I don't ever want anyone to think that I'm being judgmental. I gotta do everything I can do to not be preachy.

I'm just living each day, and I'm better equipped to do so. I mean, I used to be totally afraid, I used to have, like, permanent stage fright. But now I'm trying to have fun. I'm trying to bring as much happiness to as many people as possible.

What I am best at is reading a book and then writing a critical essay.

I just gotta keep reminding myself: Every time I do an interview or something, my volition really has to be just to serve, to help people. Not to feel like I'm important.

It seems like Weezer has gotten better and better at getting attention for everything besides our music. Part of that is just the nature of our culture now - you really have to scream to get some attention, so people even know you have a record out that they might want to listen to.

I like to get input from all different kinds of listeners, including the really conservative ones, and sometimes those listeners steer me in a direction that I haven't seen. But at the end of the day, my vote is always to go in the direction that makes me the most excited.

I really don't need to suffer. I can really become a happy person and still make good music - in fact, better music.

Now that I'm a father, I've forgiven my parents.

I found that so many people in the music business started out as metalheads in the Eighties - whether they're songwriters, producers, engineers or executives, and no matter what they look like, with short hair, suits or whatever. I feel like my generation of metal kids really tends to populate the music world to a large extent.

I had rock-star dreams from 8 or 9 almost nonstop. I thought it was going to be like being a god on earth: having as many women as you want whenever you want them, having super powers, being incredibly wealthy, never doing laundry.

Probably the most reliable comfort music for me over the years has been Bach.

I think I've been skeptical of violent passion for a long time. I think 'Pinkerton' is about that a lot - seeing how, every time I've felt really passionate for someone, as soon as I 'acquire' them or feel like I've acquired them, the passion goes away.

I think I'm a good dad. It's hard. Ultimately, it's our kids that have the final word. So we'll have to ask them.

I have some good books of Bach keyboard music transcribed for guitar, and there's always a nylon-string guitar hanging on the wall in my house and a bunch of classical guitar books to grab. I kind of do that just for fun.

I can't imagine Weezer stopping. We just love doing what we're doing, and I think we'll keep going until we fall down dead. Even if the audience is abandoning us, I can't imagine doing anything else!

I think probably with any performer, but maybe with rock music especially, the audience wants to see the singer being real, and exploring, and not doing a rehearsed routine, so I'm just constantly looking for new things to try. I'm really curious out there, and my curiosity has led me into all kinds of bizarre situations.

I wouldn't say that I relax and enjoy anything. But I think my pessimism helps. I never really expect anything good to happen, so when it does, it's a nice surprise.

I love writing songs. One of the toughest things is structure; it just works when you use verse, chorus, verse, chorus, bridge. And as soon as you become aware of that formula, you start to have a bad conscience when you write with that particular structure.

I do want to make music that people love, but I also want to make music that I love. I know I can't please everyone with anything I do, so I don't think too much about how other people are going to take things.

Growing up, I was a giant KISS fan, and the truth is the record I had was 'Rock and Roll Over,' and there wasn't even a clear picture of them in the packaging! So I really had no idea what they looked like; I just loved their music.

Certainly, the Beach Boys and the early Beatles records were a huge influence on me lyrically.

I meditate an hour in the morning and an hour in the evening. Once a year I go away for a long retreat. And overall, I just feel more comfortable in my own skin and less anxious, less sad, less fearful.

When you're starting out, you basically have all these assumptions about what it means to be an artist or how to be a rock star. It took me years, through trial and error, to figure out what does work for me. So much of it is counter to the myth of the rock-star life.

At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.

I've tried every which way for writing lyrics - everything from using really bizarre imagery and metaphors, sort of obscuring the facts of what I'm singing about, all the way over to a song like 'Losing My Mind,' where you're just reading my thoughts as they're occurring.

I was fixated on Prince's 'Black Album' for a long time.

When I was 15 and dreaming about being a rock star... I thought the whole point of it was to get chicks.

I'm often troubled by a very strong instinct to share everything that's going on with me. I want to feel that connection, even with people I don't know. Then this other voice says, 'That's not prudent. People will use what you've said to hurt you.'

I've always thought of myself as so unsuited to be a frontman.

I've done a few things on the side here and there, but there is not much reason to do so in a sustained way. I'm generally able to say what I want to say within the context of Weezer.

I have a natural instinct to feel guilty and that I've let people down. I've apologized in more songs than 'Back to the Shack.' Going back to our second record, the closing lines are 'I'm sorry, I'm sorry, I'm sorry.' It's definitely part of my personality.