Anyone who tells you they don't need to rewrite, they're usually the ones who need it worst.
Tamora Pierce
Most important of all, there is no right or wrong way to write - there's only what works for you. I was taught to write every day, but I know a writer (a bestseller at that!) who only writes on weekends.
One of the things I strive for is realism. I need to be as real as possible in the dilemmas my characters face.
I love meeting fans. They're always fun, they always have good things to say, smart questions to ask, and plenty of ideas for me to explore in the future.
I believe that we haven't begun to understand the many forces that bind the physical world, any more than we understand our own minds and what they're capable of.
I come from a dysfunctional family, so my views of parents and parenting used to be highly mixed.
What happens to each of my female heroes, certainly, is they find something bigger than themselves that they are honored to serve. It's not giving up your family.
Books are as dark as what is available to teenagers through the media every day.
I'm of the Samuel Goldwyn school of writing: If you need to send a message, call Western Union. Any messages people take away from my books are the ones they see in them.
Neil Gaiman's 'Sandman' just rocked my world in the late '80s and early '90s. I couldn't read them fast enough.
My husband and I click wedding rings sometimes and say, 'By the power of the Castle of Greyskull!'
I don't write from dreams because I don't remember mine, but I had a fragment of an image left about twins, whose father was telling them how their lives were going to go for the next eight years. I wrote a scene about that, and then another and then another and then another, and after five months I had 732 pages.
With each book, in each place, I have to keep an ongoing map as I write because otherwise I don't know where I am.
You have an audience that is fairly well grounded in the real world. You serve them and yourself best by making everything as real as possible.
The fantasy that appeals most to people is the kind that's rooted thoroughly in somebody looking around a corner and thinking, 'What if I wandered into this writer's people here?' If you've done your job and made your people and your settings well enough, that adds an extra dimension that you can't buy.
If you aren't having fun, if you aren't anxious to find out what happens next as you write, then not only will you run out of steam on the story, but you won't be able to entertain anyone else, either.
Teen problem novels? I can go through them like a box of chocolates. And there are fantasy books out now that need a lot more editing. Fantasy got to be so popular that people began to think 'We don't need to be as diligent with the razor blade,' but they do.
We live in a dark time. Books are as dark as what is available to teenagers through the media every day.
If we just allowed women and men more leeway in our culture and more acceptance, I think they would be able to make better compromises.
What people tell me they take away from my books is that they can shape their lives, they can achieve their own dreams. And certainly that's what I want them to take away.
I was nuts for stuff in the Middle Ages when I was just in the third and fourth grades.
After I recovered from 'Lioness', I wanted to write something about animals because I really like mythical creatures, especially dragons. At 12, I was one of those semi-recluses who did better with animals than people. Out of that, came the character, Daine, who could communicate with animals.
Publishers have realized that, unlike the previous time period, American teenagers are both smarter and require more topical material than they had been giving them before that. For one thing, they'll read thicker books. Besides, has anybody looked at the news or read the newspapers recently?
I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
