I think, no matter who you are, at some point in your life you've probably said, 'OK, well, who am I, and where do I fit in?'

I was a wild child tomboy.

When you just come into a show that's already established, you feel that they're family, and they have a way of doing things and running things.

When I look at material, I get excited by things that are telling the truth because that's what you want to do: tell somebody else's truth.

When I looked at 'Dear White People,' you have four African-American students who are all very different and who are trying to figure out who they are. They're dealing with identity issues and crises. That is exciting to me, to see African-American young people on a page, on a screen, who are so diverse and whose stories are all so different.

I, for myself, have wanted to get more into producing because I want to be a part of the conversation and be one of the voices in the story we're trying to tell.

I try to be very particular about the roles I choose and what they say and put into the universe. I try to do my part.

When you get into this industry and the restrictions placed on women, first, and then on women on color, next? Yeah, this business comes with its challenges. But I do not shy away from those challenges.

When you get older, you start to doubt, and you put limitations on yourself. But little Teyonah had no fear.

Ever since I was maybe nine or 10 years old, I'd say, 'I'm gonna be an actor, and I'm gonna go to Julliard, and I'm gonna be in movies.' My parents never said, 'What's your backup plan?'

Every time I get a role, or the opportunity to explore a role, I look at it, and I think, 'What is the story we're trying to tell here?'

Why aren't there films being made that tell ethnically diverse stories? Or why is it so impossible to allow a person of color to add their texture and their essence to a role that is not ethnically specific? I don't know why it's a novel or risky idea to consider making a film look like how our world actually looks today.

I think people need to watch 'Chi-Raq' because you need to know what's happening in your back yard.

It's no coincidence that the cities with the highest rates of violence also have the highest rates of unemployment. There are not many opportunities. We have to address that, starting from the government down and the grassroots up.

I think social media is a slippery slope because while you're projecting something out to people, they also project back onto you what they want to see.

My dad, bless his heart, always told me I was beautiful, so I was never self-conscious in that way. But when you look at the images on TV, you think you need to look like that in order to be sexy.

It's important, as a young person of color, to see yourself reflected in the media.

I don't even watch basketball. I can't even pretend.

I had been getting relaxers since I was eight or nine. I had no clue. It was a personal mission to really find out who am when I'm not altering myself to look like anybody else. Who am I when I wake up and I don't do anything to my hair? Who is that woman? I want to meet her. And that was what catapulted my journey into going natural.

You have to really understand and appreciate who are you are and know who you are and what you have to offer people - not just a man but people! This helps you have something to stand on. Know your value and what makes you valuable so you can always go back to this.

I think, no matter who you are, at some point in your life you've probably said, 'OK, well, who am I, and where do I fit in?'

I went to this arts high school in Greenville, S.C. In speech class, the teacher, a white man, would say, 'You're talking ghetto. Don't talk ghetto.' I'm not only offended, but I'm confused because while there's nothing wrong with people who come from the projects or the ghetto, that's actually not my experience.

When they asked, 'What do you want to be when you grow up?' I said, 'I want to be a model and an actress.' They said, 'Why?' I said, 'Because I can look good and get paid to do it.' That's the kind of kid I was.

I'm looking through old things of mine, and there was this binder from when I was 14 years old. It is essentially a dream board. It is a school binder that I had put magazine clippings on. It said, 'TV actress, fame, a picture of Halle Berry, a picture of Christina Aguilera.' I was obsessed with both of them.

Working with Spike Lee was a dream of mine. It was amazing to be able to collaborate with such a visionary.

You have to be resilient to be a black person in America. The thing about being resilient is being able to fall apart and pick yourself up again. And putting yourself back together, that improves on what you were before.

An actor hears 'no' more often than the average person. A black human and a black woman on top of that? That's a lot of no's.

You look at 'Survivor's Remorse.' Or 'Blackish.' Or Issa Rae's brilliant, funny 'Insecure,' which started out on YouTube but is now on HBO. And you see multifaceted representations of the African-American experience. It's insanely exciting.

I'm influenced by many things. Simply turning on the television, I feel inundated with images and messages to be a certain way. So I try to limit my influences by being aware of what I allow into my environment. I'm always conscious of what's trying to creep into my subconscious.

I really feel like the stars have aligned many ways, many times for me. I have been blessed to play some awesome roles and nuanced and meaningful characters.

I'm like any other girl: I see the Instagram posts and the Tumblr stuff. I'm inspired by what my fellow girls are doing.