I'm a big fan of cultural music, and that's how I try to expand my playing, by listening to music that is not conventionally American.

My past is very interesting, and I treasure it, but to write about it, it's just not on my radar.

Most people are fascinated to see someone play an instrument in an inspired way. We are moved by witnessing musical brilliance, and it was this notion that led me to purchase the GuitarTV domain 10 years ago.

I have a deep love for life and my fellow human beings. I try to understand everything that everybody does, even if it seems wrong to me.

I can count on one hand the people who are legendary in my book, and Tom Waits is certainly right at the top. It's funny, though: When I tell people that I like Tom's music, it surprises them.

The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.

What I look for in music is artistry, sincerity, and simplicity, and Tom Waits has all of that. I want to make a connection to the creator.

If you're feeling emotional when you're creating something, it'll sound that way.

I wanted to be a composer before anything else. And my sister was listening to Led Zeppelin in the other room! When I heard that, it was a game-changer.

You can never deny the immense talent, rock credibility and iconic historical contribution that Van Halen made.

It just happens in life, where you resonate with a particular artist. Or it can be a kind of food or a fashion - you discover it and it gives you a whole new lease on life.

It's hilarious, because my guitar has what's known as a tremolo bar or a whammy bar. And the whammy bar is probably the most alien thing on my guitar that could possibly relate to a classical guitar.

History's most treasured musicians were believed in and cultivated to reach their potential. Today, it would be difficult for those musicians to get deals. We have the insight and the tools to identify and bring to fruition the dormant talent that our artists possess.

I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.

My main calling in life is to seek and achieve spiritual balance, and to express that through my instrument. Everything else is here today, gone later today.

I created this picture of this character who would play the guitar effortlessly, who had no limitations, performing beautiful music, and he moved around with great acrobatic skills, just capturing the audience and being a great entertainer.

That's the thing about great artists: They find the thing that's most obvious to themselves, what's most conscious and natural, and they put it out there and the audience comes.

It's very hard to come across as a passionate human being in print. People can't hear the inflections in your voice.

I was always one of those guys who was a seeker after truth. I want to know what's going on.

I'm a big fan of cultural music, and that's how I try to expand my playing, by listening to music that is not conventionally American.

Still to this day, I am deeply satisfied when watching a guitar player who is connected with their art and instrument. GuitarTV helps you tap into that connection, and to each other.

Acting, at least for me, is very unreal, and when I'm doing it, I actually feel embarrassed.

I was about seven or eight years old when I first heard West Side Story, and it had a huge impact on me. If you look at the elements of that record, it contains many of the things I enjoy doing today.

I don't think I approach my songs differently from other artists. You get a big picture of it, and you imagine the song and hear and feel it, and that big picture is like a snapshot, and it comes to you as fast as it takes to click a camera.

I loved the guitar, and I had all of this music in my head. My passion for the guitar and the ideas for what I could create musically were equal. So that's where I was.

When I was a teenager in the '70s, I was really into those great bands like Led Zeppelin and Queen and Jethro Tull, Deep Purple, Alice Cooper.

Favored Nations is a long-term commitment. Our hope is that those who are passionate about real musicianship will want to hear and own most of our albums. We will set out to attain the same direct relationship with our customers that we have with our artists.

I knew that I was going to have a life as a musician, because I always felt the pull. I don't remember ever having to make a choice.

When I was young, I wasn't a misfit or anything. I had friends in all the different social groups. But I had issues - just personal issues, insecurities and other things that had happened in my life.

The older I get, the more I just like plugging directly into my amp. I'm tired of trying to impress myself with weird sounds. It's about the notes more.

A lot of those little things that I really like doing are just moments of cool articulation, just little moments of phrasing that probably go over everybody's head.