Certainly, last year we did an episode about the census and sampling versus a direct statistic. You just said the word 'census,' and people fall asleep.
Aaron Sorkin
When we were doing 'The West Wing,' the hardest thing about doing 'The West Wing' was being compared to yourself. You go out there and want every episode to be as good as your best episode. I wrote 88 episodes of 'The West Wing,' and when you do that, one of them is going to be your 88th best, so your 88th best better be pretty good.
I'm crazy about 'Breaking Bad,' but I wouldn't know how to write an episode of it.
We're about to shoot an episode on Air Force One, for instance, and we're going to take liberties, small liberties, with Air Force One, as we take small liberties with our White House set.
Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.
We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market.
Aaron Spelling
Well, I guess most people would only know me from The O.C. I did a few episodes of Gilmore Girls before that. I was also a client on a lot of lawyer shows.
Adam Brody
I've never seen a single episode of 'So You Think You Can Dance.'
Adam G. Sevani
I think the least stereotypical gay character on television is probably Matt LeBlanc on 'Episodes.' He just plays it so straight-faced. They never talk about the fact that he's such a huge gay person.
Adam Pally
'Portlandia' - love it. I can consume three episodes of it without even realizing I'm watching TV.
I think where it's going is toward what the music industry is like, where channels will be considered more like labels that carry the type of TV show that you like, and then you'll consume them however you can. For example, I don't really watch Showtime, but I bought 'Homeland,' and I've been watching every episode on my iPad.
Nothing surprises me on 'Happy Endings,' because the show - I think one of the awesome things about the show is that it's so open to doing anything. We could do a genre episode. We have the green light to do whatever we want. Mostly because no one's watching.
I loved my time on 'The Mindy Project' so much. It was only supposed to be half a year. It was really only supposed to be one episode, and then it became three episodes, and then it became half a year, and then it became a year and a half, and then it became two years.
In television, you make an hour-long episode every seven days; we used to make 'Party Down' in four days per episode. It's quick and with independent movies is the same: you gotta keep moving. It's very similar.
Adam Scott
I didn't know what was going to happen with 'Teen Wolf.' I was only scheduled to do four episodes for them, but they kept me on, and I was like, 'Sweet! I'm still employed! That's awesome!' And then, they let me know that they were considering having me for the second half of the season.
Adelaide Kane
Television doesn't get any better than the second episode of 'Castle.'
Adrian Pasdar
Everyone always asks, 'Did you ever rebel? Did you dye your hair blue? Did you wear black nail polish?' I mean, of course, there have been episodes when you wear weird-colored lipstick... But generally, I think I was pretty much the way I am now.
Aerin Lauder
I was a religious 'SNL' watcher all through middle school. I was obsessed with Molly Shannon, Ana Gasteyer, Cheri Oteri - they were on right when I found the show. Then I started watching the older episodes, and it just totally blew my mind that my dream show already existed.
Aidy Bryant
In TV, when you come in to direct an episode, you are effectively learning an established language; you then have to try to learn to speak it really well. But on a movie, you are the guy. You are creating the language; you make most of the decisions.
Alan Taylor
On 'Master of None,' the majority of the episodes were just one story, and that was by design because we really wanted to focus in on the character of Dev and get the audience in his head.
Alan Yang
We got kind of into a rhythm at 'Parks' because there were so many characters that we had an A story, a B story, and a C story just about every episode. So by the middle of that show's run, we always had three stories, and it worked really well.
I respect the hell out of everyone who does a network show. That is a marathon. It's so many episodes, and it can be a meat grinder. Anyone making a network show, and on top of that making a very good network show, that's an insane feat of Herculean endurance and fortitude.
I think it's good for 'Drag Race' to be moving toward the mainstream. I'm grateful for the move to VH1. I'm glad that one million people watched the first episode of Season 9. Our message is one of love and acceptance and truth and strength and perseverance, and I believe it should reach everyone, near and far.
There are shows that are monolithic successes on TV that nobody in the business ever watches one episode of.
