If I work with Shah Rukh, it will be as an actor, not a star. Whenever I have thought of making a film with some star in mind, I've abandoned the film in a few weeks.

Badlapur' is a drama, a character-driven story. It is not so much about plot.

With 'Badlapur', I wasn't even thinking about casting. I was wondering whether any producer will want to make a film with a story like this. It is not your expected, feel-good, or even your regular thriller.

There's this film called 'The Pledge', with Jack Nicholson in it. Now that's a dark film.

Right from childhood, I have enjoyed films which belong to the thriller genre. As a kid, I would read novels written by Agatha Christie and James Hadley Chase.

I wanted to make films, but the films being made in the 1990s were not my kind. I couldn't break in, and even if I did manage to get a foothold, I didn't know what I would make.

People don't know what filmmaking is even after they have made ten films.

There are certain actors I think I can approach whenever I am working on something and Shah Rukh is one of those. He's somebody whom I'd love to work with.

Unless the movie is about to release, I don't like to be in the limelight. Then I have no choice, but after that you have to get back.

When you are working on a real story it is your responsibility to get everything right and stay as true and authentic as possible.

We all are scared of bad things… So when you are watching a film, you see your fears on the screen.

Only three or four thrillers are made in Hindi cinema in a year. There is a fascination for crime genre but producers think thrillers don't have that much of a market or will not get picked up for satellite rights.

I believe thrillers work if the story is good. It is not easy to make a thriller because the audience is making their own story in their minds as they watch the film. You have to break that expectation and still make them like the film.

I am partial to thrillers but if somebody gives me a script like 'King's Speech' to do, I would love to do it too.

I would not have been interested in doing just a revenge film simply because I have seen so many revenge films right from Clint Eastwood films to Amitabh Bachchan's 'Zanjeer', 'Sholay' and 'Ghayal' and various variants of them.

When people watch good films they want other films to be of that calibre as well particularly when you cater to the same core audience.

In love stories you have to establish the mood and then you can go on. Writing thrillers are difficult because every scene needs a twist. May be comedy is even more difficult but I have no experience of it.

My second film 'Johnny Gaddar' got delayed because of financial reasons. The film was taken over by another production house and in the process we lost a year.

With 'Agent Vinod', there was a lot of chaos with schedules and the film took a year and a half to shoot.

I have never had the problem of finding a producer for my films. I think I am just lucky because my first film didn't do great box office business.

Often I would get offers to remake films and that didn't interest me. I have no interest in remaking a film in Hindi which has been made in the south already. I prefer adapting from a book than a movie.

I've met Shah Rukh a couple of times. He had even dropped by on the sets of 'Agent Vinod'.

Ever since my first film, I had more producers than scripts. And I've realised that a certain project requires a certain kind of producer for it to be made well.

For thrillers, it's especially difficult to carve out a good trailer.

What you see in my script may not be what's in the film. Sometimes it's a very scary thing, when I have to shoot in the morning and the scene's not good enough, and it's only me there, and there's no signal to even call the others and say, think of a better line.

As a filmmaker, I want to bring some value, some thought in the mind of my audience. When I embark on the journey of storytelling, I am an explorer.

I do not think that when I write a female character, I intend to reflect my thoughts on gender equality, but I always make sure that my female character is not decorative, they are human, they are good, bad, complex and close to reality.

My women characters should not exist only to play the 'love interest' of a male character.

My idea is to write a story where every character is well etched out, irrespective of their gender. Because they all are human beings and stories are on the situation and human mind.

It is unlike the quintessential thriller where someone is up to something and the audience is speculating. 'Johnny Gaddaar' is the opposite of a thriller. In this case, the audience knows right from the outset what transpires and who the likely culprit is. It is a suspense caper.

On a serious note, I just enjoy exploring the unconventional. I like Alfred Hitchcock; I actually grew up watching his films. A thriller gives you much more scope of exhibiting creativity in terms of playing with the camera and sound, as against a typical love story.