I've loved Alfred Cortot's playing from an early age, and I never tire of hearing his recordings, particularly Chopin and Schumann from the 1920s and '30s.

I once nodded off during one of my own concerts. While I was playing.

In every generation, politicians let us down, but music can lift us above the fighting and the mistakes. It does not offer answers to specific political questions. Instead, it looks beyond them.

They both changed the way we hear the sound of the piano, both of them inventors of sonority: Chopin took bel canto singing lines and reproduced them on the keyboard above richly upholstered counterpoint; Debussy somehow preserved vibrations in the air, blending their ephemeral magic into music that reaches far back into deep memory.

The daily glitter of skyscrapers competing with the stars is an unnecessary, unforgivable decadence.

In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.

I just found the piano so fascinating and wonderful, and I begged my parents to buy me one. In the end, they bought me a toy piano and eventually an upright piano, and I started lessons.

To me, the heart of the ministry lies in being able to help deeply distressed people, not because of your own qualities but because you represent Christ.

It's so easy for all the success in the world to suddenly end, and I'm quite aware of that.

The Internet tempts us to think that because an email or a new website can be accessed in seconds that everything works at the same instant speed. Art is more like the growth of a plant. It needs time and space.

I think it all comes from the same source, really, the writing of music, the writing of words, the playing of music. It's what drives anyone to be interested in the arts. I think it's a poetic gene; it's a wanting to go beyond.

To me, spirituality is the everyday stuff which we're dealing with all the time. It's not going into some ecstatic trance. It's changing a nappy, or making a meal at the end of a very tiring day.

I was such a lazy teenager: I didn't read or play the piano beyond the bare minimum.

Discovering how to spend leisure time well, especially during a time of austerity, could be as important in the effort to reduce crime as having extra police on the streets, and increasing the population of concert halls may actually help decrease the population of prisons.

I was very quick; I did nothing but play the piano apart from being at school. I was at home with my mother, saying, 'Go out and get some fresh air.' No, I wanted to play the piano all the time I could. I was completely obsessed.

The things I do outside of playing the piano are done out of an inner necessity, not just because I want to try my hand at different things.

I don't watch television! At least not when I'm traveling. For some reason, I have always found it depressing to watch television in hotel rooms. I try to use that time, as well as time on planes, to write.

The 'Missa Mirabilis' is a big work which was conceived for a large organ and a lot of singers.

I love food, but if I find a restaurant I like in a new city, I can eat every meal there, and sometimes I do... and even sometimes the same dish.

I want music to move me, and I don't think it can do that without at least a link to tonality. It's the tug between atonal and tonal which makes music poignant.

I love listening to things like those wonderful piano pieces of Stockhausen. It's just not my thing as a composer or performer, and thank goodness we're not obliged to be Modernist any more.

There's certainly no doubt that commercialism has entered classical music to such a degree that almost no one seems to care anymore about the physical and mental health of the performer.

I was out of the U.K. as a care-free, fun-loving student for much of Mrs. Thatcher's time in Downing Street, and as I didn't own a television in New York, never read the newspapers, and am old enough to have lived before the Internet, she is a shadowy figure in my memory.

I haven't studied theology in any systematic way. I don't think I'd find certain subjects - canon law, for instance - terribly interesting. But I'm always picking around and finding different things.

Unlike sport, music is not about winning or keeping fit or promoting your town or school; it's about celebrating, to a level approaching ecstasy, the deepest human longings.

Painting is just a hobby. I really don't think of it much more than that. But writing music and writing words... my life would feel as if it had a big hole if I took those away.

If 'ecstasy' means to stand outside ourselves, then what better ambition can there be as we wait in the wings of the Royal Albert Hall: to leave self-obsession behind and take the audience on a journey across the high wire of Beethoven or the flying trapeze of Liszt.

Food waste is an atrocity that is reducible, if not completely avoidable.

Unlike a high-wire walker, I don't think any musician strikes the wires of a piano or draws a bow across a violin's strings primarily for the kick of an adrenalin fix. There is danger on stage, but dropped notes are not broken bones; a memory lapse is not a tumble to the ground.

Life is an incurable disease leading to death, but it's also an unrequested gift, which, if we can manage to keep giving it away to others, can keep giving back everything to us.

My principal commitment is playing the piano. But I always loved words.