Being self-made means putting yourself in position to help others put themselves in position to be successful.
A Boogie wit da Hoodien
Perfecting your craft is one of the main keys in being successful.
My mom is proud of me. My pops proud of me. Everybody keeps motivating me.
Getting people to like my music was challenging at first. It's hard to get people to like your music. There isn't a simple formula that automatically makes people like you.
I got so many people that have my number. It's crazy. I just don't feel like texting anybody back after I get, like, 30 text messages in three hours. I just be chilling.
I was always writing, since I was, like, 12.
This is the most fun thing in the world to me, making music. Sitting down, I can make songs and not leave the booth, ever, and I love it.
I pick and choose what I want to put on what. Instead of just dropping a single, I like putting projects together.
When I was 13, before I got in high school, I was writing mad raps. I didn't really know if it was good or not, so for a year, I just held them. When I got in high school, I started spittin' bars.
Twenty is a tough age because it slips past in the middle of so much else - university, gap year, leaving home, getting jobs.
A. A. Gill
The French are never happy coming to London; this is an ancient and comforting enmity.
If you're bored, it's because someone else is fulfilling his dream. Become a bore. It's the most interesting thing you'll ever do.
Texting isn't writing. It's not like letter writing. Texting is short scriptwriting. It's a collaborative soap opera where nothing happens.
I'm frightened of my innate vanity. I mean: the suits lined with scarves? Even I know the warning signs. I could quite easily end up in a tiny Playboy mansion, all on my own.
Gordon Brown is a character from a tragic opera, twisted by ambition and a Presbyterian sense of fateful destiny. He has waited 13 years, mostly in Tony Blair's shadow, for this poisoned chalice and has a pessimist's luck.
Because there is no better tool for writing than experience. It has very little to do with grammar and everything to do with knowing.
Trying to learn to be a good man is like learning to play tennis against a wall. You are only a good man - a competent, capable, interesting and lovable man - when you're doing it for, or with, other people.
Only people who live outside cities realize the size of them. London turns out to be huge; there are great swaths, vast panoramas, a whole diaspora I'd never imagined. The place I live in tends to be manageably small, a few familiar journeys and destinations.
This is the trouble with cheating: there are no acceptable rules, or laws. It could be a smile, or dancing to a song that you considered to be indefinably 'ours'. It can feel like cheating to go to a restaurant that you used to go to with someone else. Keeping photographs of exes can infuriate, like retrospective cheating.
Mourning the loss of the phone call is like pining for buggy driving or women in hats or three-martini lunches. They've gone.
The trouble with righting some wrongs is that it makes the remaining ones seem even more unbearable.
Money has to be an explosion of excitement and opportunity, yet we already secretly know that it doesn't do what it promises. Nothing has ever given us as much pleasure as our pocket money when we were 12, or our first wage at the end of that first exhausting week, paid in folded cash.
When I joined the Sunday Times the people I was competing with were all 10 or 15 years younger, they all had double firsts from Oxford or Cambridge, they were all bright as new pins.
Writing, for me, is the great organiser. It's while writing that I think most deeply about things.
You can't stay in your corner of the forest waiting for others to come to you. You have to go to them sometimes.
One of the advantages of being disorderly is that one is constantly making exciting discoveries.
A clever conjurer is welcome anywhere, and those of us whose powers of entertainment are limited to the setting of booby-traps or the arranging of apple-pie beds must view with envy the much greater tribute of laughter and applause which is the lot of the prestidigitator with some natural gift for legerdemain.
I gave up writing children's books. I wanted to escape from them as I had once wanted to escape from 'Punch': as I have always wanted to escape. In vain.
The most difficult and complicated part of the writing process is the beginning.
We always knew how to honor fallen soldiers. They were killed for our sake, they went out on our mission. But how are we to mourn a random man killed in a terrorist attack while sitting in a cafe? How do you mourn a housewife who got on a bus and never returned?
One of the dreams of Zionism was to be a bridge. Instead, we are creating exclusion between the East and the West instead of creating bridges; we are contributing to the conflict between East and West by our stupid desire to have more.
Jerusalem doesn't belong only to Israelis and Palestinians, Muslims and Jews, but to the world.
Let us not forget: The Palestinians in Gaza are our permanent neighbors, and we are theirs.
For 50 years - that is, for most of my adult life - I worked tirelessly for the two-state solution in the face of countless frustrations, both on the part of the Israeli governments and the Palestinian Authority.
I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
Teaching is an instinctual art, mindful of potential, craving of realizations, a pausing, seamless process.
I read the newspaper avidly. It is my one form of continuous fiction.
Even when poetry has a meaning, as it usually has, it may be inadvisable to draw it out... Perfect understanding will sometimes almost extinguish pleasure.
It's difficult for me to feel that a solid page without the breakups of paragraphs can be interesting. I break mine up perhaps sooner than I should in terms of the usage of the English language.
I had casually rented an apartment that cost $75 a month because I expected my writing to pay my way.
Recruiting Station was a story that came as the result of many anxious awakenings during many nights.
It will be thought that I am acting strangely in concerning myself at this day with what appears at first sight and simply a well-known method of fortune-telling.
As an actor, the ambition is to play interesting characters. And in the indie genre world, the budgets are low. That allows me, as an actor, not to have a financial value behind my name, to justify me being in these bigger parts for these types of movies.
A lot of cable television is shot on a single camera. Our eyes are more trained to that. It takes the camera off the crane, away from observing the action, to becoming a character in the story along with everyone else. People are getting used to that.
I have some amazing fans! They're just so dedicated and so nice and so sweet. I'm, like, no one and I'm just starting out, and these people appreciate your work and it's nice to hear that.
I was very good at sitting. But I just read so much research about how horrible sitting is for you. It's like, it's really bad. It's like Paula-Deen-glazed-bacon-doughnut bad. So I now move around as much as possible.
To the Parisians, and especially to the children, all Americans are now 'heros du cinema.' This is particularly disconcerting to sensitive war correspondents, if any, aware, as they are, that these innocent thanks belong to those American combat troops who won the beachhead and then made the breakthrough. There are few such men in Paris.
No sane man can afford to dispense with debilitating pleasures. No ascetic can be considered reliably sane.
If the first requisite for writing well about food is a good appetite, the second is to put in your apprenticeship as a feeder when you have enough money to pay the check but not enough to produce indifference of the total.
The primary requisite for writing well about food is a good appetite. Without this, it is impossible to accumulate, within the allotted span, enough experience of eating to have anything worth setting down.
