When I write about working-class people, I do so in ways that reveal them at their absolute, magnificent worst.
Steven Berkoff
When I started studying acting, I was enamoured of actors who used movement to enhance the language.
I find it very satisfying to write because you can purge many things and vent what you feel under the mask of fiction.
A great opera house isn't run by a director, but by a great administrator.
We often find far more power in a symbol than in something that is an an actuality.
When I ascended from the depths of the working class to the middle class, the higher I got, the more dishonesty I found.
The mainstream is generally garbage. Look at the heavily subsidized theaters.
When I wrote 'East,' I wanted a completely earthy, very sexy, very violent play, so I wrote in verse. I found it not only satisfying but releasing. It gave me an opportunity to play with language. We never played the characters like the yobs that they are, but rather in a slightly heightened way.
Technology is the devil, and the more technology you have, the higher the price you pay.
Anti-Semitism has never gone away; it will always be there because it's a very convenient prejudice. The gene of it, the original DNA, is buried deep within our history. And even within some Jews as well.
Writing is an antidote for loneliness.
The most vital part of your humanity is the love you have for others. To deny it is to deny your life.
Art is a way of penetrating and going deep into our unconscious and creating amazing worlds - as the Greeks did, if you like, as did Ovid with his stories and his fantasies.
I'm very resistant to most forms of theater.
British culture loves the image of itself in the mirror; it doesn't want to look deep inside, behind the eyes, inside the brain, inside where those shivers and nightmares lie.
There's a lot of talk about people being abused on Twitter, women being savagely insulted and degraded. I think, 'Why get into that in the first place?' If I jump into a garbage bin, I can't complain that I've got rubbish all over me.
I'd like to be remembered with affection, with regard, and with just a smallest amount of admiration - that here's a man who walked against the tide.
With the feminist movement - a good movement which I support - there's been more overt criticism of the male, an attitude that men are failing to understand the finer nature of women, failing to appreciate their needs, failing to support them, failing to be compassionate.
When I have criticism that I feel is unfair, the rejection does disturb me, but it also strengthens me. I used to get turned down for all sorts of jobs. I used to writhe in pain, but then I would say, 'Good. Good. I will get stronger for this.'
It's impossible to have a favourite Shakespeare, since so many of the plays rouse and inspire completely different parts of your being.
You are treated like a cog in a machine. The director might be obsessing so much with the stunts that he doesn't notice your performance, and the producer may just be an insane money man, but I have no snobbery about the movies.
The theatre is your pulpit - it is your church - and you want to be a priest in your church, and that's what I believe in.
My mother was almost entirely responsible for my cultural education. She took me to the library once a week, and by the age of seven, I was reading 100 books a year.
Facebook and Twitter are like a horrible digital plague.
In London, nobody comments on what you wear - they think that's not important to you or your state of well-being.
After watching my poor mother being sometimes neglected by my father, it was almost tattooed on my brain that I would never cause hardship or despair to a partner.
I may be 80, but I intend to keep acting until the day I die. Instead of slowing down, I've discovered my second wind.
I like evil people.
During the Second World War, we lived in a flat on Whitechapel Road in the East End of London. At one point during the blitz, the air-raid sirens went off every night for 30 nights, and each time, my parents would grab my sister and me and take us to the shelter beneath Whitechapel underground station.
I've played a lot of bad guys in my time, especially in movies. It's delightful playing the villain. It's almost the most interesting and most complicated role in a film.
I liked Stanley Kubrick from the start. He had a warm, benign nature and offered himself to you as a friend and ally. He seemed to possess no airs or attitudes, neuroses, or predilection towards tantrums.
If you want to be an actor, you must have total, ruthless commitment to your art. Don't be ambitious for fame or TV or movies. Art is a jealous mistress and will brook no competitors. Study all the time. Never stop reading. Never stop learning speeches. It will fill you up - define and refine you.
I enjoy being in movies, but my heart will always lie with the theatre.
If you put out garbage, you turn people into garbage.
My earliest memory is of my first day at primary school and the distress of seeing my mother part from me.And being in a room full of strangers - of aliens. I felt that I would never see her again.
That is the nature of the British psyche. It's very blunt, plain, very linear. It's pragmatic: it records life as it is.
Everyone remembers the bad guy long after they've seen the movie.
Los Angeles is a weird mixture of every influence that Europe has dropped in its melting pot. It is hot, arid, picturesque, seething, banal, sometimes plain pleasant, and sometimes awesome.
The great actors we had came from the actor-manager theaters. Not only did they create a team, they were the generals working with the soldiers.
I do a devilish borscht, and I'm very good at pickles. I used to make jars and jars of sweet-and-sour pickled cucumbers.
My first name used to be Leslie. I snipped that off and put my middle name, which was Steven, in the front.
I like a lot of international people. Julie Taymore, the American director - she's one of the most exciting directors I've seen.
A lot of praise is given to very mediocre work. Critics have lost their taste, hearing, and eyesight.
Transgender casting is a kind of literalism. It is the same with racial casting. This means that you can now only play Othello if you are black. There is something quite tainted about it. It is a form of racism in itself.
I hardly ever see new plays. They don't have the audacity and daring that they used to.
I like watching films that have very impelling content, great persuasive language.
Most American films have now become mindless. The human element has been removed, so you are just left with the surrogate human, which is the robot, so coincidentally or, rather, ironically, they are making films about robots, without realising they are talking about themselves.
A knighthood would be a bit too much. An OBE or an MBE or whatever they are called, one of those would be more elegant.
I have a daughter from a relationship I had in my late teens or early 20s. Because I felt it wasn't the kind of pukka behaviour my family or relatives would admit to, I denied it for many years.
As a child, you only think of the now.
