Dystopian Quotes

The kind of dystopian books that I've always loved the most are the ones where you find yourself in a world that's less scorched-earth and instead a world that has just been made different.

Most dystopian, classic and contemporary, paints a future world that puts a twist on present society - a future world that could plausibly happen.

'Dystopian,' by definition, promises a darker story.

I think dystopian futures are also a reflection of current fears.

Dystopian novels help people process their fears about what the future might look like; further, they usually show that there is always hope, even in the bleakest future.

I never, as a reader, have been particularly interested in dystopian literature or science fiction or, in fact, fantasy.

I majored in English in college, so I read the classic dystopian novels like '1984' and 'Brave New World.'

People in the know say 'The Giver' was the first young adult dystopian novel.

I think sci-fi films have become rather bleak, and understandably so - I think we've made some big mistakes globally with how we're developing, and we deal with that guilt by creating these very dystopian futures in films.

Would we be so enamored with dystopian fiction if we lived in a culture where violent death was a major concern? It wouldn't be escapism.

That's what 'Star Trek' was: We don't know how to make an ideal society, but we're going to portray that, and then we're going to work backward. I think that's why science fiction - despite the dystopian parts - comes out of this super ideal that, eventually, we will get to some better place where we actually live up to our ideals.

When I first read Margaret Atwood's novel 'The Handmaid's Tale,' it was Saudi Arabia as I knew it that came to mind, not a dystopian future United States as in the new television adaptation.

Writers of feminist dystopian fiction are alert to the realities that grind down women's lives, that make the unthinkable suddenly thinkable.

You've got to give an audience something to root for. The minute you get into more dystopian shows, where everything's really dark, and no one has any hope, and there's no positive goal we're working toward, it's a bummer. You run out of gas with them. Because you need to know, 'What am I in this for? What am I rooting for?'

The popular dystopian vision of AI is wrong for one simple reason: it equates intelligence with autonomy. That is, it assumes a smart computer will create its own goals and have its own will and will use its faster processing abilities and deep databases to beat humans at their own game.

Sometimes when we label something dystopian fiction, I feel like we're trying very hard not to use the words 'science fiction,' because science fiction has those horrible connotations of rocket ships and bodacious babes.

All the definitions people want to put on you in terms of what kind of writer you are come with hidden meanings. If you're writing science fiction, you're writing rocket ships. If you write dystopian fiction, it's inequity where The Man must be fought.

Every new generation of SF writers remakes cyberpunk - a genre often laced with dystopian subtexts - in its own image.

It's a heartening fact about the human race that utopian fiction precedes dystopian fiction in the evolution of literature.

'Blade Runner' was one of several dystopian science-fiction films to tank in the early and middle '80s. 'Tron,' 'The Dark Crystal,' 'The Keep,' 'Labyrinth': none found a large audience.

I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.

My English teachers gave me a copy of Atwood's 'The Handmaid's Tale' when I left high school, which has always been very special to me - it was the novel that introduced me to dystopian fiction. I'm also influenced by Edgar Allan Poe, Dickens, John Wyndham and Middle English dream-visions.

I've always read broadly: literary fiction, sci-fi, fantasy, chick lit, historical, dystopian, nonfiction, memoir. I've even read Westerns. I prefer female protagonists.

I know these are going to sound like school reading-list suggestions, but if you like dystopian fiction, you should check out some of the originals: 'Anthem,' by Ayn Rand; '1984,' by George Orwell; or 'Brave New World,' by Aldous Huxley.

Dystopian novels, such as Orwell's 'Nineteen Eighty-Four,' often tend to site their despotised or deformed civilisations in urban environments.

For its speculations to be taken seriously, dystopian fiction must be part of a discussion of contemporary society, a projection of ongoing political failures perhaps, or the wringing of present jeopardy for future disaster.

Shelley Jackson's 'Half Life' is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman.

I think people respond to dystopian stories because they're ways of acting out anxieties that we have and fears that we have about the future. So much media's coming at you over the Internet, your brain gets overloaded. You don't know what to do with it. And one thing you can do with it is read a story.

Unless technology itself is drastically repressed, the idea of the dystopian monoculture like Orwell's 1984 gets harder to believe. But the danger of a solipsistic society will grow, of a disconnected society of mirror-watchers and navel-gazers.

We are all living in a techno-dystopian fantasy, the Internet-connected portals we rely on rendering the world in all its granular detail and absurdity like Borges's 'Aleph.'