I'm not really rocking with mixtapes no more. EPs and albums - that's it.
A Boogie wit da Hoodien
A lot of my solo albums were produced by different people who had their idea of what songs I should do, and they had me doing a lot of ballads.
Aaron Neville
One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
Abigail Washburn
I've recorded 25 or 30 albums. I know that sometimes when you work with producers who are kinda dictators, it doesn't help you make a better record.
Ace Frehley
I've been told I sold 110m albums and singles. If that's the case, I should've come here in a space rocket.
Adam Ant
Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
Adam Duritz
You eventually get used to looking at girls picking their leotards out of their bums and that sort of stuff.
Adam Garcia
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
Adam Granduciel
I have always maintained that it's not the quantity of work, but the quality that should speak. I have maintained the same for my music albums, too. I have always released them after a gap of two to three years.
Adnan Sami
I really love crafting albums and thinking of albums as a whole, not just individual songs or singles or just tracks, but a whole entire album.
Adrianne Lenker
My collaborative albums are always way more enjoyable to make.
Aesop Rock
When I was 25, Abba was formed. After Abba I made three solo albums. Maybe I have been productive enough.
Agnetha Faltskog
Growing up I really loved Mazzy Star, The Cranberries, Fiona Apple, Everything But The Girl. I listened to a lot of really random things too that I would find by myself. I would find Minnie Riperton albums that I would fall in love with, also, a lot of old country records.
Aimee Osbourne
I always try to give my own albums space in between so I have time to create a new sound and give time for people to miss me. You have to come out fresh and reinvent yourself.
Akon
Any album that you pick up of mine, you know it's an Akon album. The guests are very limited, and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
When I'm done with something, I'm done. I don't go back and listen to and pine for my old albums, or the Lollapalooza days, or 'Psalm 69' selling millions of records. Maybe I'm really just getting old and mellow.
Al Jourgensen
'Rock n' Roll Animal,' the live album, is one of the greatest live albums out there. It was a huge influence on me.
Probably 90 percent of my albums have polka medleys.
Al Yankovic
One of the hardest things I've had to deal with in my career is keeping my material topical even though I only release albums every three or four years.
As long as I'm still able to have a hit on the radio and sell a few albums and some tickets, I don't see that it would be worth retiring.
Alan Jackson
I think I've always approached making albums pretty much the same way. I'm just looking for a mixture of songs and topics that aren't the same thing over and over.
It has been an honor to paint on stage and have my art grace the albums and stage sets of renowned musicians.
People are getting away from the whole album experience, it's true. I think that's sad. Maybe I'm just saying that because I'm an old fart. But I can't help it - albums are what I grew up with, and I still love them.
There are times when I think, if I were a bit more famous, life could be easier in terms of work because producers want bums on seats, and they're going to get bums on seats if they get a name, if you have had that series on telly.
A lot of my albums that I've done, a lot of the songs have been the first take. It's before you mess with it too much - you can take away all the spontaneity and the emotion of something by trying to make it sound perfect.
I threw away the whole of my working history, my photograph albums, diaries and stage clothes. Shoving big, ugly discs on walls is a bit like rubbing people's faces in it, saying 'I am considerably richer than you.' It is completely unnecessary.
It's almost like a theater, where I can play a character in every song, 'cause Kamelot songs are very... There's always a narrative going on. There's a story within albums and in songs, so I get to play a character and sing it in a different way than people might recognize coming from me.
I'm an obsessive musical theatre person, so some of the most formative albums for me were, you know, the 'Phantom Of The Opera' soundtrack or 'Into The Woods.'
He has given me several blockbuster albums in all these years, and DSP is the man behind many of the best songs in my career.
'Lucky Us' ends with a description of a photograph of the novel's fictional family. I could never get enough of my own family photo albums.
With my first three albums I did everything on my own. It was what I was used to and where I felt comfortable. I would write the lyrics and music and hide the songs from everyone until I felt confident enough for anyone to hear them.
Hip-hop don't have no fresh energy, none at all. It's money driven, everybody tryin' to make that cheque, nobody putting art in their albums any more.
A lot of the albums that I've been really into are like, 'Oh man. That doesn't make him look like a perfect human. That actually shows his warts and his scars, and for some reason, I'm super drawn to him now because he shared that or she shared that with me.'
More recently, I used guitar synthesizer extensively on the two albums I did with Robert Fripp.
We had a huge audience, we sold truckloads of albums. If we do something that's cool, people will listen to it. If we don't, we would be selling people short.
I'm sick to death of people saying we've made 11 albums that sounds exactly the same, Infact, we've made 12 albums that sound exactly the same.
We've been involved in a lot of albums that were really rushed at the end.
'Indian' is a cult album. It is one of my most favourite Rahman sir albums.
Typically, the theme of my albums, if there is a theme, is, 'How does it feel?' And that always leads to love songs. It just does.
My first albums as a little kid were Elton John's 'Goodbye Yellow Brick Road,' Simon and Garfunkel's 'Greatest Hits' - and 'Workingman's Dead.' How many other people still listen to the music they liked at age 12?
Strings have been a part of my career and my albums since the very first day. 'Snowbird' had beautiful strings.
I don't sing songs on albums that I don't like.
I have been told that my voice is very suited to oldies albums.
TV ads let people know you're still around. Not only do they sell albums, they give you a high profile. They let people know you're out there and working.
There was a time when using TV to sell albums was frowned upon.
I feel like the albums I grew up listening to - for example, Eminem, Lauryn Hill, Christina Aguilera - they all spoke about real stuff that was happening in their life and everyone else's life.
Usually, I really only look at any one particular album at a time when I'm making it. I've never really sat and looked at the journey through all of my albums to see if I could find a thread through them.
But I had a strong reaction to my first three albums and I struggle with them now, as an adult. It's very much the same as looking at your teenage photos in high school.
Brian Eno is an iconic and omnipresent pioneer in the world of ambient music, but he's gained real staying power while working behind the boards. He's produced albums for some of modern music's most influential artists, including Devo, David Bowie, U2, Coldplay, Peter Gabriel and Talking Heads.
Of Montreal's early releases were loaded with playful but confessional acoustic tunes, but the band soon embraced glam-rock's freakier side on albums like 'Hissing Fauna Are You the Destroyer?' and 'Skeletal Lamping.' It was a shift fans might not have tolerated if it weren't for frontman Kevin Barnes' catchy, personality-driven songs.
