We think of stars as celestial beings. And once in a while, they smile at us from the pages of 'People' magazine.
A. E. Hotchner
It's difficult for me to feel that a solid page without the breakups of paragraphs can be interesting. I break mine up perhaps sooner than I should in terms of the usage of the English language.
A. E. van Vogt
You can tell if you're going to be into a script within the first five or ten pages - if I'm not completely engaged by page 20, I just have to give up on it.
Aaron Paul
I love writing but hate starting. The page is awfully white, and it says, 'You may have fooled some of the people some of the time, but those days are over, giftless. I'm not your agent, and I'm not your mommy; I'm a white piece of paper. You wanna dance with me?' and I really, really don't. I'll go peaceable-like.
Aaron Sorkin
The rules are all in a sixty-four-page pamphlet by Aristotle called 'Poetics.' It was written almost three thousand years ago, but I promise you, if something is wrong with what you're writing, you've probably broken one of Aristotle's rules.
I get the 'The New York Times' and 'Los Angeles Times' thrown at my door every morning. I'll read the front page of 'The New York Times,' then the op-eds, then scan the arts section and then the sports section. Then I do the same with the 'L.A. Times.'
Writing never comes easy. The difference between Page 2 and Page Nothing is the difference between life and death.
When I was starting out, William Goldman took me under his wing, and he's still the person I show pages to.
All I can say is, I don't encourage younger kids to read my books, and actually, the biggest age group on my Facebook page is 25- to 35-year-old women.
Abbi Glines
Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts.
Abi Morgan
Plays are the marathon of scriptwriting. You fix on a point somewhere in the middle distance, and you start running, and you don't stop until you get to the end. The theory is that you have something you cannot not say: this is the engine that propels you through to the last page.
I think casting is everything. You get a great cast and - certainly, as happens in 'The Hour' - so many of those performances on the page were transformed by those actors who took those parts and made it into something completely different.
I'm an internet junkie. There, I said it. That's the first step, right? I also have a thing for making lists. Oh man, nothing beats turning to a fresh, clean page in a notebook, taking out a nice pen, and starting a list. There's so much potential there. So much to do, so little time! So hey, why not spend some of that time making a list.
Adam Christopher
If it weren't for the fellow union members and leaders who have my back, the barons of the TV industry would happily pay me a nickel a page and spend what would have been my residuals on more caviar to put in their infinity pools.
Adam Conover
When you look at Google, its job is to find you the perfect web page. There are a lot of cases when you want to know something and a list of websites isn't ideal.
Adam D'Angelo
The Internet was supposed to allow anyone to set up a web page and share their knowledge with the world. But in practice, it's too difficult and takes too long, and almost no one does it.
I had a financial page to write in the Mail on Sunday where I'd give tips on shares. I worked there for two and a half years. Nothing compares to the burst of energy felt on a newsroom floor when a big story breaks.
Adam Faith
There's a certain level of pageantry with 'Idol,' and in order to work the show, you kind of have to feed into it.
Adam Lambert
Michael Lewis has the amazing ability to take complex formulas and concepts and turn them into page-turners.
Adam McKay
Ever since I did that 57.9 last year, the Americans have been analysing me in detail. You can see on the swimming web pages. They are breaking it down in every detail. How many strokes I take. How quick I am in and out of the wall.
Adam Peaty
After I work with my editor to get the manuscript in good shape, I sketch and lay out a whole book loosely, usually in black and white. You learn things about your text when you have to think about pacing and page-turns.
The best compliment came from Knopf's Sonny Mehta. We were at lunch in New York with my editor, Gary Fisketjon, it was my first time meeting Sonny, and after ordering our food, he turned to me and said, 'Adam, I read 'Mr. Peanut' in two days; every page surprised me, and that, I can assure you, doesn't happen often.'
So on my screenplay, on the left-hand side of the page, I will put all the ideas that refer to the scene next to it so I have some sort of pictorial reference.
On my Wikipedia page, it used to say I was born in Belfast, Ireland, then it said Belfast, Northern Ireland, and then it said Belfast, U.K. So there was a little war going on about where Belfast is located.
I couldn't pay attention to a novel; I'd get three pages in and couldn't remember what it was about.
