It's a blessing and a curse at the same time, the idea of genre.

I treat my cat like she's my therapist or something, because I talk to her all the time, and as she's gotten older, she talks back. It's pretty funny.

I was playing bass when I was a kid; I play bass now. I used to draw pictures when I was a kid, and I draw pictures now. I talked backwards and weird when I was a kid, and I talk backwards now.

Growing up, I always loved working with people. I love playing with people and having that moment of discovering something different. I believe in the magic of what music is.

I remember swallowing my tooth up in a high chair, but I definitely don't remember the first time I played bass.

I remember playing Billy Cobham's 'Total Eclipse' for Snoop Dogg. I also played him Frank Zappa, 'Apostrophe.' And I played him 'Saint Alfonzo's Pancake Breakfast.'

I remember, with Kendrick on 'To Pimp a Butterfly,' I was in tears. I literally was because it had pulled me and pushed me and stretched me and crushed me and expanded me. It was like I didn't know which way was up. By the end of it, I felt like I was floating in the ocean like a carcass.

I actually went to high school with Jay Rock.

Money comes and goes. But when you look back on your career, you have be able to answer to yourself, 'Did I make the most of my time on earth?'

Brainfeeder makes me want to keep generating better music.

Driving around with my dad, growing up, he would play everything: Philip Bailey, Manhattan Transfer, Frank Zappa, Cream. I'd be like, 'Dad, cut this stuff off!' And he'd say, 'No, you're gonna listen to it.' I didn't understand why he liked it so much. In my mind, I would be thinking about the theme song to 'Sonic the Hedgehog.'

I'm left-handed.

That will be on my tombstone: He lived five minutes away from Flying Lotus.

Comedy is a coping mechanism, and it helps us stay alive.

Hall & Oates is everything.

It's a blessing and a curse at the same time, the idea of genre.

'Mortal Kombat,' the first arcade one, that soundtrack sounds like a Chick Corea album.

I feel like there are things that inspire the music, and then there's the music itself. I don't feel like I always need to force them together.

I can fall asleep in the shower without drowning.

It feels nice to be able to call Brainfeeder my home. It's giving art the platform. That's what Brainfeeder has always been for me: hope for art.

I don't play with toys anymore. I mean, I do play with toys, but not like when I was a kid. I don't crash cars into each other, but now I collect certain toys.

I love Drake's music.

My first reaction to playing at Coachella was like a kid who has no idea of the rules. I just wanted to go have a jam session with my friends. I didn't get that we couldn't just jump on one another's stages while they were performing!

I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'

'Looney Tunes' was not a children's cartoon. I don't care what anybody says. It was very politically charged, very racial. And then they tried to soften it up for kids later. But it was for the adults.

Kenny Loggins pours his heart and soul into the music he makes. He'll take you with him through everything he's going through, which is not easy.

You can do all kinds of things with your instrument outside of its surface purpose. My bass is my crutch, but the best crutch I could have.

I went to Locke High School in Watts towards the end of the super gangbanging era.

When I invite people over to my apartment, they usually don't like it because the music I play confuses the crap out of them - I'm making people listen to the 'Final Fantasy' soundtrack, and they're like, 'Why is this happening? Let's just leave and find somebody who wants us to have fun and not teach us about something.'

When I was younger, I was always a musician that could play by ear better than I could analytically.

I actually went to an arts middle school with Shia LaBeouf, but even there, I was one of the weirder kids.