Smart habitation is an integrated area of villages and a city working in harmony and where the rural and urban divide has reduced to thin line.
A. P. J. Abdul Kalam
One lesson that every nation can learn from China is to focus more on creating village-level enterprises, quality health services and educational facilities.
It's fun playing villains. It's people who are not held by any moral constraints - or any constraints, for that matter. It's a chance to be completely off the leash and do things that you never could in real life.
Aaron Stanford
I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
Abbas Kiarostami
Every villain needs her story told.
Abbi Glines
It's so fun to play a villain. I get to tap into a side of myself I thought I never had.
Abbie Cobb
People in the South want heroes to be their own, whereas it is easier for them to accept a villain who hails from another state.
Abhimanyu Singh
I never saw myself as a women's footballer. Not when I was in my tiny village in Norway. Not when I was suffering in Germany. Not when I finally made it to Lyon.
Ada Hegerberg
I was described as a dreamer, a fantasist, even as the village idiot. I didn't care. What I cared about was convincing people to allow me to go on with my work.
Ada Yonath
I keep a very low profile in Switzerland. There are only about 2,000 people in the village I live in, so it's a quiet town.
Adam Derek Scott
I don't see a lot of movies that portray the East Village as well as I think they can.
Adam Rapp
My paintings capture the humor, zaniness, and depth of the Batman villains as well as the Freudian motivations of Batman as an all-too-human, venerable, and funny vigilante superhero.
Adam West
It was difficult at Villa because they'd struggled for two years and I'd come mainly from Barcelona B in the second division in Spain. I needed time to adapt but Tim Sherwood and Remi Garde had to win games; they didn't have time to think about little things about my game. It was a bad moment, it was such a hard, sad experience.
Adama Traore
I think the time I spent at Aston Villa was difficult. It was a difficult time and a difficult moment for the team.
I joined Aston Villa to improve myself in the Premier League. It started well but then I got injured and Villa ended up having five managers that season.
When I came to Aston Villa, they had struggled for two years before then.
Few people will say maybe I had a tough time with different teams like Aston Villa and Middlesbrough but in each situation, I tried to take the good things.
Aston Villa and Middlesbrough, they showed me what is English football. It's tough, it's difficult and they showed me how life is like in professional football.
I had met a young lady who wanted to be in the theater. It was Judy Holliday. She had somehow fallen down the steps of the Village Vanguard, which still exists today.
Adolph Green
It was my mustache that landed jobs for me. In those silent-film days it was the mark of a villain. When I realized they had me pegged as a foreign nobleman type I began to live the part, too. I bought a pair of white spats, an ascot tie and a walking stick.
Adolphe Menjou
'Profit' was an intriguing fellow that couldn't be approached as a villain or a hero. The challenge in hanging a show on a character like Jim Profit was that we knew that we were in for a rough reception.
Super early-stage companies have a village that form around them for support.
When I first walked in to London, I was so overwhelmed by the village, the sheer volume of people. I was just so excited. You don't know what to expect. So the level of excitement was almost draining, just taking everything in. I was so exhausted after I swam because of all the excitement in the build-up.
'Villain' succeeded because we were genuinely working towards a good film. We worked hard and with a lot of conviction.
'Dragon Ball''s villains were easy to draw: Piccolo, Freeza, Majin Boo.
I've played the villain before, but my baddies have always entertained.
I keep attacking the villains, the know-nothings, the people who want to take our freedoms away.
When Edna O'Brien's first novel, 'The Country Girls,' was published in 1960, her family and neighbors in the small Irish village where she was born tossed copies into a bonfire expressly set for that horrifying purpose.
You could be a victim, you could be a hero, you could be a villain, or you could be a fugitive. But you could not just stand by. If you were in Europe between 1933 and 1945, you had to be something.
I was born in a mining village, and you either played football or played football. If you didn't play, there was something wrong with you.
I had a sympathetic role in 'thirtysomething,' and in two weeks I'm going to do the role again. But in the movies, I just love the heavies. It's much more fun. Villains are a ball. People have been laughing at me for 50 years, so I love to sit in the back of the theater and listen to them hate me.
I know what's good for me. I can't play black or gray. I can't be a villain or anything close to one. I have to play white.
I knew Bobby Dylan back in the days when he lived in the village. He used to come and see me and sing songs for me, saying they ought to go into my next collected book on American folk music.
I always wanted to have a villain song for Hades in 'Hercules,' but I couldn't figure out how we would have Hades sing.
A villain number is a very valuable thing to have, but if you look at most musicals, one way or another there's an antagonist number.
There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
When my friends talk about childhood, I've never heard of any cartoons or TV they remember. The only thing we share is Michael Jackson. That's how far his music travelled - to a remote village on the other side of the world.
Even with a villain, you don't want him just to be some pockmarked punchbag.
I know Juffure was a British trading post and my portrait of the village bears no resemblance to the way it was. But the portrait I gave was true of nearly all the other villages in Gambia. I, we, need a place called Eden. My people need Pilgrim's Rock.
I like playing the villain.
In 1990, my wife and I were married in her village in southwestern Uganda. The festivities went on for three days, and all the while a couple of dozen gray-crowned cranes, with regal bonnets of sun-shot yellow feathers, were pecking and padding around in the adjacent savanna.
Like many works of literature, Hollywood chooses for its villains people who strive for social dominance through the pursuit of wealth, prestige, and power. But the ordinary business of capitalism is much more egalitarian: It's about finding meaning and enjoyment in work and production.
I grew up in a miniature village in the middle of the countryside in England, quite secluded from the outside world. I was always enamored by the fashion industry.
I've known the poet Eileen Myles since the 1990s, when I first moved to New York, and I remember seeing her walking her Pit Bull Rosie around the East Village. She had these beautiful arms and David Cassidy hair and the sort of swagger so many of the gay boys I knew wished we had. We all had crushes on her.
My father is from the village of Beranci, Macedonia, and my mother is from Greece.
I never even went to Jekyll & Hyde's restaurant. I loved the Greenwich Village Halloween Parade, though.
The more successful the villain, the more successful the picture.
I think it would be a problem if Hollywood was casting British actors only as villains; if that were the case, then certainly there would be cause for concern.
I love playing villains.
One doesn't need a particular height or body to be a villain in movies. He needs the brain and the look.
