don't know if that emotion needs a melody.

I really believe in melody.

I usually write lyrics first, and then when I get home or close to any kind of instrument, I usually make a melody for those lyrics.

I'm good at melody - I'll write the top-line melody and ideal words I want to go with it. But I'm not that good at writing lyrics. I bounce those back and forth with songwriters or someone who can sing.

Lyrics are important, but it's hard, because English isn't my first language - although it feels like it is these days! I grew up with amazing melodies, so getting that right on a song has always been the key thing for me, but there's no reason why a great melody doesn't deserve great lyrics.

Originality is definitely missing from EDM. There are people looking for it and exploring but I feel it's so big now it is just getting milked. House music is losing all its melody as it becomes more about how dirty the drop is and how energetic it is. It loses touch with what music really is.

'Appetite for Destruction' was the only thing written with lyrics and melody fitting the guitar parts at the same time. After that, I got a barrage of guitar songs that I was supposed to put words to, and I don't know if that was the best thing for Guns.

Sometimes I just think that there are more things to be said to make the audience understand what I'm trying to do more. When I'm singing, I don't want you to just hear the melody. I want you to relive the story, because most of the songs have pretty good storytelling.

Lyrics can be important, but ultimately, what pulls people in on a song is melody and the tracks and the way music feels.