I really liked the 'Pitch Black' DVD, and I liked the commentary.

I used to feel that I had to be dictatorial in order to be respected, but after I did a couple of TV movies, I began to see that authority came with the job. So I began to relax and let more people into the process, and my work really improved.

I developed a theory that, in many ways, the early 'Andy Griffith' episodes especially were an awful lot like a Capra movie. They were a lot like 'Mr. Deeds' or a lot like 'It's a Wonderful Life' in tone and presentation.

Richard Dreyfuss, when we were doing 'American Graffiti,' was pumping me to vote for McGovern. But I think I wound up going for Nixon. I thought he could get us out of the Vietnam War quickly. Ha.

I can't say that I am a DVD junkie. I see most films that I want to see in the theater, and so most of my DVD-watching is catching up with the occasional movies that I missed or revisiting a film that I really care about, in which case I really want the extra channels, because it's a movie that I already love, and I want to know more about it.

I always think of the good comebacks on the car ride home.

Nina Gold is a fantastic casting director. She's doing the new 'Star Wars' movies, but she also does 'Game of Thrones' and many of the Working Title movies, and she did 'Rush.'

I think it gets overused and tossed around in ways that aren't true. Every impressive achievement is not genius.

I don't think there is a single character in 'The Graduate' that is not a phony, to one degree or another, except Benjamin and Elaine, and only in the scenes when they are alone together.

Even when you're 22 and you feel immortal, you know in your heart you're not.

I'm lucky in a lot of ways. And in my family life, my home life, is where I count myself the luckiest.

Instead of candidates hiring people, like yours truly, to create campaign media that works on both conscious and subconscious levels to sway the voting public, what if all TV ads were, by law, only allowed to feature the candidate, with, say, the American flag as the backdrop, alone, speaking directly to the camera?

I never wanted to be a brand director. I didn't want that kind of stamp. I wanted to be more like Pacino or Dustin Hoffman or Meryl Streep or De Niro - you know, a chameleon as a storyteller - because I love all kinds of movies.

I have very close friends who are very devout Catholics, and I talked to them before the 'Da Vinci Code,' and it was very difficult for them, but I talked to them before 'Angels and Demons,' and they said the scandal, abuse of power and violence was part of church history, which you can read about in the Vatican bookstore.

I've been around the 'Star Wars' universe from the beginning.

If you're not out there taking some risks, if you're just coasting along with your wins, then you're not really trying.

Being a president is an impossible job - it's naive to think someone can do the job and not bend the law here and there.

Let me be clear: neither I nor 'Angels & Demons' are anti-Catholic.

I don't look ahead to the future as a vast, endless one. I've begun to feel the calendar pages turning.

You can't expect perfection. It is important to sort of acknowledge some of our imperfections. I write them down. There's something about acknowledging mistakes and being able to put them down on paper; they become facts of your life that you must live with. And then, hopefully, you can navigate the road a little bit better.

I love all kinds of stories and movies, and I did work hard to get through to the creative community and studio executives that I could work in a number of different genres and tones.

Nobody can compare themselves to what The Beatles went through. It was wild.

The regrets I have are strong enough that I wouldn't share 'em. I think that you can't live without suffering some.

It's hard to define change in oneself unless something really dramatic happens, like you give up some vice, fall in love, or something like that.

I think there's a tendency with actor/directors to imagine themselves playing every part and trying to get people to follow their rhythm, their tempo, their pace. I've learned now to just love being at the center of this creative swirl.

Everything's always about page-turning, right? What's next? So, if you create questions for audiences, then they'll want to know the answer. Or they begin to formulate possible outcomes. That's the game we play when we're hearing a story unfold. That's part of what sucks us into a movie.

We're all constantly keeping score. You can't help it. But trying to pit ourselves against other people in some measurable way is largely a waste of time.

Once or twice in the height of 'Happy Days' excitement, which had more to do with Henry Winkler as The Fonz than ever had to do with me, we were kind of like a boy band for a year or so, and we would go out on personal appearances and feel the limousine rocking, and the grabbing at your clothes and people trying to steal your cap.

Unlike the twisters he famously chased in the movies, Bill Paxton was the kind of force of nature you ran toward and never away from.

There is something inherently tough about Americans. They will not accept defeat.

My folks met at the University of Oklahoma, in the theater department in the 1940s. They were married touring the country in 'Cinderella' and 'Snow White.' My mother was married in Cinderella's costume; the dwarves were the best men.