When I was kid, I remember playing 'Vogue' by Madonna over and over and over again. And ah, you know, something about the beat was really cool, and Madonna, visually, was on TV all the time and I thought she was just so beautiful.
Adam Lambert
I would like just one time to be on the cover of Italian Vogue.
Adriana Lima
'Vogue' should be about giving a voice to all different cultures.
Adwoa Aboah
In 2017, there is more than one way to be beautiful and more than one way to be cool. And when you put an image on the cover of 'Vogue,' that means something that goes beyond fashion.
People always associated me with 'Vogue,' 'Vogue Living,' or 'Elle Decor.'
Aerin Lauder
At school, a careers adviser asked me what I wanted to be, and I said 'fashion journalist,' so writing for 'Vogue' has provided me with the opportunity to fulfill a dream.
Alexa Chung
I did TV for a bit, and somewhere along the line, I started writing a column for 'The Independent' newspaper in England, and now I write features for 'British Vogue.'
People hate politicians, it's really in vogue right now to hate politicians, but we need someone to lead us into the new world economy, we actually need to make decisions and we actually need grownups.
Alexandra C. Pelosi
At an early age I discovered the beauty in pictures in 'Vogue' magazine and Ebony magazine, and I would read 'The New York Times.' I had to make my own world within my world because I was an only child.
Andre Leon Talley
To be in 'Vogue' has to mean something. It's an endorsement. It's a validation.
Anna Wintour
I want 'Vogue' to be pacy, sharp, and sexy - I'm not interested in the super-rich or infinitely leisured. I want our readers to be energetic executive women, with money of their own and a wide range of interests. There is a new kind of woman out there. She's interested in business and money.
'Vogue' is a fashion magazine, and a fashion magazine is about change.
I've been very lucky to put women that I sincerely admire on the cover of 'Vogue:' the then First Lady and now Secretary of State Hillary Clinton and, more recently, First Lady Michelle Obama. Those were benchmarks for the magazine, and certainly covers that I've been very, very proud of.
I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
I don't think in today's world you can go too far. However you may feel about social media or the Internet or selfies, it's part of how we all live today. 'Vogue' needs to understand and reflect that.
'Vogue' has a history of picking up on various TV shows that reflect a moment in popular culture, whether it's putting Lena Dunham on the cover or Sarah Jessica Parker.
I think we're living, in terms of media, in a very democratic age, but I think that we still look at everything through the lens of 'Vogue' and through our own point of view.
In 1986, I returned to London as editor in chief of 'British Vogue.' Although I still thought of myself as totally English, to my surprise, everyone here thought I was some sort of American control freak.
Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.
By the time I came to the States, I really understood how a magazine works. I came to 'Vogue' as creative director, and three years later I went back to London to be editor in chief of British 'Vogue.'
I feel it would be a huge mistake for 'Vogue' always to be completely tasteful, completely perfect. I think it's very important for us to also rock the boat.
I'm always looking for a cover subject that reflects the magazine, an interest in fashion, in culture, in society. We're trying to bring the world into the pages of 'Vogue.' We do that by tapping into the zeitgeists with our cover subjects.
'Vogue' is the best of everything that fashion can offer, and I think we point the way. We are, you know, a glamorous girlfriend.
In the fact that 'Vogue' is someone that can help guide enormous audiences through this fascinating world, I would like to think we are as influential and actually are now reaching so many more people than we ever dreamt of back in the Fifties or the Sixties.
Learning how to be editor-in-chief of 'Vogue' wasn't something that happened overnight.
'Vogue' and 'Vice' may appear to some to see the world through different lenses. But in my view, both are fearless and breathtaking, with unquenchable curiosity and vigor.
As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to shoot the kind of things I like to photograph in the way I like to photograph.
I'm always inspired by anything in 'Vogue,' anything that's been in 'Vogue.'
'Vogue' remains while its fashion editors come and go.
There are vogues and fashions in jurisprudence as in literature and art and dress.
I think it's really cool that there are people like Adele on the cover of 'Vogue' and 'Rolling Stone,' and like I think it's really important that people are talking about your body, because if they don't, then you'll never be able to break that barrier.
You can go up to the editor of 'Vogue,' and she might think I have horrible style, or maybe she thinks I have great style. Who knows? I don't really know too much about it: I just know what I like and what I don't like. I love clothes and making my own clothes and shoes, like I got to do with Adidas.
I just worship Madonna. As, like, a young gay kid growing up in the '80s and '90s... I was at the Blond Ambition tour with my parents vogue-ing up in the mezzanine at the Nassau Coliseum.
I was twelve years old when I started reading 'Vogue.'
We need a clear plan to put radical Islamic terrorism out of vogue, and it should be eliminated at its roots. American SOF are part of the puzzle, but they do not, by themselves, complete the picture.
I was such a nerd, a complete geek, but then I was lucky enough to have a fancy career, where I can be like 'See, I'm not a nerd. Look, I'm in 'Vogue.'
I was getting a lot of editorial, as in lots of pages in 'Vogue,' but it's far more important to get your dresses on the back of a famous person. Charlotte Rampling in Bruce Oldfield. That sells.
French 'Vogue' was always a photographer's magazine.
'Vogue' is a very specific world. You are 'Vogue,' or not 'Vogue.'
In my 10 years, I never put a girl that was too skinny in French 'Vogue.'
'Vogue' is a bigger name than my name.
You can't put yourself into competition with a magazine like 'Vogue.' You have to create something new, something different.
I don't think the woman in French 'Vogue' was an object. She was always a real woman.
'Vogue' is a very beautiful magazine, an institution, and I learned so much working there.
People ask me 'Why you want to do another magazine - 10 years at 'Vogue,' a great magazine? Why do you want to make a new one? It's so difficult and there's already so many.' I wanted to do something new, bring a new vision.
I made a big family when I was working at 'Vogue' for ten years, and I'm still friends with a lot of them.
When I left French 'Vogue,' New York welcomed me with a big, big hug.
When you have a magazine like 'Vogue,' you know a lot of kids are going to follow your pictures.
I like to style myself, as my first job out of university was working at 'Vogue' magazine in NYC, and I grew up attending the collections with my mother, so I have a particular aesthetic, which is classic glamour with a twist.
Being on the cover of 'Vogue' at 15 meant nothing to me. I never really understood what it was they were looking at, what they saw in me.
