Every time I step on stage an' see all of the lights or hear fans singing the words to my songs ,it's a surreal moment for me.
A Boogie wit da Hoodien
I'm not really worried about the flashy stuff. I don't got chains and cars. I spend what I need to spend. It doesn't faze me.
I want people to really recognize that this is what I am naturally good at: I'm really good at making music and describing your feelings vicariously through my experiences, through my past and my future. I want people to relate to me in multiple ways and be versatile in my music.
I'm not really rocking with mixtapes no more. EPs and albums - that's it.
If you listen to me, it's real stories. It's catchy and something you can relate to.
Not everyone's really got the heart to talk about what's going on with their love in their music.
New York sounds like something that I could really listen to. It's like a vibe; it's a hit song. It's a song that you could listen to in five years and still like.
One day, walking through the Bronx streets, I just realized that people were stopping me, taking pictures, and noticing me from across the street. I can't even use public transportation anymore, so I kind of stopped going places and started going straight to the studio, going home, and telling people I can't go anywhere anymore.
People's hustle in the Bronx is real.
I wasn't really comfortable going to college.
2017 was crazy when I made the 'Freshman' cover 'cause I looked up to it, and I really wanted to be in it. It was motivation for me after that: I kept on going, and I grinded.
Growing up in Highbridge was real. Me and all my friends, we never really went to any other places in the Bronx but Highbridge. We always just stayed in Highbridge. It was like territory, to be honest, because Highbridge is like a town.
Me and Tory Lanez got good chemistry together. We could make a song so easy, but we always like to figure out what we're really doing. We can make a good song, but it gotta make sense.
When I was 13, before I got in high school, I was writing mad raps. I didn't really know if it was good or not, so for a year, I just held them. When I got in high school, I started spittin' bars.
I had to realize that you can't try to get money, support yourself, and grind doing whatchu need to do at the same time. The music is the grind. You really gotta grind. You gotta find your way around. You can't be stuck tryna get there.
Really, I like the future. I appreciate my automatic alarm-call necklace in case I get lost and confused in a mall. I appreciate the watch that tells the hospital my blood pressure's gone ballistic. I like my computer, just as long as it doesn't get ideas above its workstation.
A. A. Gill
Learning Jimmy Carr riffs off by heart is not the way to anyone's heart, unless you're Jimmy Carr. And remember, the two most attractive things in a man is a sense of danger and being able to make a girl feel really safe.
The one thing politicians will always vote for is more politics, so in 2000 they invented the post of mayor of London without ever really thinking what it was a mayor would do.
It's not in the nature of stoic Cincinnatians to boast, which is fortunate, really, for they have meager pickings to boast about.
Only people who live outside cities realize the size of them. London turns out to be huge; there are great swaths, vast panoramas, a whole diaspora I'd never imagined. The place I live in tends to be manageably small, a few familiar journeys and destinations.
When you look at traditions closely, examine what they really are, you realize they're made up of layers and layers of deferrals, delays, indecisions, tomorrows and long lunches.
The more there is on offer, the more you don't want. Fifty options of cereal does not hone an epicurean expertise in the finer points of puffed rice, it murders appetite.
The real question is: if you knew there was a god, would you behave any differently? And if the answer is yes, then perhaps you should assume there is.
The Creation Museum isn't really a museum at all. It's an argument. It's not even an argument. It's the ammunition for an argument. It is the Word made into bullets. An armory of righteous revisionism.
What I say is that, if a fellow really likes potatoes, he must be a pretty decent sort of fellow.
In India, nobody really talks about works of art; they always talk about the appreciation of art. You buy this for 3,000 rupees, it'll become 30,000 in two months.
I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
Teaching is an instinctual art, mindful of potential, craving of realizations, a pausing, seamless process.
All the best stories are but one story in reality - the story of escape. It is the only thing which interests us all and at all times, how to escape.
But, somewhere in there, I did have the thought that this really fits in with my thinking about what I wanted to do; with what has to be done by a writer in order to stay alive as a writer.
I played a nerdy guy on 'CSI: NY' for nine years. I want to be bad for a while. I want to be really, really bad.
I was never really good in school.
When you boil down the real facts and statistics of what carbon dioxide is doing to this planet... to not feel like you have to do something... I don't think you're human.
'The Fight Club' DVD is great. I like anything that has really good extras because as an actor, it's really great to see the behind-the-scenes stuff and see how different actors approach their particular project.
My husband and I are just really laid back people.
A lot of times you have to dip into the independent world to find the really great projects and the really great scripts. They're out there - you just have to search hard.
I really like suspenseful movies and movies that make you think.
I really like 'The Three Kings' DVD. I love that movie and all the extra footage and documentaries.
I'm no where as tough as my father. I really think that I am more open to change than he was.
I was very good at sitting. But I just read so much research about how horrible sitting is for you. It's like, it's really bad. It's like Paula-Deen-glazed-bacon-doughnut bad. So I now move around as much as possible.
The world isn't going backward, if you can just stay young enough to remember what it was really like when you were really young.
But people who really know me, know that I am not a bad boy at heart... I am a big teddy bear.
We didn't realize there were that many boy bands until we started touring in Europe. I don't think we were ever affected by it since a lot of the groups in Europe didn't really sing live, but we did and would perform a cappella as well.
I'm starting to realize that people are beginning to want to know about me. It's a jolly strange idea.
In the past, I used to counter any such notions by asking myself: 'Would you really want President Hattersley?' I now find that possibility rather cheers me up. With his chubby, Dickensian features and his knowledge of T.H. Green and other harmless leftish political classics, Hattersley might not be such a bad thing after all.
The really clever people now want to be lawyers or journalists.
Never stop fighting until you arrive at your destined place - that is, the unique you. Have an aim in life, continuously acquire knowledge, work hard, and have perseverance to realise the great life.
Do we not realize that self respect comes with self reliance?
When we tackle obstacles, we find hidden reserves of courage and resilience we did not know we had. And it is only when we are faced with failure do we realise that these resources were always there within us. We only need to find them and move on with our lives.
Ultimately, education in its real sense is the pursuit of truth. It is an endless journey through knowledge and enlightenment.