I don't use a stylist. I know what I like, so I do it myself. I rip things out from fashion magazines. It's easy to order when the phone number is right on the page.
I huff and puff and struggle with every sentence, paragraph and page - sometimes every word as well.
Novels are so much unrulier and more stressful to write. A short story can last two pages and then it's over, and that's kind of a relief. I really like balancing the two.
I was in a Bible study, Henry Blackaby's 'Experiencing God,' and I started to experience God as I was reading the pages of this workbook and studying scripture with some friends, and we all just searching to fill that void in our lives.
In the age of social media and dating apps, so many people are able to hide behind their Instagram page or their Raya page or Facebook. And it's like, 'Let's set something up! I want to meet face-to-face.' And 'Take Me' was about, 'Are you going to take me out? Do I have to be the first person to make the move?'
I would not say I was not interested in studies - it just wasn't there in me to pursue academics. I would open a page in the textbook and start thinking about everything under the sun except what was there in the book. I was more into extra-curricular activities and sports like NCC, rifle shooting, aero-modelling, bike racing, etc.
With things like 'Dragon Ball,' in the case of fight scenes, I'd take the panel layout across two pages when the book is opened and alter it by angling them, and making them bigger or smaller, to give movement to the panels themselves.
I'm not very good at depicting the characters' psychology on the page.
Reading about myself on public platforms makes me uncomfortable. I don't like it. I read other people's interviews or articles, but when it comes to myself, if I see something about myself then I immediately turn over the page.
I don't think I'm an angry person. I think I'm a person who's angry. I'm angry at the Bush administration; I'm angry at the right wing media. And by that I don't mean the media is right wing. I mean, there is a part of the media that's not the mainstream media. That's Fox, that is 'The Wall Street Journal' editorial page.
I'm old enough to know that a red carpet's just a rug, and I've been able to enjoy the pageantry without letting it go to my head.
Pitches are like pages of a book; they're so important. The chess game; how I set you up early, and how I'll do it differently later.
For me, whether it's in a book or on T.V., a recipe has to be simple. I have a short attention span, so to open a cookbook and see a recipe that goes on for three to four pages, well, I've lost interest.
I have to admit that I am really partial to the look and feel of a book. I have been that way my entire life. I like the weight, look, and feel of a book. I enjoy turning the pages, and frequently scan the spines of my many books on the wall, each title a reminder of the stored information and creative thoughts contained therein.
I like the weight, look, and feel of a book. I enjoy turning the pages, and frequently scan the spines of my many books on the wall, each title a reminder of the stored information and creative thoughts contained therein.
I was downright obnoxious. In second grade, we had some program where we kept a public list of all the books we read. I think it even included the number of pages. In my nerdy mind, having the longest and most impressive list was somehow going to make up for the fact that I couldn't climb a rope or do a backwards summersault in PE.
I know a lot of shows are like, 'Here's the pages,' right before they start filming. I'd have a heart attack. The anxiety would be way too much for me. I don't have as strong a backbone as those other show writers.
If a scene is longer than three pages, it better be for a good reason.
Sad to think that we won't have any new stories from John Updike, one of the last century's masters. But so many here in the two volumes of his collected stories, 186 by my count, stories to read, reread, savor over the course of a cold season. Updike's genius in the short form spills out of these many, many pages.
The dedication of Don Winslow's novel 'The Cartel' is nearly two pages long: a list of journalists who were either murdered or 'disappeared' in Mexico between 2004 and 2012 - the period covered in this hugely hypnotic new thriller.
I'm more inclined to linger in the science pages of 'The Week' magazine. But my principle obsessions are still watching sitcoms and football.
Keep writing. Try to do a little bit every day, even if the result looks like crap. Getting from page four to page five is more important than spending three weeks getting page four perfect.
I basically wrote five books with 'Night Soldiers,' called them novellas, and came in with a 600-page manuscript.
The only way you can handle big kinds of questions is to simply state briefly what the truth was. What am I going to tell you about the Holocaust? Would you like three pages about it? I don't think you would... I don't think anything different than you think - it was horrible.
It takes me three months of research and nine months of work to produce a book. When I start writing, I do two pages a day; if I'm gonna do 320, that's 160 days.
