As a freelance artist, you have to please somebody instead of just making music. But when the employer trusts and leans on you to determine what is right for a scene or feeling, that's ideal.
Adrian Younge
The only really committed artist is he who, without refusing to take part in the combat, at least refuses to join the regular armies and remains a freelance.
Albert Camus
Anybody who is in freelance work, especially artistically, knows that it comes with all the insecurity and the ups and downs. It's a really frightening life.
Alessandro Nivola
I've always freelanced as an actor, and you always have to worry about the next paycheck. When I booked 'True Blood,' I promised myself I would take advantage of the fact that for the first time in my career, I could afford to turn down big money to go and do small, character-driven indies.
Alexander Skarsgard
I am a freelance programmer so I am flexible about my working hours and have quite a lot of free time.
Alexandra Elbakyan
In my 20s, I was a freelance writer with little money and living in a rabbit warren one-and-a-half-bedroom with a roommate.
Alissa Quart
When I got pregnant with my daughter, both my husband and I were freelancers, and we didn't have that much security. We had savings. We were better off than many people, but we didn't have, you know, pensions and all the things that people used to have.
If you dig deep and keep peeling the onion, artists and freelance writers are the leaders in society - the people who start to get new ideas out.
Allan Savory
The big-time journalists generally had kidnapping insurance through their news organizations. Usually, it would pay for a crisis response company to help negotiate for a hostage's release. Freelancers most often had none.
Amanda Lindhout
Accompanied by an Australian photographer named Nigel Brennan, I'd gone to Somalia to work as a freelance journalist, on a trip that was meant to last only ten days.
Freelancers generally want as friction-free an engagement as possible.
Andrew Yang
I've never had a terrible job. I've been a cook, waitress, bookseller, teacher, freelance writer. I know what the bad jobs are, and I haven't done them.
Ann Patchett
I was struggling, I was hungry, I was a freelance copy editor but had very little work.
Anne Hegerty
I started freelancing, writing op-eds and book reviews, one at a time. I then got the opportunity to write recurring freelance pieces for 'The Nation' magazine, focusing on how the Internet was changing politics.
Ari Melber
I am a freelance artiste.
Barun Sobti
At the very beginning, I was a page at Letterman, and I freelanced for any place that would let me write any word. I wanted to do this so badly. Then when I got a tiny bit of success, I was petrified that I was going to lose it.
Ben Schwartz
Regardless, I did rise to the editorship before embarking on a freelance career in the late '60's.
Brock Yates
I had to put in my time all through my 20s. Then I came to CNN in 2008 as a freelancer with no guarantees.
Brooke Baldwin
There's a cumulative effect to getting good parts as a freelance actor, because you're only as good as your last job, and you have to keep going out and getting them. Unless you're part of the finance structure, by which I mean a bankable star, which I never was and never will be.
Bruce McGill
I was a freelancer all through my twenties. I did about one story a month and I wanted to write fiction, so the stories that I would do were precursors to 'Sex and the City.'
Candace Bushnell
I was freelance proof-reading, freelance editing, creating illustrated slides for doctors' presentations - just so I'd have enough money to take the time to write. That's how I got by.
I've never lost that freelance mentality. You can't take a holiday because you're worried the work will dry up.
Atari collapsed in '84, and I went freelance, and that was when I started spreading out and doing my own thing. I really cut loose and did a game called 'Trust and Betrayal', which was the first game solely about interpersonal relationships.
I am a freelancer. My services are available to anyone at any time.
Freelancers are 'free' because they take risks - they don't like being told what to do. That's both exciting and daunting, because you have to police you.
After college, I was burdened with student loans to repay, no financial cushion, so I wasn't in a position to bet everything on a creative-writing career - neither the writing-workshop academia life nor the freelance-writer version, trying to scrape by on short stories and house-painting gigs.
I freelanced for the 'Boston Phoenix.'
The Hermes scarf is a coveted, much-collected symbol of success that defines the Paris-based luxury company. But it has no single designer. Rather, the scarves are designed by a far-flung array of freelance artists.
Getting from A to B can be crucial for small-business owners, self-employed people and freelancers too, who often rely on trains and buses to get around, conduct business and meet clients.
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd have to devote myself to it full time, so I ended up leaving my job there and went freelance.
If you're into a leather-jacketed crime fighter and his artificially intelligent robotic supercar, tune into 'The Good Wife.' If, on the other hand, you prefer the misadventures of a freelance itinerant trucker and his simian sidekick, check out 'The Walking Dead.' Or DVR them both and go talk to your family.
I was a freelancer at CNN during the second semester of my senior year at George Washington University.
If you understand the independent worker, the self-employed professional, the freelancer, the e-lancer, the temp, you understand how work and business in the U.S. operate today.
Constant rejection. No security. Career paths being dictated by freelance reviewers. And of course, the terror of the writing desk, of the blank page. Why is it so hard for our non-writer friends to understand this - that it's a job?
I went to Aspen right after school and got a freelance gig writing articles for the 'Aspen Times.' I was their nightlife correspondent. They paid me fifty bucks an article.
I think when you work enough on your doing freelance stuff on other films, you start to feel what it feels like to work with people who are not totally on the same page as you.
We started Good Neighbor in like 2006? Right around the time that Kyle graduated college. And I was doing freelance editing.
Most hacking incidents that you see are freelancers - maybe government sponsored, maybe not. They are out there trying to steal intellectual property, make some money. Or they might just be hackers who want to damage something for whatever reason. That's a fact of life that internet companies deal with all the time.
When you're a freelance director, you are hired to create the art, and it kind of stops there.
In 1975, I quit my tenure, and we moved from Ann Arbor to New Hampshire. It was daunting to pay for groceries and the mortgage by freelance writing - but it worked, and I loved doing it.
The early cyberpunk idea was that networked computers would let us do our work at home, as freelancers, and then transact directly with peers over networks. Digital technology would create tremendous slack, allow us to apply its asynchronous, decentralized qualities to our own work and lives.
I was doing well in TV as a freelance cameraman, but it wasn't the direction I wanted to go in. I directed videos and tried to put something cinematic in every one. Dialogue, action sequences, helicopter, Steadicam.
It was my very good fortune to find a mentor, Clay Felker, who started my career at the 'New York Magazine' as a freelance writer when I had to quit my job at the 'Herald Tribune' to stay home with my young daughter.
I'm a freelance person, and I've always been able to support myself.
I wrote for my university newspaper and went on to freelance for a Los Angeles publication in my first months after graduating from UC Santa Barbara. I also interned at a couple of TV stations in the L.A. area.
I have to be a freelance writer for the rest of my life, unless I get some kind of real lucky break. But other than that, I'll always have to work. I always worry about whether my stuff is going to get over. Will they like this, will they like that?
Between 1950 and 1951, I worked as a temporary employee in the Cologne Bureau of Statistics. From summer 1951 on, I have lived as a freelance writer with a fixed postal address in Cologne but with a continually shifting place of work.
Two things - one is obvious: always keep making. The second thing, with regard to music videos specifically - the music video industry can be a place that takes advantage of young freelancers and filmmakers. Make sure you're making stuff that you're proud of and you can get behind.
I never expected to make the videos a full-time job. I thought I would continue to work as a freelance Web designer and just do the videos for fun. But the audience built so quickly that it became full-time.
I was a freelancer all through my 20s and was very slow to get good at what I did.