I feel terrible for directors of TV because all the episodes have to look the same. They make a great series for five or six years, and then when it's canceled, they can't break out on their own.
I'm a very deep thinker, and I find it very hard to switch off at night, so I usually have to put on an episode of 'Friends' or listen to some music before bed.
No director directs 'Game of Thrones' without reading all the episodes and knowing what's going on. All the episodes are written in advance, so you can do that, which is an important point.
Most TV shows are writing the next episode while you're directing the one you're doing, and they're trying to figure out what they're going to do, and they're putting it all together.
With the finale episode of 'Gravity Falls' our job as storytellers is to finish all the things we've started.
'It's Always Sunny in Philadelphia' I did an episode on, and that's one of my favorite television shows ever, and there are these shows that I watch so regularly.
All the weird inconveniences of adult life that you thought they made up to lend excitement and color to episodes of 'Sex and the City' are, in fact, real.
Does my character hate Bree? Well, let's just put it this way. Bree hasn't seen the last of me. I gave that drunk gal a ride home a few episodes ago and she turned on me!
I can't say too much about it because I don't know a lot. We're not told what's in store for our characters until we turn up to shoot the episode. But it's fair to say that Betty and her son bring a brand new mystery to the street and they will be around all season.
I'm not a huge TV person, but when I do watch, it's always after the fact because I like to binge watch. It's more entertaining for me to watch these characters fresh, after one episode, instead of waiting a whole week.
I did an episode of The Profiler. I actually worked on the last episode of Murphy Brown.
I was in something called 'Garth Marenghi's Darkplace' which was a real cult comedy; it's sort of a spoof horror sort of thing, and it only ever had one series, but I liked the fact that it only had one series because it's kind of got this little gemlike quality to it that there were only ever six episodes.
My first TV job was on an episode of 'Hannah Montana'... Since then, I've been fortunate to end up on shows that are just such a high quality, where the writing and material is incredible.
A lot of guys I know loved 'Sex and the City.' They'll take it to their grave, but they watched every episode of it.
'The 100' gave me this platform I never expected. I didn't expect the character to become anything. I was originally only signed up to do six episodes, and then it just sort of become this whole story and journey, which was an amazing character, a great journey, so that has been incredible, and I didn't expect anything out of it.
A story has to have several layers to sustain audience interest in each episode.
Every episode of 'The Conversation' was created to be a platform for women, to connect women, and to allow women's voices to be heard as much as possible. That's why I launched that show on a television network and online simultaneously.
I have had women in their 70s coming up to me saying, 'I can't get enough of '12 Monkeys' - I love it. I can't wait for the next episode.' That's not the demographic that you expect to be watching sci-fi shows.
I take a lot of notes. Maybe it's a product of me taking so many notes, but I have a pretty good memory for episodes, and some of the other actors will ask me questions about things, so I have this sense of responsibility that I have to be the one to remember some of the details.
Fashion week is not an episode of 'Girls' or 'Friends,' where I'm OK that there is not a black person in sight because I honestly believe these characters don't come into contact with - therefore don't have - any black friends. No, in the case of Fashion week, it feels wrong.
If you just stay with it and take it scene by scene, episode by episode, all of the questions that I have, as an actor, tend to answer themselves.
Perhaps there's a lot of quality television that's not right for the individual who needs questions answered in each episode, and perhaps reality television may be a better option. With the integrity of HBO and their drive to tell stories, it takes time to arrive at any sort of answers.
I don't watch a lot of comedy. For relaxation and escape, I watch shows about how people survive bear attacks. Or old episodes of 'Law and Order,' the Benjamin Bratt/Jerry Orbach era.
Here's the thing: I did one episode of Deep Space Nine, and I loved everybody that I worked with. People couldn't have been kinder... But I had a really, really difficult time with the prosthetics.
I watched the first episode of 'Survivor' in the spring of 2000, thinking I would hate it. My natural inclination steers me toward the indoors not only in my actual life but also in the settings of the entertainment I read and watch.
Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?'
