My mythic version of America is very much about parents and children, and in my experience, the suburban setting is where that particular drama plays out. Which isn't to say that there aren't parents and children in cities or on farms. I just don't know them.
Tom Perrotta
The few times I've tried to write original screenplays, it's a difficult process because I just don't feel like I know the characters the way I know them after the year or two it takes to write a novel.
A screenwriter heard me read from my novel 'The Wishbones' when it was still in progress and mentioned me to some producers in Hollywood. They called, and I told them I had a novel in my drawer about a high school election that goes haywire. They asked to take a look, and my life changed pretty dramatically as a result.
I find that even small changes sometimes jog you out of a mental rut.
I read 'The Great Gatsby' in high school and was hypnotized by the beauty of the sentences and moved by the story about the irrevocability of lost love.
My novels are certainly more exciting than my own life.
I'm not sure that it's possible to write a novel about people who don't transgress or stumble, people who don't surprise themselves with the things they do, people who can explain all their actions with perfect logical consistency. At least it's not possible for me to write that sort of novel.
I have actual dreams of Bruce Springsteen calling me up on stage to wear a bandanna and play rhythm guitar next to Little Steven.
When things don't go well, it helps to think of yourself as a genius and the rest of the world as a bunch of idiots.
I no longer believe that just about everything is funny, if viewed from the proper angle.
I used to describe myself as a comic novelist, but my concerns seem to have darkened over the past few years.
I really wanted to be a musician, but it turned out I had no sense of time.
I've been a little bit obsessed with religion, without being a religious person, for about a decade.
When I was writing 'The Abstinence Teacher,' I really tried to immerse myself in contemporary American evangelical culture.
I'm used to adapting my novels for feature film - it can be challenging to cut and compress three or four hundred pages into two hours of dramatic action.
I think I'm fascinated by the power of religion in our culture. Like a lot of secular, liberal people, I ignored it for a long time. Lately, of course, just from a political perspective, it's impossible to ignore.
I write about kids growing up, I write a lot about schools and parents, and all of my experiences with those things have been suburban experiences.
It just so happened that for most of my life I've lived in the suburbs.
My wife and I left New York when she got pregnant - we just thought it would be really hard to stay in the city.
I did a lot of reading of the Bible and became fascinated with the idea of the Rapture. It's pretty wild. I hadn't heard of it until I was in college.
I don't really distinguish between sympathy and honesty when I'm writing. The two go together - I'm interested in inhabiting my characters, seeing the world through their eyes.
As for writing about temptation, there's no drama without temptation, and no novel without drama.
I was also known as Frodo because I was an early adopter of 'The Lord of the Rings.'
I was writing very early, like I was involved in our high school literary magazine, which was called 'Pariah.' The football team was the Bears, and the literary magazine was 'Pariah.' It was great. It was definitely a real sub-culture. But I wrote stories for them.
Nothing beats novel writing because it's complete expression of you. You just control everything. Not even a movie director has that level of control.
I was a garbage man in New Jersey in summers during college at Yale. Everybody else got to go to Switzerland and I got to go to the dump.
